Dead Sea MSS: No surviving manuscripts.
This Psalm is a prayer for YHWH’s blessing on the king. Many of the Psalms evince a royal background, but this is one of the few that is clearly focused on the Israelite/Judean king. Needless to say, in its original form it must be pre-exilic in date, having been composed during the Kingdom-period. The heading reads hm)l)v=l!, similar to the designation dw]d*l=, etc. In the Davidic references, the prefixed –l preposition presumably indicates authorship (i.e., “[belonging] to David”); however, the context here suggests that the word-phrase should be rendered “for Solomon”, or “(relating) to Solomon”. If the Psalm was composed within Solomon’s royal court, then the prayer-wish of the composition may indeed have been intended for (i.e. on behalf of) Solomon. If it was written somewhat later in the Kingdom-period, then the prosperous and relatively peaceful reign of Solomon would be serving as the ideal for future kings. The Israelite Kingdom reached its pinnacle during Solomon’s reign, and a natural prayer for every subsequent royal court would be that those glory days might return again.
The Psalm may be divided into two parts. In the first part (vv. 1-11), the Psalmist calls on YHWH (unconditionally) to establish a peaceful and prosperous reign for the king; the cosmic dimensions of this idealized vision alludes to the Israelite kingdom at its peak (under Solomon). It is natural that, with the exile and the end of the Judean kingdom, this vision would be given a Messianic and eschatological orientation.
In the second part (vv. 12-19), the prayer is framed in conditional terms. If the king rules with justice, then YHWH will give him a long and prosperous reign, establishing a royal dynasty of rulers among his descendants.
The meter of Psalm 72 is irregular, but tends to be more consistent within the smaller poetic units (cf. below)
The first part of the Psalm can be divided into three smaller units—vv. 1-4, 5-7, and 8-11.
“O Mightiest, give your just (ruling)s to (the) king,
and your right (decision)s to (the) son of (the) king.”
In this opening couplet, the prayer is that YHWH (referred to by the <yh!l)a$ of the ‘Elohist’ Psalms) will give to the king a divinely inspired (or endowed) ability to judge, acting with justice and making decisions with sound judgment. The second person suffix (;-, “your”) on the plural nouns <yf!P*v=m! and toqd=x! shows that the Psalmist is describing Divine attributes, characteristics of YHWH Himself (as King and Judge), which would be given to the Israelite king so that he might rule in a manner that reflects God’s own justice and righteousness. The plural noun forms are a bit difficult to translate. The noun fP*v=m!, “judgment”, refers to a just decision made as part of the governmental (and/or judicial) process. The feminine noun hq*d*x=, usually translated “righteousness”, has a similar meaning; the related noun qd#x# refers to “right(eous)ness” in a more general sense. The plural, unless it is meant comprehensively, should be understood in terms of “right decisions” or “right rulings”.
The prayer extends to the king’s son—that is, to the prince and future ruler. This anticipates the conditional prayer-wish for a royal dynastic line, in the second part of the Psalm (v. 17).
“He shall judge your people with rightness,
and your oppressed (one)s with justice.”
Again, the roots qdx and fpv are paired in this couplet, referring to the action of the king in ruling. The prayer is that he will faithfully exercise the gift (of right/sound judgment) given to him by YHWH (v. 1). Here, the act of judging is expressed by the verb /yD! which is quite close in meaning to fp^v*. I have translated the noun qd#x# in its basic meaning as “rightness”, and fP*v=m! correspondingly as “justice”. The imperfect verb form here (and throughout the first part of the Psalm), could perhaps be translated as jussives, i.e., “may he judge…”; this certainly would reflect the precative prayer-wish tone of the Psalm.
As often in the Psalms, the righteous ones of God’s people are characterized as poor and oppressed, often using the yn]u*. However, here the emphasis is better understood as being on the aspect of social-justice—i.e., that the king would judge/rule rightly, especially (and all the more so) on behalf of the poor and oppressed.
The concision of this couplet (3+2) reflects the directness of the justice by which the king should rule, simply and fairly.
“May (the) mountains lift (up) wholeness to the people,
and (the) hills (rise) with rightness.”
There is a certain parallelism—formal and thematic—between verse 3 and verse 1 (cf. above). It has essentially the same irregular (4+2) meter, which could be parsed as a 2-beat (2+2+2) tricolon, except that doing so would disrupt the poetic syntax. It also expresses the idea of the Divine source of justice/right(eous)ness. The mountains/hills, in their majesty and exaltation, are traditional symbols of deity; more specifically, in the Canaanite religious/mythic tradition, shared by ancient Israel, the High Creator God (El-YHWH) dwelt upon a great cosmic mountain. This cosmic mountain could be identified, symbolically and ritually, with any number of local mountains or hills.
In order to match the imperative (“give…!”) in verse 1, I have translated the imperfect verb form here as a jussive (cf. above). The Psalmist’s prayer is that the entire land would be filled with justice and righteousness. The mountains are called upon, as servants of YHWH, to “lift up” <olv* to the people. The noun <olv* is typically translated “peace”, and that would certainly not be inappropriate here. However, the word more properly means “completion, fulfillment,” often in the basic sense of welfare or well-being. I have translated it above as “wholeness”.
Just as the mountains “lift up” peace and well-being, so also the hills ‘rise’ with righteousness (hqd*x=). Assuming that the prefixed –B= on hq*d*x= is correct, i.e., “in/with right(eous)ness,” one should perhaps understand an implicit verb in the second line; I have opted for the idea of the hills rising, which would match the concept of the mountains “lifting up”.
“He shall judge (for the) oppressed of (the) people,
he shall bring safety to (the) sons of (the) needy,
and shall crush (the one) pressing (them).”
Just as verse 3 is parallel to verse 1 (cf. above), so verse 4 is parallel to verse 2; and it allows us to view vv. 1-4 as a poetic unit within the first part of the Psalm. The meter is similar—a 3+2 couplet in v. 2, and a 3+3+2 tricolon in v. 4. Thematically, the verses also express comparable ideas, similar prayer-wishes by the Psalmist. The reference is to the act of judging by the king; here the verb is fp^v*, parallel to /yD! in v. 2. He will provide justice on behalf of the oppressed (adj. yn]u*, as in v. 2).
Frequently, in the Psalms, the adjective yn]u* is paired with /oyb=a# (“needy”), as it is here; cf. 9:19; 12:6; 35:10; 37:14; 40:18; 70:6, etc. The righteous are typically characterized as oppressed and needy, experiencing oppression from the wicked. If the righteous are oppressed, being pressed down (yn]u*), the one doing the pressing is referred to here by the participle qv@ou (vb qv^u*). In establishing justice for the poor and oppressed, the king will “crush” (vb ak*D*) their oppressor.
“May he (live) <long> with (the) sun,
and by (the) turning of (the) moon,
(each) cycle, (for) cycles (to come).”
The rhythmic shift, to a 2-beat (2+2+2) tricolon, indicates that v. 5 marks a new poetic unit in this part of the Psalm. Thematically, also there is a shift to an emphasis on the length of the king’s reign. The first word in the MT is ;War*yy], “they shall fear you” (or “may they fear you”); however, the context strongly favors the reading of the LXX (sumparamenei=, “he shall remain along with”), which would seem to require emending the Hebrew to read ;yr!a&y~w+, “and he shall make long (his days)” (i.e., live long), or perhaps, alternately, Wkyr!a&y~w+, “they [i.e. his days] shall be long”. Many commentators (e.g., Kraus, p. 75; Hossfeld-Zenger, p. 203) support such an emendation, and it seems to be both warranted and well-founded. The king’s long life (and reign) will follow the sun and the moon (in its turnings), for many cycles (<yr!oD)—that is, for many months and years.
“He shall come down as rain upon (the) cut grass,
as abundant (shower)s dropping (on the) earth.”
The nature-imagery of v. 5 continues here in v. 6. From the length of the king’s reign, the focus shifts to its prosperity. The king shall bring prosperity to the land, just like the rain coming down on the grass, and the many drops of rain falling upon the ground. The noun zG@ refers to grass that is cut, which would indicate land that has been cultivated.
The meaning of [yz]r=z~ in the second line remains rather uncertain. It is usually understood as a verbal noun from the root [rz, which occurs only here in the Old Testament. Comparison with Aramaic and Arabic suggests a meaning of “drip, drop”, and this would seem to be confirmed by the LXX (sta/zousai, “dripping”). However, it is also possible that [rz is a variant form of brz, occurring in Job 6:17, where it refers to the ground drying up in the heat. If that is the sense here, then the second line would describe an abundance of rain upon the hot/dry ground. Cf. Dahood, II, p. 181.
“Righteous(ness) shall sprout forth in his days,
and abundance of wholeness,
until (the) failing of (the) moon.”
The just rule of the king will cause righteousness to sprout (vb jr^P*) from the watered ground (v. 6). The adjective qyd!x* in the Psalms typically characterizes the righteous person; however, the overall context here, as well as the parallel with <olv* in the second line, suggests the more general meaning of righteousness (i.e., that which is right). As in verse 3 (cf. above), qdx is paired with the root <lv; in both instances, I translate the noun <olv* as “wholeness”, in the basic sense of welfare and well-being for the people; the typical translation is “peace,” and that idea is certainly to be included as well.
The prosperity and justice/righteousness of the king’s reign shall last as long as the moon continues to give its light, reprising the imagery from v. 5. Indeed, we should regard vv. 5-7 as a distinct poetic unit within vv. 1-11.
“And may he rule (powerfully) from sea unto sea,
and from the River unto (the) ends of (the) earth.”
In verses 8-11, the third poetic unit of the first part of the Psalm, the emphasis is on the extent of the king’s rule. Whether or not the Psalm refers specifically to Solomon, the geographical extent of Solomon’s reign is certainly in view. However, as would be appropriate in a royal Psalm or hymn, the king’s reign is here extolled in even grander, cosmic terms—with the expressions “from sea to sea” and “unto the ends of the earth”. The active rule of the king is expressed by the verb hd*r*, which can carry the specific idea of stepping/treading upon a territory, so as to claim dominion over it as one’s own.
Again, there is a rhythmic shift at verse 8, to the more common Psalm-format of the 3-beat (3+3) couplet.
“Before his face shall bow (the) desert-dwellers,
and (those) hostile to him shall lick the dust.”
All people shall pay homage to the king, bowing (vb ur^K*) before him. This includes rough foreigners from the desert regions. Beyond this, all those who would be hostile to him, enemies of the king, will be forced to abase themselves, licking the dust in acknowledgement of his rule.
“(The) kings of Taršîš and (the) islands
shall return gift(s to him),
(the) kings of Šeba’ and Seba’
shall bring near fine gift(s).”
After the two 3-beat couplets of vv. 8-9, verse 10 consists of a pair of (parallel) 3+2 couplets. The gifts presented to the king are tributary in nature (specialized meanings of both hj*n+m! and rK*v=a#), recognizing the sovereignty (and superior position) of the Israelite kingdom. This certainly would have been the case, in many instances, during the reign of Solomon, where surrounding territories and kingdoms would have had vassal-status in relation to Israel.
Tarshish refers to the commercial/trading power of Phoenicia and the city-state of Tyre, with whom Israel (especially in the reign of Solomon) had strong ties. Similarly, the “islands” represents the commerce and trade that took place throughout the Mediterranean. The names Sheba’ and Saba’ refer to peoples and kingdoms to the (south)east, in Arabia.
“Indeed, all kings shall bow in homage to him,
(and) all nations shall give service to him!”
The grandiose vision of the Israelite king’s prestige, and the superior position of his kingdom, is expressed bluntly in this final couplet.
Again, it should be mentioned that virtually all of the imperfect verb forms in vv. 1-11 can be treated (and translated) as jussives—i.e., “may he…,” “let him…”. I have so translated the first such instance in each unit.
References marked “Dahood, I” and “Dahood, II” above are to, respectively, Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] vol. 16 (1965), and Psalms II: 51-100, vol. 17 (1968).
Those marked “Kraus” are to Hans-Joachim Kraus, Psalmen, 2. Teilband, Psalmen 60-150, 5th ed., Biblischer Kommentar series (Neukirchener Verlag: 1978); English translation in Psalms 60-150, A Continental Commentary (Fortress Press: 1993).
Those marked “Hossfeld-Zenger” are to Frank-Lothar Hossfeld and Erich Zenger, Psalms 2: A Commentary on Psalms 51-100, translated from the German by Linda M. Maloney, Hermeneia Commentary series (Fortress Press: 2005).