Saturday Series: Mark 3:28-30; Matt 12:31-32; Luke 12:10

The Saturday Series studies this Fall will focus on passages in the New Testament illustrating how Biblical Criticism (and especially textual criticism) relates to the overall meaning of a passage—including important theological and doctrinal points. This has been discussed in earlier studies, along with a number of examples which clearly show that, contrary to the claims of some scholars and theologians, the textual differences in the manuscripts, etc, do affect considerably the meaning and interpretation of certain passages. While other areas of Biblical Criticism will be explored, it is Textual Criticism which will be foremost in these studies, since establishing the text of Scripture is necessary for any proper interpretation.

If you are unfamiliar with the tenets and principles of Textual Criticism, I strongly recommend that you consult my three-part introductory article entitled “Learning the Language”. When we speak of “textual variants” (or “variant readings”) of the New Testament, this refers to differences that exist between the surviving Greek manuscripts, translated versions (in Latin, Syriac, etc), and citations (in early Christian writings). Many of these differences are minor and insubstantial, but others are substantive and must be considered carefully if one wishes to determine what was most likely the original reading of the text. While secondary readings may be of historical and theological interest, most scholars and commentators would not wish to base their exegesis of Scripture upon them. The primary goal of textual criticism remains the establishment of the original text, insofar as this is possible.

When it comes to the Gospels, and the sayings and traditions of Jesus recorded in the (Synoptic) Gospels, the text-critical situation is complicated considerably. For often we are dealing, not only with differences between the manuscripts of a specific passage, but with different versions of the same (or comparable) tradition as it has been preserved in the various Gospels. Here textual criticism blends with source criticism, historical criticism, and other areas of criticism as well. When looking at a particular saying of Jesus or a related tradition, it is important to compare the different Gospel versions, in addition to any textual differences within the specific Gospel passage.

As a simple illustration, let us consider the two versions of the saying of Jesus in Matthew 12:28 and Luke 11:20, respectively. In Matthew, the text reads:

“But if (it is) in [i.e. with] the Spirit of God (that) I cast out the daimons, then the kingdom of God (has already) arrived upon you!”

while in Luke we have:

“But if (it is) in [i.e. with] the finger of God (that) I cast out the daimons, then the kingdom of God (has already) arrived upon you!”

Here the text of each version is secure, with the difference, or variant, occurring between the two versions. In dealing with such inter-Gospel differences, involving the words/sayings of Jesus, traditional-conservative commentators are sometimes inclined to explain (or ‘harmonize’) them by positing either: (a) that they represent separate traditions (i.e., something similar Jesus said on separate occasions), or (b) that the two versions each give only a partial record of an originally longer saying (i.e., Jesus said both things). While I consider such explanations often to be unconvincing on the whole, here neither approach is at all possible, since:

    • The two versions clearly represent the same saying—they are virtually identical, and occur in the same location/context within the Gospel narrative.
    • The relevant difference occurs at the same syntactical/grammatical point in the saying, involving a single word, making it virtually impossible that Jesus could have said both things (at the same time).

This leaves us with just two options:

    • The variation reflects a difference in translation (into Greek) from an Aramaic original, or
    • One version more or less accurately represents the original saying/tradition, while the other has been modified in some way; this modification could be the result of:
      (a) alteration during the process of transmission of the saying, or
      (b) a change by the Gospel writer as the saying/tradition was included within the Gospel narrative

In this case, the difference does not seem to be the result of translation from an Aramaic original. The best explanation, in my view, is that the Lukan version preserves the authentic tradition, reading “in/with the finger of God” (en daktýlœ Theoú). The Matthean version has altered this to “in/with the Spirit of God” (en pneúmati Theoú), apparently for the simple purpose of explaining the idiom “finger of God” for readers who may not be familiar with its significance. In the Old Testament, the idiom “finger of God” refers to God’s active power manifest (and visible) among human beings; it is used only rarely (cf. Exod 8:19; 31:18; Deut 9:10). Among early Christians (and Jews), this would more naturally be explained by referring to God’s Spirit (pneúma). Paul makes the obvious connection between God’s finger and Spirit when discussing the Exodus 31:18 tradition, in 2 Corinthians 3:3ff. The Gospel writer may well have done the same in Matt 12:28.

Fortunately, in this instance, the difference between the two Gospel versions makes no real difference to the essential meaning of the saying. The situation is not so straightforward in Mark 3:28-29 / Matt 12:31-32 / Luke 12:10—where we find different versions of the saying (or sayings) of Jesus regarding the “sin against the Holy Spirit”.

This saying is preserved within two broad lines of Gospel tradition: (1) in the Gospel of Mark (3:28-29), a version of which is also found in Matt 12:31; and (2) the material contained in Matthew and Luke, but not found in Mark (the so-called “Q” material). For those unfamiliar with the terminology, “Q” is shorthand for German quelle (translated roughly as “source”); in Synoptic studies, it refers to a source (for sayings and traditions of Jesus) used by the Gospels of Matthew and Luke. Most critical scholars assume that “Q” represents a distinct source document, though it properly refers simply to that material common to Matthew and Luke, but not found in Mark. A widely held critical theory, called the “Two-Document Hypothesis”, holds that Matthew and Luke made use of at least two distinct source documents—the Gospel of Mark and “Q”. Matthew 12:31-32 would tend to support this hypothesis, as it contains together both the Markan and “Q” versions of the saying.

Those two versions, while similar, are quite different in several respects, which leads to the important critical question of whether we are dealing with two distinct historical traditions, or variant forms of a single historical tradition. Traditional-conservative commentators tend to opt for the former, while critical commentators typically assume the latter. The situation is further complicated by additional differences between versions of the Markan and “Q” sayings, the possibility of variation as a result of translation from an Aramaic original, and other factors (see above).

Matthew contains both the Markan and “Q” forms, joined together at 12:31-32, while Luke has only the “Q” saying (12:10). Let us compare the Markan saying as it is found in Mk 3:28-29 and Matt 12:31, respectively:

“Amen, I relate to you that all (thing)s will be released [i.e. forgiven] for the sons of men—the sins and the insults, as many (thing)s as they may give insult—but whoever would give insult unto the holy Spirit, he does not hold release [i.e. forgiveness] into the Age, but is holding on (himself) a sin of the Age(s) [i.e. eternal sin].” (Mk 3:28-29)
“Through this I relate to you (that) all (kind)s of sin and insult will be released [i.e. forgiven] for men, but an insult of [i.e. against] the Spirit will not be released.” (Matt 12:31)

What of the “Q” form of the saying? Here are the Matthean and Lukan versions:

“And whoever would speak a word against the Son of Man, it will be released [i.e. forgiven] for him; but whoever would speak against the holy Spirit, it will not be released for him—not in this Age, and not in the coming Age.” (Matt 12:32)
“And every (one) who shall utter a word unto [i.e. against] the Son of Man, it will be released [i.e. forgiven] for him; but for the (one) giving insult unto the holy Spirit, it will not be released.” (Luke 12:10)

The general warning about speaking “against the holy Spirit” is the same in the Markan and “Q” saying-forms, but the setting of the contrast differs considerably. In the Markan version, the contrast is with sins and “insults” committed by human beings generally, while the “Q” version refers to any sort of insult against the “Son of Man”, which, in the Gospel and early Christian context would seem to mean speaking against Jesus. In this regard, the “Q” version is more problematic and creates certain difficulties for interpretation not found in the Markan version, where the point of contrast is more obvious and straightforward.

It is worth exploring these differences in more detail, which we will do in next week’s study. A proper interpretation requires that we consider the textual, historical, and source critical issues raised by these differences. How did the two forms/versions of the saying come to be preserved? Do they ultimately stem from the same historical tradition or separate traditions? If deriving from two main lines of Gospel tradition (Markan and “Q”), how did the respective authors of Matthew and Luke choose to deal with this material? Finally, and most important from a theological and doctrinal standpoint: how are we to explain the reference to the “Son of Man” in the “Q” version, and what exactly is the significance of insulting (or speaking against) the Holy Spirit, in particular, which demands such total condemnation and punishment? We will attempt to address these questions in our study next week.

September 14: Deuteronomy 32:7-9

In the previous note, we looked at verses 4-6 of the “Song of Moses”; now we proceed to verses 7-9 and lines following (down through verse 18). Verses 4-18 actually form a major section of the poem, as indicated from the earlier outline I presented:

1-3: Opening (exordium)—Call to Creation (heaven and earth)

4-18: God’s covenant with His people Israel, and their violation of the covenant
—The Creator God (YHWH) as their Father (vv. 4-6)
—His choice of Israel as His people, becoming their God (vv. 7-9)
—His protection and guidance during the Exodus and wilderness travels (vv. 10-14)
—His people turned away from Him, worshiping foreign gods (vv. 15-18)

The lines of vv. 4-18 comprise a summary of Israelite history, the parameters of which raise interesting (and important) historical-critical and literary-critical questions, which shall be discussed.

Verses 7-9

From the opening theme of YHWH as the Creator and Father of Israel (and all humankind), the poem progresses to the choice of Israel as the unique people of YHWH. Here are the lines in translation:

7Remember the days of (the) distant (past),
consider the years age(s) and age(s past);
ask your father and he will put (it) before you,
your old men and they will show (it) to you.
8In the Highest’s giving property (to the) nations,
in his separating (out) the sons of man,
he set up (the) boundaries of the peoples,
according to the count of the sons of the Mightiest.
9Yet YHWH’s (own) portion is His people,
Ya’aqob His own property measured (out).

The verse numbering accurately reflects the division of this section:

    • A call to remember and repeat (through oral tradition) the account of Israel’s history (v. 7)
    • The dividing of humankind into the nations/peoples (v. 8)
    • Israel as YHWH’s own nation/people (v. 9)

Verse 7 functions as the trope that sets the poetic/rhythmic pattern (a pair of 3-beat [3+3] bicola) for the section, followed by the (narrative) trope in verse 8, and a single bicolon theological trope emphasizing the covenant with YHWH (v. 9). The exhortation in v. 7 is entirely in keeping with the traditional narrative setting in chapter 31 (discussed previously), with an emphasis on the need to transmit the (Mosaic) instruction, contained in the book of Deuteronomy, to the generations that follow. In particular, Israel is to preserve and transmit the poem of chap. 32.

There is a major text-critical issue in verse 8; the Masoretic Text (MT) of the lines reads:

<y]oG /oyl=u# lh@n+h^B=
<d*a* yn@B= odyr!p=h^B=
<yM!u^ týb%G+ bX@y~
la@r*c=y] yn@B= rP^s=m!l=
B®hanµ¢l ±Elyôn gôyim
b®ha¸rî¼ô b®nê °¹¼¹m
yaƒƒ¢» g®»¥lœ¾ ±ammîm
l®mispar b®nê Yi´r¹°¢l

“In the Most High’s giving posessions (to) the nations,
in His breaking apart [i.e. separating] the sons of man,
He set the boundaries of the peoples,
to the count [i.e. number] of the sons of Israel.”

The last line has always struck commentators as a bit peculiar. Since the context overall suggests the dispersal of the nations (following the traditions in Genesis 10-11), occurring long before Israel was a people, establishment of the traditional number of nations (seventy, according to Gen 10) in terms of the number of Israel’s descendants (Exod 1:1-5; Deut 10:22, etc) seems somewhat out of place. Many commentators were drawn to the alternate reading in the Greek version (Septuagint, LXX), which, instead of “according to the sons of Israel”, reads “according to the Messengers of God” (kata/ a)riqmo/n a)gge/lwn qeou=, katá arithmón angélœn Theoú). This version of the text finds confirmation in one of the Deuteronomy manuscripts from Qumran (4QDeutj):


<yh!ýa$ yn@B= rP^s=m!l=
l®mispar b®nê °E_lœhîm

“…(according) to the count [i.e. number] of the sons of God”

The expression “sons of God” is an ancient Semitic term for divine beings—”gods” generally, in Canaanite religion. Within the context of Israelite monotheism, this idea was modified so as to refer to heavenly beings, i.e. Angels (“Messengers”), who are not to be worshiped as gods. A traditional number of seventy such beings goes all the way back to ancient Canaanite religious lore, and was preserved in Israelite and Jewish writings. This variant reading would seem to be confirmed again by the context of verse 8 within the Song. An important theme throughout, as we shall see, is the need for Israel to serve and worship only Yahweh, and not to follow after the other nations, who worship other ‘deities’ (such as represented by the sun, moon, and other heavenly bodies). While the other nations may have been allotted to various heavenly beings, Israel is God’s own portion (v. 9).

Elsewhere in Deuteronomy (4:19-20) we find similar language to 32:8-9, which suggests again that the reading of 4QDeutj may be original. Indeed, a tradition reflecting this reading is preserved in Jewish writings, such as the Targum Pseudo-Jonathan and the “Sayings of Rabbi Eliezer” (chap. 24). The Targum makes reference to “the seventy angels, princes of the nations”, in the context of the the Tower of Babel episode and the dispersal of the nations. For a good discussion, see J. Tigay, Deuteronomy: JPS Torah Commentary (1996), pp. 514-5 (Excursus 31).

Based on this evidence, then, it would seem that the reading in the Qumran manuscript 4QDeutj, and reflected in the Septuagint (LXX) Greek, is more likely to be original. Along with many modern commentators, I would thus (with considerable confidence) emend the text from “sons of Israel” (la@r*c=y] yn@B=) to “sons of the Mightiest [i.e. God]” (<yh!ýa$ yn@B=). Even beyond the relative strength of this textual variant, there are internal factors—the context of both the poem and the book of Deuteronomy, as noted above—which provides decisive evidence in favor of this reading:

    1. A careful study of the poem reveals a contrast between YHWH (Israel’s God) and the foreign deities of the surrounding nations. This is a central theme that runs through the poem, especially in vv. 15ff. It is also a primary aspect of the Deuteronomic teaching and theology, both in the book itself, and as played out in the “Deuteronomistic History” of Samuel–Kings. Turning away from proper worship of YHWH, to the deities of the surrounding peoples, is the fundamental violation of the covenant which brings judgment to Israel.
    2. The closest parallel, in 4:19-20, indicates that the nations belong to other ‘deities’ (such as those powers seen as connected with the heavenly bodies), while Israel alone belongs to YHWH. The wording in the poem, assuming the LXX/Qumran reading to be correct, likely expresses this in a more general way. The expression “sons of God” is an ancient Semitic/Canaanite idiom, referring to gods/deity generally, but also specifically in relation to the Creator °El (the “Mighty One”). In the subsequent development of Israelite monotheism, there was no place for any other deities, and the concept shifted to heavenly beings simply as servants or “Messengers” (i.e. angels) of YHWH (the Creator, identified with °El).

Indeed, what we see in vv. 8-9 is this contrast played out as a key theological principle: (a) the nations and their ‘deities’ (distinct from the Creator YHWH), and (b) Israel who belongs to YHWH. Note the chiasm in verse 8 when the LXX/Qumran reading is adopted:

    • The Highest (±Elyôn)
      • the nations [70]
        • separating the sons of man (ethnicity)
        • setting boundaries for the people (territory)
      • the sons (of God) [trad. 70]
    • The Mightiest (°Elœhîm)

While this is the situation for the other peoples, for Israel it is different (v. 9)—they have a direct relationship with the Creator YHWH:

    • YHWH’s (own) portion [ql#j@]
      • Israel (“His people”) / Jacob
    • His (own) property measured out [hl*j&n~ lebej]

And it is this relationship that is expounded in verses 10ff, which we will examine in the next daily note.

Note on the Text of Isaiah 38:15-17

The text of Isaiah 38:15-17

(notes related to the Saturday Series study on Isaiah 38-39)

The Masoretic text of verse 15 reads (in translation):

“What shall I speak?
He has said to me, and has done (it)
I shall walk about[?] all my years,
upon [i.e. because of] (the) bitterness of my soul.”

The reading of the Qumran Isaiah Scroll (1QIsaa) differs at several points, and many scholars would adopt these, in order to make better sense of the lines. In the first two lines, best treated as a 2-beat tricolon (2+2+2), the Isaiah Scroll apparently has “and I said to my(self)”, instead of “and he said to me”. This would yield the following triplet, which I translate as:

“What shall I speak?
(so) I say to my(self),
(for) He has done (it)!”

It has the advantage of bringing out more clearly the emphatic position of the pronoun “He” (referring to YHWH) in the third line of the triplet. In the final two lines (the couplet) of verse 15, there is a difference in the verb form. The MT has hdda, vocalized as a reflexive imperfect form of the root hd*D*, “walk about (slowly)”; while 1QIsaa has hdwda, which may be a form of the separate root ddn (“move away, wander [off]”). In addition, some commentators (e.g., Blenkinsopp, Roberts) regard MT yt^onv= (“my years“) as a corruption (or mispointing) of yt!n`v@ (or yt!onv=), “my sleep“. If correct, then the first line of the couplet would be translated something like “I wander (restless in) all my sleep(ing)”. Roberts, however (p. 482), suggests that the verb form is better parsed as a third person feminine ‘Ithpael form, a sign of early Aramaic influence; the verb would thus agree with “my sleep”, and result in an even clearer line: “all my sleep went away (from me)”. If we adopt this interpretation, along with the emendations noted above, the verse as a whole would read:

“What shall I speak?
(so) I say to my(self),
(for) He has done (it)!
All my sleep went away
upon (this) bitterness of my soul.”

The situation in verse 16 is also difficult. The MT reads (in translation):

“My Lord, upon them [m.] they will live,
and for all in them [f.] (the) life of my spirit,
and (so) you will make me firm and bring me life.”

This appears quite unintelligible, and may be a sign that our received text is corrupt. The readings of the Qumran manuscripts 1QIsaa and 1QIsab differ somewhat, but provide little clarity on the matter. Any attempt at emendation would thus be highly speculative. The pronoun suffixes in the first and second lines are especially confusing: to whom or what do they refer? is the shift from masculine to feminine correct (1QIsaa has masculine in both instances)?

To begin with, one must recognize the possibility that here the plural verb form “they will live” may refer to the word <yY]j^, an abstract (or intensive) plural (of yj^) meaning “life”. Proper English syntax would require a singular verb, “it will live”. Along with this, it is possible to render the pronominal suffixes (“them”) in the sense of “these (things)”; yet one may prefer to read the second plural suffix as also agreeing with the plural form <yY]j^ (“life”), a point that we must, admittedly, extract from the ambiguity of the poetic wordplay. Thus, without emendation, we could plausibly translate the first two lines as:

“My Lord, against these (things) it may (yet) live,
and for all (that is) in it, (the) life of my spirit

In this context, the imperfect forms of the final line would best be understood in a jussive sense, reflecting the prayer/petition of the poet:

“and (so) may you make me firm and bring life to me (again)!”

While not entirely convincing, perhaps, this explanation does have the advantage of requiring little or no emendation to the text.

There are fewer difficulties with verse 17:

“See, (it was) for wholeness (that it was) so very bitter to me,
and you held my soul back from (the) destroying corruption,
for you have thrown down behind your back all of my sins.”

If verse 16 continues the poet’s prayer, verse 17 seems to reflect its answer; at the very least, he anticipates his healing and deliverance from the life-threatening illness. Possibly the perfect verb forms could be read as precative perfects, i.e., expressing a wish in terms of something that has already occurred. This could be translated as follows:

“See, (may it be) for wholeness (that there was) such bitter(ness) for me!
May you hold my soul back from (the) destroying corruption,
(and) may (it be) that you throw down behind your back all of my sins!”

As a text-critical matter, I read doam= (“very, exceeding[ly]”) for the second rm^ (“bitter[ness]”) in the first line, along with 1QIsaa. More questionable is Roberts’ suggestion (pp. 482-3) that the verb Ec^j* (“hold back”) be read in place of the similar sounding qv^j* (“attach, cling to [i.e. with love/desire]”); there is really no textual support for this emendation, but it seems to fit the sense of the verse much better, and so I tentatively adopt the suggestion.

References above marked “Roberts” are to J. J. M. Roberts, First Isaiah, Hermeneia (Fortress Press: 2015).
Those marked “Blenkinsopp” are to Joseph Blenkinsopp, Isaiah 1-39, Anchor Bible [AB] vol. 19 (Yale University Press: 2000).

September 10: Deuteronomy 32:4-6

In the previous note, we looked at the opening verses (vv. 1-3) of Deuteronomy 32 (the “Song of Moses”). Today we will proceed to the next section of the poem (vv. 4-18), based on the following outline which I am using in this study:

    • 1-3: Opening (exordium)—Call to Creation (heaven and earth)
    • 4-18: God’s covenant with His people Israel, and their violation of the covenant
      —The Creator God (YHWH) as their Father (vv. 4-6)

      —His choice of Israel as His people, becoming their God (vv. 7-9)
      —His protection and guidance during the Exodus and wilderness travels (vv. 10-14)
      —His people turned away from Him, worshiping foreign gods (vv. 15-18)
    • 19-42: God’s punishment of His people, and their subsequent deliverance
      —Punishment for violation of the covenant (vv. 19-25)

      —Concern for how this will be perceived by Israel’s enemies (vv. 26-31)
      —Plans to bring punishment on Israel’s enemies in turn (vv. 32-35)
      —Ultimate justice/deliverance for His people, and judgment on His enemies (vv. 36-41)
    • 43: Conclusion—Call to the Nations

The first portion (vv. 4-6) establishes the principal theme of the Creator God (YHWH) as the Father of the people Israel.

Deuteronomy 32:4-6

4The Rock—His work(s are) complete,
indeed, all His ways (are with) justice,
a Mighty (One) firm with no deviation—
He (is the One ever) true and straight!
5(Yet) His sons <ruined their loyalty to Him>,
a circle (now) crooked and (all) twisted!
6Would you deal this (way) with YHWH,
(as) a foolish people (with) no wisdom?
Is He not your Father who created you?
(Didn’t) He make you and cause you to be?

After the exordium (vv. 1-3), these lines establish the fundamental theme of the poem. However one views the origin and composition of the Song itself, it must be read in the context of its position in the book of Deuteronomy. The entire thrust of the historical narration, presented as a speech (or speeches) by Moses, is as an exhortation (and warning) to the people to follow the terms of the binding agreement (covenant) established by YHWH. In the initial sections of the Epilogue (chapter 31), it is foretold that Israel would, in large measure, violate the covenant (vv. 16-18, 20-22) in the years to come. For critical scholars, who view the book of Deuteronomy as a product of the kingdom period (e.g. the reign of Josiah, and thereafter), the actual historical situation has been retrojected and presented as ex eventu prophecy (i.e. prophecy written after the fact). Many traditional-conservative commentators, of course, accept the book as recording Moses’ actual words, at least in substance, in which case it represents authentic prophecy announced by God. Either way, its purpose (and power) as a warning to Israel, to remain faithful to the covenant and its Torah, comes through loud and clear. We see this especially in verses 26-29:

26Take this account of the Instruction {Torah}, and you shall set it alongside the box of [i.e. containing] the binding (agreement) of YHWH your Mighty (One) {Elohim}, and it shall be there among you for a witness (always). 27For (indeed) I know your defiance and the hard (back of) your neck! see—in my (be)ing yet alive with you th(is) day, you have been (act)ing defiant with YHWH, and so (then) how (much more will you) following my death! 28Gather to me all the elders of your staffs [i.e. tribes] and (the one)s administering (for you), and I will speak these words in their ears, and I will make [i.e. call on] heaven and earth (to) give witness a(gainst) them. 29For I know that, following my death, you will go (completely) to ruin, and you will turn (aside) from the path which I have charged you (to walk), and the evil shall meet you in the days following, (in) that [i.e. because] you did the (thing that is) evil in the eyes of YHWH, and provoked Him with the (thing)s your hands (have) done.”

There is a strong parallelism at work in these verses:

    • Instruction/exhortation as a witness (of the covenant)—written, i.e. the book of Deuteronomy itself as a record of Moses’ words (v. 26)
      • Prophecy of future disobedience: “For I know (that)…” (v. 27)
    • Instruction/exhortation as a witness (of the covenant)—oral, Moses’ words given directly to the leaders of Israel (v. 28)
      • Prophecy of future disobedience: “For I know (that)…” (v. 29)

All of this sets the stage for Moses’ reciting the poem of chap. 32 (the Song) to the entire assembly of the Israelite people (v. 30). Thus, central to the poem is the idea of the binding agreement (tyr!B=, ‘covenant’) God made with Israel, and their need to remain faithful to it. There is a strong echo of the covenant-treaty formula in the opening words of the Song, as discussed in the prior note. Now, in the first main section (vv. 4-18) the basis of the covenant is established and confirmed, through poetic narrative. The relationship between the two parties—YHWH and Israel—begins with YHWH’s position as Creator (of all humankind), and special role as Father of Israel. As such, verses 4-6 are fundamentally theological—presenting and describing the character and attributes of YHWH; and the primary characteristic is the faithfulness and loyalty He possesses, which informs His side of the binding agreement. This is expressed several ways in the first lines (2 bicola) of verse 4 (a-d):

    • V. 4a (1): The word rWx (ƒûr, “rock”) as a title (Haƒƒûr, “The Rock”), used repeatedly in the Song (vv. 15, 18, 30-31, 37); a rock by nature is strong and sure, while a hill or cliff is a natural position of refuge and protection; thus, the title indicates the reliability, security, and protection which God provides.
    • V. 4a (2-3): It is further said that His actions (lu^P) pl., root lu^P*) are complete (<ym!T*)—that is, there is nothing lacking or amiss in anything He does; for His part, He is utterly faithful and reliable. The call for the people of Israel, likewise, to be complete (<ym!T*) in 18:13 is reminiscent of Jesus’ words in Matt 5:48: “Then [i.e. if you follow my teachings] you will be complete, as your heavenly Father is complete”.
    • V. 4b: Similarly, it is declared that “all His ways/paths” (wyk*r*D=-l*K) are “justice”. Here, the noun fP*v=m! may be used in an adjectival sense (“just, right”); however, one can also understand it in a predicate sense—i.e., “all His paths (are in/with) justice”. Everywhere that YHWH walks and acts, there is justice, and nothing that is not just or right; clearly the thought in this half line (colon) is parallel to the one previous.
    • V. 4c: Here His faithfulness and loyalty is stated more directly, with two declarations:
      (i) He is a firm Mighty One (“God”)—that is, He is firm and true in everything He does, using the noun hn*Wma$ (°§mûnâ), parallel to the noun fP*v=m! (mišp¹‰, “justice”) in the previous line. He is also the only true Mighty One (°E~l, “God”); all other supposed “Mighty Ones” (whether “gods” or Rulers) are false and unreliable. This lays the groundwork for the contrast between YHWH and the deities of the surrounding nations later in the poem.
      (ii) There is no deviation (or corruption) in what He does; it is specifically stated that “there is no (/ya@) deviation (lw#u*)”; moreover, such “deviation” is characteristic of idolatry, and likewise introduces the dualistic theme than runs through the remainder of the poem.
    • V. 4d: YHWH (“He”, aWh) is characterized by two fundamental attributes:
      (i) qyd!x^ (ƒadîq), often translated “faithful”, but, in the context of the covenant-setting, perhaps better understood as “true”, “loyal”; it is parallel with the noun hn`Wma$ in the prior half-line.
      (ii) rv*y` (y¹š¹r), “straight”, clearly parallel with “there is no deviation”.

If YHWH is a completely faithful and reliable partner in the covenant, the same can not be said of the people (Israel). Their lack of faithfulness (to the covenant) is described in vivid, even difficult, terms, reflecting both past (i.e. the Golden Calf incident) and future violations. Despite the harsh language used, it does not necessarily mean that Israel was responsible for flagrant immorality, and the like; any violation of the covenant, however slight, could be described in this manner. It is just here, in the bicolon of verse 5, that the force of the language used gives way to a significant textual difficulty (see below). Many commentators suggest that the text in the first half line, as it has come down to us in the Masoretic text, requires emendation. For the purposes of this study, I have tentatively adopted a reading along the lines of “His sons ruined their loyalty to Him” (see the translation above). The verb tj^v* (“[go to] ruin, destroy, corrupt”) was used earlier in the section preceding the poem (31:29, see above), in Moses’ foretelling the people’s violation of the covenant. This lack of loyalty—to be understood primarily in terms of “idolatry”, as in the Golden Calf episode—characterizes an entire Age or generation of the people. The Hebrew term (Heb. roD) fundamentally means “circle, cycle”, but is frequently used in the sense of a “life-cycle” (i.e. life-span), or period of time in which a particular generation of people lives. In the second half-line of verse 5, this generation is characterized as: “crooked and (all) twisted (up)”. This crooked/twisted character of the people is in marked contrast with the “straightness” of YHWH.

In the two lines of verse 6, the contrast—between YHWH and Israel—is developed further, with a pair of questions (each beginning with the interrogative particle –h&); the question in the first line is:

“Would you deal this (way) with YHWH, (as) a foolish people (with) no wisdom?”

In Torah scrolls, the initial h& particle is especially large, perhaps to emphasize the enormity of the question, i.e. “Would you really treat YHWH this way?”. The contrast between one who is foolish (lb*n`) and wise (<k*j*) is an essential element of Hebrew Wisdom literature, with ancient roots. The second question builds upon the first, and continues the contrast between YHWH and the people:

    • Character of the People:
      “Would you deal this (way) with YHWH, (as) a foolish people (with) no wisdom?”
    • Character of YHWH:
      “Is He not your Father who created you? (Didn’t) He make you and cause you to be?”

If the people acts as faithless, defiant sons (v. 4), YHWH, by contrast remains a faithful/loyal Father to them. His role as Father begins with his more primary function as Creator of all things (and of humankind). Three verbs are used which mark YHWH-El as Creator God:

    • hn`q*—a primitive root with the basic meaning “create”, sometimes confused/conflated with a similar root with the meaning “buy, purchase, acquire”. Its ancient Semitic religious use is attested in the famous formula of Gen 14:19, 22.
    • hc*u*—a common verb indicating basic action or work, “make, do”.
    • A causative form of a primitive /k (kn) root (kûn, k¹nâ, k¹nan), with the basic meaning here of “cause to be” (see the parallel in Psalm 119:73)

This vital contrast in vv. 4-6 prepares the way for the narration in vv. 7-18, in which the contrast in played out through a colorful description of Israel’s early history.

Textual Note on Deut 32:5

The first line (colon) in verse 5 appears to make very little sense as it has come down to us:

<m*Wm wn`B* aý ol tj@v!
Šiµ¢¾ lô lœ° b¹n¹w mûm¹m
literally: “he made ruin to/for him his sons their blemish”

If you go to this verse in your English Bible, you will likely see a footnote indicating that the Hebrew is obscure or uncertain. Unfortunately, this is frequently the case in Old Testament poetry. There are hundreds of verses or lines where we simply do not know for certain what the Hebrew of the Masoretic Text (MT) means, or how to translate and interpret it, or whether the apparent confusion is the result of textual corruption. The Rabbis noted the difficult syntax of this verse and sought variously to explain the MT, without any emendation. For example, Nahmanides explains it along the lines of: “their blemish caused them [i.e. the Israelites] to act corruptly toward Him” so that, as a result, “they are not His sons”.

Many critical commentators believe that the verse, as it has come down to us, is corrupt. One suggestion (cf. J. Tigay, Deuteronomy: JPS Torah Commentary [1996], p. 301) is that originally the line read something like—

/m%a@ wn`B* ol Wtj&v!
šiµ¦¾û lô b¹n¹w °¢m¥n
“His sons ruined (their) firmness [i.e. loyalty] to Him”

or, possibly:

/m%a@ wn`B*-aý Wtj&v!
šiµ¦¾û lœ°-b¹n¹w °¢m¥n
“(the ones who are) not-His-sons ruined (their) firmness [i.e. loyalty] to Him”

Admittedly, this would make a better fit with the second half of the line, but it remains quite speculative.

The Greek version (Septuagint, LXX) is somewhat confusing as well:

h(ma/rtosan ou)k au)tw=| te/kna mwmhta/
h¢mártosan ouk autœ¡ tékna mœm¢tá
perhaps: “they sinned, children (of) blame (who are) not to him [i.e. not his]”

Unfortunately, verse 5 is not present among the manuscript fragments of Deuteronomy preserved at Qumran, so there is no help from that side in elucidating the Hebrew syntax. One must always be cautious in emending the text that has come down to us (i.e. the Masoretic text), especially when there is no clear manuscript support for such emendation. On the other hand, it is equally wrong to accept the MT blindly, ignoring places where the received text is difficult or unintelligible. Here textual criticism reaches it finest, and most challenging, point.

Saturday Series: Isaiah 1:1 and Overview

After a brief hiatus these past two months, the Saturday Series feature on this site is picking up again. In the upcoming weeks, this series will focus on the Old Testament Book of Isaiah. Due to its size, complexity, and diversity of content, the Book of Isaiah provides a rich ground for demonstrating and applying the techniques and methods of Biblical Criticism—which is the primary purpose of this running series. My goal in these studies is to help readers understand what is involved in an objective, critical analysis of Scripture, and to illustrate how this can be done, using specific portions of the Scriptures—from the Old and New Testament alike. The most recent studies dealt with the Letters of John (New Testament Criticism); now we shall turn to Old Testament Criticism, working from the Prophetic book of Isaiah.

In each passage that we examine, we will be considering it through the lens of the different areas of Biblical Criticism; in the case of the book of Isaiah, there are four main areas: (1) textual criticism, (2) historical criticism, (3) source criticism, and (4) literary criticism.

Textual Criticism

This involves a careful examination of the Hebrew text, as it has come down to us. A primary objective (though not the only one) is to establish, as far as possible, the most likely form of the original text. How the text was shaped and developed over time is also an important consideration, though this can touch upon other areas of criticism related to the composition of the text.

One problem in text-critical study of the Old Testament is that there are so few surviving manuscripts, especially of manuscripts produced prior to the middle Ages (i.e. before the 9th/10th century A.D.). The discovery of the Dead Sea Scrolls has been a great boost to Old Testament textual criticism, but even with these documents, the number of extant manuscripts is scant indeed. Fortunately, for the book of Isaiah, the Dead Sea material is especially rich, including two extensive manuscripts (1QIsaa and 1QIsab). The first of these is the great Isaiah Scroll, an essentially complete manuscript (and thus unique among the Scripture MSS at Qumran), likely dating from the mid-2nd century B.C. (c. 150-120). Its text confirms the general reliability of the Masoretic tradition, however there are also a number of significant variants; the text of the second MS (1QIsab) is even closer to the Masoretic Text (MT). In addition, there are the remains of eighteen other fragmentary manuscripts from Qumran, as well a fragment from the Dead Sea site of Wadi Murabba’at. Thus, we are able to do a reasonably thorough textual comparison between the MT (and the Greek LXX) and the Dead Sea Scrolls, much more so than for other books of the Old Testament.

Historical Criticism

The term historical criticism covers two areas:

    1. The historical background of the text—where, when and how it came to be written, the circumstances of its composition, and
    2. The historicity of the text, which includes both (a) the historical reliability of the text, and (b) the history that is contained and preserved in it.

A Prophetic book as large and diverse as Isaiah poses considerable challenges for a sound and objective application of historical criticism. Much of the difficulty (and controversy) has surrounded the ascription of the book to the prophet Isaiah (cf. below on 1:1), and thus involves the question of authorship. Scholars had long noted that many of the oracles in the book seem to relate to the situation of Israelites and Jews living long after the prophet Isaiah’s own time—i.e. in the Exile and post-exilic periods. This especially seemed to be true in chapters 40-66, but similar passages can be found within chaps. 1-39 as well. Various theories have been developed to explain these apparent differences, ranging from the traditional-conservative to the skeptical-critical. I would outline four general approaches to the book as we have it:

    • It was largely, if not entirely, written by the prophet Isaiah himself
    • It substantially contains authentic Isaian oracles throughout, but was actually composed—written and edited—by later scribes (possibly including Isaiah’s own disciples)
    • It contains an authentic core of Isaian oracles (and historical tradition), around which a range of material was added, over a considerable period of time, and, most likely, by a number of different authors
    • While containing some authentic historical tradition (both of Isaiah and others), the various portions of the book were largely composed by later authors (and prophets), down into the exilic and post-exilic periods; the unifying theme of all this prophetic material was the fate of Judah and Jerusalem.

The first two approaches may be characterized as traditional-conservative, while the last two generally reflect the view of most critical scholars. I would tend to rule out the first option, as being rather difficult to maintain objectively, but strong arguments can be made in support of the last three views, and we will be considering these different approaches (or some variation of them) throughout our studies on Isaiah.

Source Criticism

Again, this can be understood two ways: (1) sources used in the composition of the text, and (2) sources used in the editing and redaction of the final book. These “sources” can range considerably, in size and complexity, from snippets of oral tradition to full-fledged written documents. Typically, within the context of Biblical Criticism, such sources must remain hypothetical, since only rarely will external evidence exist, or survive, in support of them. The evidence cited by scholars is almost entirely internal—that is, based on a study of factors within the text itself. These factors include things like differences in style and language, historical-critical details (see above), the specific form or genre of a passage, and so forth.

Critical scholars have tended to divide the canonical book of Isaiah into two portions (chaps. 1-39 and 40-66), often thought to reflect two distinct books which were combined together (as sources) at some point in the process of editing and redaction. The first ‘book’ (1-39) was generally thought to relate more directly to the prophet Isaiah himself (his life and times, and actual sayings), while the second (40-66, typically called Deutero-Isaiah), was from a much later time, reflecting the concerns of Israelites and Jews in the exile and post-exilic periods. Some would isolate a third ‘book’ (Trito-Isaiah, covering chapters 56-66 [or 55-66]). Most critical commentators today hold to some form of this basic approach, though realizing that the situation is much more complex, in terms of how the material developed—that is, at the level of composition. Here the idea of sources carries a slightly different meaning. As an example, we might consider the “source” of an individual oracle or historical tradition—where did it come from, how and when was it composed, and how did it come to be included in the text?

All of these questions and issues will be considered in these studies, without prejudice or presupposition regarding theories of authorship.

Literary Criticism

Literary criticism is a wide-ranging term that covers a number of more specialized sub-categories of criticism. It generally refers to an analysis of the literary features and characteristics of a passage (or book)—its language, style, structure, symbolism, use of literary/figurative devices, etc. These, in turn, touch upon how a text was composed (composition criticism), and relate to matters of historical and source criticism (see above). Two key areas of literary criticism are form and genre criticism. In some ways genre criticism is an expansion of form criticism—an analysis of the structure of a passage, in terms of identifying it as a distinctive textual and literary unit, such as, for example, a proverb-collection, parable, or poem (oracle). Determining the genre of a passage involves more attention being paid to questions of style, content, and function. As an example, for a prophetic Scripture such as the book of Isaiah, many of the poetic forms relate to the genre of oracle, for which certain types or categories can be discerned (nation-, judgment-, woe-, etc). These will be discussed frequently in our studies.

Also under the banner of literary criticism is the area of rhetorical criticism—a study of the message of the passage, according to the author’s purpose, and the means and methods by which it is communicated to the audience. The term ‘rhetorical criticism’ is often understood in terms of classical (Greco-Roman) rhetoric, and, as such, is more applicable to the New Testament writings (especially the letters); however, viewed more broadly, it very much applies to the Old Testament Prophets as well, the writings of which are certainly intended to convince and exhort, etc, their audience.

Isaiah 1:1

To launch this series of studies on the book of Isaiah, I include here a brief examination of the opening verse of the book:

“The vision of Yesha’yahu son of Amos which he saw (as a vision), upon [i.e. regarding] Yehudah and Yerushalaim, in the days of ‘Uzziyyahu, Yotam, ‘Ahaz, (and) Yehizqiyyahu, kings of Yehudah.”

The name of the prophet, typically given in anglicized transliteration as “Isaiah”, is actually a YHWH (Yahweh) sentence- or phrase-name, meaning something like “Yah(weh) will save” or “May Yah(weh) save!”, in Hebrew Why`u=v^y+ (Y®ša±y¹hû). The four Judean kings mentioned are similarly Yah-names—three certainly, but ‘Ahaz (zj*a*, °A~µ¹z) is probably a shortened form of a Yah-name (Y®hô°¹µ¹z, zj*a*ohy+) as well. This alone tells something significant about the religious culture in Judah in the 8th century B.C., with the well-established worship of God (the one true God) under the name YHWH (hwhy, on this divine name, see my earlier article).

This statement, which reflects the span of Isaiah’s career as a prophet (see the historical references in 2 Kings 19:2-7, 20; 20:1-19; 2 Chron 26:22; 32:20, and the traditions within the book itself), establishes the historical setting for the book as a whole. In all likelihood, verse 1 stems from an editorial layer, as do the notices in 2:1 and 13:1; these contextual statements are separate from the oracles that follow, in which Isaiah’s name does not appear. His name is otherwise mentioned only within historical narrative portions (7:3; 20:2-3, and in chaps. 37-39). Technically, the oracles themselves are anonymous, and their Isaian authorship must be determined from other factors, including the traditional/editorial superscriptions in 2:1; 13:1. Those notices function like the superscriptions in the Psalms, attributing the (anonymous) poems to specific figures (David, etc).

Thus, even a simple statement like that of 1:1 can be considered in terms of the different areas of criticism:

    • Historical—questions of authorship: where, when, and by whom, the book (or portions of it) was composed; but also related to the composition, editing and redaction of the book as a whole
    • Source—the origin and attribution of specific oracles, as well as more substantial portions of the book
    • Literary (Form/Genre)—the role of superscriptions in introducing, and thus demarcating the start of, a particular poetic/prophetic form; from a rhetorical standpoint, the ascription establishes the prophetic authority for the oracle (and the book as a whole).

According to the view of many commentators, the first chapter was prefixed to the opening oracle of chapter 2, which has its own notable superscription, itself fitting as an introduction to the book. At the time that all of the material had been brought together, the chapter 1 oracle was included, as a summary introduction for the many themes that would be found (and developed) in the book. The superscription in verse 1 was then added, effectively as a title for the book. This is a reasonable theory, though it says nothing definitive about the overall authorship of the book. However, even as a traditional ascription, the association with Isaiah must be quite ancient, and thus objectively reliable to some degree. The notice in 2 Chronicles 32:32 suggests that the book of Isaiah was in existence (some form of it, at least) by that time; the author there refers to it as a “vision” (/ozj*), just as in Isa 1:1, even though there are few visions, as such, recorded in the book. It is possible the Chronicler’s statement corresponds generally to the time that the book of Isaiah reached something like its final form.

In next week’s study, we will focus on the introductory poem in chapter 1, focusing in detail on several representative passages.

Saturday Series: 1 John 4:1-6 (continued)

1 John 4:1-6, continued

Last week, we examined 1 John 4:1-6 in the context of the thematic and rhetorical structure of the letter, and also looked at the first three verses in detail. This section deals with the theme of trust in Jesus, just as the prior section (3:12-24) dealt with the theme of love. These two—love and trust in Jesus—are the two components of the great “commandment of God” (v. 23) which all true believers will uphold (and can never violate). Verses 1-3 of chapter 4 presents the author’s key teaching in the letter on trust in Jesus as the mark of the true believer. It builds upon the earlier instruction of 2:18-27 (discussed in a previous study). We have noted how 1 John is aimed at warning readers against certain people who have separated from the Community, and thus demonstrated themselves to be false believers (described as antíchristos, “against the Anointed”, 2:18, 22, and again here in 4:3). The author distinguishes them as ones who violate the first component of the great command—which is to say, they do not trust that Jesus is the Anointed One and Son of God (2:22-23). However, as Christians who previously had belonged to the Community, presumably they did, in fact, accept Jesus as both the Anointed One (Messiah) and Son of God, confessing and affirming both points of doctrine. Thus, it would seem that the author has something very specific in mind, a way of understanding just what an identification of Jesus by these titles means. We get a glimpse of what this is by the defining statement (of true belief) in verse 2 of our passage:

“every spirit which gives account as one (with us) of Yeshua (the) Anointed having come in the flesh is out of [i.e. from] God”

On the surface this would imply that the ‘false’ believers did not accept the incarnation of Jesus (as a human being); this would be the obvious sense of the phrase “having come in the flesh” (en sarkí el¢lythóta). Unfortunately, the situation is complicated by the fact that there are two important variant forms of the text in verse 3, where the opposing view of the ‘false’ believers (“false prophets”, v. 1) is stated. It is necessary first to discuss this.

The Text-critical question in 1 John 4:3

As I noted in the previous study, there are two forms of the text of v. 3a—one which uses the verb homologéœ (as in v. 2), and one which instead has the verb lýœ (“loose[n]”). Here are the two forms:

    • “every spirit that does not give account as one (with us) of Yeshua” (pán pneúma hó m¢ homologeí ton I¢soún)
    • “every spirit that looses Yeshua” (pán pneúma hó lýei ton I¢soún)

The first reading (with the verb homologéœ), which rather blandly contradicts the true statement in v. 2 with a simple negative particle (), is by far the majority reading, attested in every Greek manuscript and nearly all the ancient versions as well. The second reading (with lýœ) is known from only a small number of witnesses, and almost all by way of Latin translation (lýei ton I¢soún [“looses Yeshua”] typically rendered in Latin as solvit Iesum). In spite of this, many commentators would accept this minority reading as original. Let us consider the evidence and reasons for this.

External Evidence

The only Greek manuscript which contains the reading with lýœ is the 10th century uncial MS 1739, and there only as a marginal note explaining that the reading was found in writings of Irenaeus, Clement of Alexandria, and Origen—all Church Fathers who lived and wrote in the late 2nd and early 3rd centuries A.D. It is to be found in Irenaeus’ book Against Heresies (III.16.8), a portion surviving only in Latin (with the verb form solvit, “dissolves”); it is also cited in Origen’s Commentary on Matthew, in a portion surviving in Latin (65), though there may be an allusion to it in Greek as well (16.8). In fact, Origin knew both readings, as did the Latin author Tertullian (Against Marcion 5.16.4; Prescription Against Heretics 23) writing at roughly the same time. The minority text (with solvit [in Latin]) is known by several other writers of the 4th and 5th century (e.g., Priscillian Tractate 1.31.3), and is the reading in a number of Old Latin manuscripts (ar c dem div p) in addition to the Latin Vulgate. The only other Greek evidence for the reading (with lýœ) comes from the 5th century historian Socrates (Church History 7.32), who cites it as an “ancient reading” (meaning it was not the one commonly known at the time), using it against the Christological views of the Nestorians (as those who “separated” the two natures of Jesus).

Internal Evidence and Transcriptional Probability

“Internal evidence” in textual criticism refers to things like the style and vocabulary of the New Testament author, which reading is more likely to be original on this basis, and which is more likely to have been changed or entered into the text through the copying by scribes. This latter aspect is often referred to as “transcriptional probability”. An important principle of textual criticism is difficilior lectio potior (“the more difficult reading is to be preferred), meaning that copyists are more likely to alter the text from a word or phrase that is more unusual or difficult to understand to one that is more common or easier to understand. And a good number of commentators consider the reading pán pneúma hó lýei ton I¢soún (“every spirit that looses Jesus“) to be the more difficult. What exactly does this mean—to “loose” Jesus? According to this view, at some point one or more scribes (probably in the early 2nd century) changed the text from “looses” to the blander “does not give account as one [i.e. acknowledge/confess/agree]”, using the same verb as in verse 2. But is this feasible?

For one thing, as many commentators have noted, the use of the negative particle   with an indicative verb form is unusual, and is itself hard to explain as a scribal change. It is more appropriate before a participle, as in the parallel statement in 2 John 7 (see also John 3:18). In fact, the evidence from 2 John 7 cuts both ways: it can be taken as a sign that the reading with homologéœ is original, or that scribes harmonized the reading with lýœ, ‘correcting’ it in light of 2 Jn 7.

What about the use of the verb lýœ—does it fit with the author’s style and would he use it here in such a context? The verb occurs only once elsewhere in the Johannine letters, at 1 Jn 3:8, where it is stated that Jesus appeared on earth so that he might “loose” (lýs¢, i.e. “dissolve”) the works of the Devil. The verb lýœ literally means “loose[n]”, sometimes in the sense of dissolving or destroying, but also in the sense of releasing someone (or something) from bondage, etc. In the book of Revelation (often considered a Johannine writing), it is always used (6 times) in the sense of releasing a person; whereas, in the Gospel of John, it can be used either in the general sense of loosening straps, bonds, etc (1:27; 11:44), or in the negative sense (above) of dissolving something (2:19; 5:18; 7:23; 10:35), as in 1 Jn 3:8. The most relevant occurrence in the Gospel is at 2:19, where it is part of the Temple-saying of Jesus:

“Loose [lýsate] this shrine and in three days I will raise it (again).”

In the Synoptic version (in the Sanhedrin ‘trial’ scene), the reported saying (Mk 14:58 par) uses the compound verb katalýœ (“loose[n] down”), but the meaning is essentially the same—the Temple being dissolved, i.e. its stones broken down and destroyed (cf. Mark 13:1 par where the same verb is used). The verb lýœ typically is not used in the sense of “dissolve/destroy” when a person is the object; however, in Jn 2:19 the object of the Temple (a building) is applied to the person of Jesus by the Gospel writer (vv. 21-22), so it is conceivable that the author of 1 John could be doing something similar here.

Conclusion/Summary

I would say that, while an argument can be made for the originality of the reading with lýœ, and that its use in 4:3 would be, to some extent, compatible with Johannine style and theology, it is hard to ignore the absolutely overwhelming textual evidence of the manuscripts and versions. I find it difficult to explain how a scribal change could so effect every single known Greek manuscript, and, at the same time, all of the ancient versions (except for the Latin). It seems much more likely that the reading with the verb lýœ was introduced as a gloss or explanation of the majority reading, perhaps as a marginal note (such as in MS 1739) that made its way into the text. Indeed, if the majority reading (with m¢ homologeí) is original, it is not immediately clear just what contrast the author is making. In what way do the “false prophets” not confess/acknowledge Jesus Christ having “come in the flesh”? Is it a simple denial of the reality of the incarnation, or something else? For the writers of the 2nd-5th centuries, mentioned above, who attest the reading with lýœ, they seem to understand it in the sense of ‘heretics’ who separate the person of Jesus—i.e., dissolving the bond between the divine Christ (Son of God) and the human Jesus. This, however, would likely not have been the false Christology attacked by the author of 1 John (see below).

1 John 4:4-5

You are out of [ek] God, (my dear) offspring, and you have been victorious over them, (in) that the (one) in you is greater that the (one) in the world. They are out of [ek] the world—through this they speak out of [ek] the world, and the world hears them.”

At this point, in his exhortation to his readers, the author draws a sharp contrast with the “false prophets”, emphatically using the pronouns “you” (hymeís) and “they” (autoí). The rhetorical thrust of this is clear. He addresses his audience as true believers, contrasting them with the false believers who have separated from the Community and hold the erroneous view of Jesus. This aspect of religious identity is established by the familiar Johannine use of the prepositions ek (“out of”) and en (“in”). We have seen how the Johannine writings (both the Gospel and First Letter) play on the different uses of the preposition ek. Here it connotes coming from someone (or something), in the sense of being born out of them, as well as the idea of belonging to someone. True believers belong to God, being born of Him, while false believers belong to the World (the evil World-order, kósmos).

The use of the perfect tense (nenik¢¡kate, “you have been victorious [over]”) here is significant. I see two aspects of meaning at work. First, is the rhetorical purpose. The author wishes to persuade his readers not to be influenced or misled by the views of the “false prophets”; he does this by indicating to them that this has already happened—they have already been victorious over the false believers. It is a clever way of urging them to act and respond in a certain way. At the same time, the verb indicates the real situation for true believers—they have already been victorious over the world because Jesus was victorious through his life and work on earth, and believers now share in this power (through the presence of the Spirit in them, v. 4b). The verb nikᜠis a distinctly Johannine term. Of the 28 occurrences in the New Testament, 24 are in the Gospel of John (1), the First Letter (6), and the Book of Revelation (17). In the Gospel and Letter, it is always used in relation to “the world” (ho kósmos)” or “the evil (one)” (ho pon¢rós). In Jn 16:33 Jesus declares that “I have been victorious over the world”, that is, over the evil and darkness that governs the current world-order. It also means that he has been victorious over the Ruler of the world—the Evil Spirit of the world, the “Evil One” (i.e. the Satan/Devil), 12:31; 14:30; 16:11; 1 Jn 3:8. The language here in vv. 4-6 very much echoes that of the Gospel Discourses of Jesus, especially in the Last Discourse (14:17; 15:19; 17:6-25).

1 John 4:6

“We are out of [ek] God, (and) the (one) knowing God hears us, (but) the (one) who is not out [ek] God does not hear us. Out of [ek] this we know the Spirit of Truth and the Spirit of straying [plán¢].”

The statement “we are out of God” parallels the “you are out of God” in v. 4. This might indicate that it is the authorial “we”, referring to the author himself, perhaps along with other leading ministers. Paul makes frequent use of the authorial “we” in his letters. According to this view, the statement here in v. 6a is meant to persuade readers to listen to what he (the author) is saying. However, I do not believe this is the force of the statement here; rather, “we/us” is being used to identify the Community of true believers, in contrast to the ‘false’ believers who have separated. Since it is the Community of true believers, all genuine believers will hear what is said, since the message is spoken and taught under the guidance of the Spirit. By contrast, those who belong to the world, speak under the influence of the evil Spirit of the world.

This is a clear and marked example of Johannine dualism, with its stark contrast between the domain of God/Christ/Believers and the Devil/World/Non-believers. The closing words bear this out. The “Spirit of Truth” is the Holy Spirit, the Spirit of God (and Christ) who dwells in and among believers (Jn 4:23-24; 14:17; 15:26; 16:13; 1 Jn 5:6). This is what the author refers to with the phrase “the (one) in you” (v. 4b). The corresponding expression to pneúma t¢s plán¢s is a bit harder to translate. The noun plán¢ essentially refers to wandering or going astray; it is an abstract noun used here in opposition to al¢¡theia (“truth”). It characterizes the Evil Spirit (of the world) as one who leads people astray, i.e. misleading or deceiving them; a natural translation of the noun in English would be “deception” (Spirit of Deception). As it happens, this sort of language is known from other Jewish writings of the period, especially in the Community Rule (1QS) of the Qumran texts, in the so-called “Treatise of the Two Spirits”, where two similarly opposing Spirits (of truth and deceit) are described (1QS 3:17-25). This Evil Spirit is what the author is referring to by the phrase “the (one) in the world” (v. 4b); it also the spirit of antíchristos (“against the Anointed”, v. 3).

Summary

If we are to attempt a historical reconstruction of the views of the false believers (“false prophets”, antichrists) who separated from the Community, it is necessary to bring together, as we have done, the two sections dealing with the theme of trust in Jesus2:18-27 and 4:1-6. In the first passage we learn that the author defines these people as those who do not trust in Jesus—that is, they fail/refuse to acknowledge Jesus as the Anointed and Son of God (2:22-23), and thus violate the great command (3:23). In the second passage, we gain a clearer sense of what is involved: these false believers do not acknowledge (with the rest of the Community) Jesus the Anointed as having coming in flesh. This would seem to indicate a denial of the incarnation, a refusal to accept that Jesus appeared on earth as a real flesh-and-blood human being. In classic theological language, this Christological view is referred to as docetism, from the Greek (dokéœ), meaning that Jesus only seemed to be a real human being. It is associated with a number of so-called Gnostic groups and systems of thought in the 2nd and 3rd centuries. Ignatius of Antioch, writing in the early 2nd century, not long after the time when the Johannine letters are often thought to have been composed, attacks an early form of docetic Christology (Smyrn. 1:1-2; 3:1-2; 4:1-2; Trall. 9:1-2; 10:1, etc), and appears to cite 1 John 4:2 for this purpose (in Smyrn. 5:2). Ignatius writes to believers in Asia Minor (Ephesus, Smyrna, Tralles), which is usually considered to be (the most likely) provenance of the Johannine Writings as well.

However, I do not think that the view of the false believers in 1 John is docetic per se. The situation is a bit more complex than that. The answer, I feel, lies in the final section of the letter dealing with the theme of trust in Jesus (5:5-12), which we will soon examine in an upcoming study. But first we must turn to the next section of the letter, on the theme of love, beginning with 4:7. It is a rich and powerful exposition, perhaps the single most extensive treatment on Christian love in the entire New Testament. We will only be able to consider certain aspects of it in the space and time available to us, but it is a subject that will be well worth the study.

Special Note on 1 John 4:3

Special Note on 1 John 4:3

As indicated in the most recent note in this word-study series (“…Spirit and Life”), there is a famous text-critical question in 1 Jn 4:3. It is unusual in that the majority reading is found in the entire Greek manuscript tradition, as well as nearly all versions, and yet the minority reading is still thought to be original by a number of scholars. Here is a translation of the verse with the variation unit marked by braces:

“…and every spirit which { } Yeshua is not out of [i.e. from] God; and this is the (spirit) th(at is) against the Anointed [a)nti/xristo$], of which you have heard that it comes, and now is already in the world.”

The first italicized phrase characterizes this “spirit” which is subsequently identified as being “against the Anointed (One)”. Let us examine the verb which is at the point of variation:

    • The majority reading:
      pa=n pneu=ma o^ mh\ o(mologei= to\n Ihsou=n
      “every spirit which does not give common account [i.e. confess] (regarding) Yeshua…”
    • The minority reading:
      pa=n pneu=ma o^ lu/ei to\n Ihsou=n
      “every spirit which looses Yeshua…”

As indicated above, the majority reading is found in every Greek manuscript (and lectionary), as well as nearly all the versions, and in most of the Church Fathers who cite the passage. The minority reading, by contrast, has very limited attestation. Indeed, the Greek (manuscript) evidence is limited to the margin of the 10th century MS 1739, where it is noted that the verb lu/ei is the reading known by Irenaeus, Clement of Alexandria, and Origen in the late 2nd century. That Irenaeus and Origen knew (and cited) this reading is confirmed, but only in Latin translation, by Against Heresies III.16.5, 8 and Origen’s Commentary on Matthew (§65 [PG] of the books/portions preserved only in Latin). The Latin equivalent of lu/ei to\n Ihsou=n (solvit Iesum) is also cited by Tertullian (Against Marcion 5:16), Priscillian (Tract 1:31), and other Church Fathers, as well as in a number of Old Latin and Vulgate MSS. The earliest surviving citation of the actual Greek would seem to be by the 5th century historian Socrates (Church History 7:32).

On the basis of the overwhelming textual evidence, most commentators accept the majority reading as original, though some scholars prefer the minority text as the lectio difficilior (on the principle that the “more difficult reading” is more likely to be original). If secondary, it is hard to explain how the verb lu/ei would have been introduced in place of mh\ o(mologei=. On the other hand, mh\ o(mologei= is grammatically peculiar enough that its presence in the entire Greek manuscript tradition, substituted throughout in place of lu/ei, seems most unlikely. Which ever direction the change took place, it probably occurred as an explanatory gloss, perhaps as a marginal reading such as we see in the Greek MS 1739. The reading lu/ei to\n Ihsou=n (solvit Iesum, “looses Yeshua”) is cited in the 2nd-3rd centuries—by Irenaeus, Origen, Tertullian (and, presumably, Clement of Alexandria)—in relation to the Christological controversies of the time. This increases the likelihood that the reading was introduced, perhaps intentionally, in order to defend an orthodox (or proto-orthodox) Christology against certain “Gnostic” views which separated the man Jesus from the divine Christ. According to such an interpretation, the (variant reading of) 1 John 4:3 was cited to demonstrate that anyone who “separated” Jesus in this way was, in effect, denying him; certainly such a person was not giving account (i.e. confessing) as one (with the orthodox believers) the proper view of Christ.

But is this anything like what the author of the letter had in mind? Let us consider for a moment what the variant reading lu/ei might have meant for the author if original. The verb means “loos(en)”, and can be used: (1) in this general, fundamental sense; (2) of loosening a bond in the sense of freeing or releasing a person; (3) in the negative sense of “dissolve” (i.e. destroy). It occurs 7 times in the Gospel and Letters of John, more or less in each of these three senses:

    1. The basic meaning of “loosen” (Jn 1:27)
    2. The positive sense of freeing or releasing a person (Jn 11:44)
    3. The negative sense of dissolving/destroying something (Jn 2:19; 1 Jn 3:8)
      To this may be added a special usage (3a) related to the observance of the commands, etc. in the Law (Torah). To “loosen” observance of the Law means essentially to nullify its binding authority (Jn 5:18; 7:23; cf. also 10:35).

The context of 1 John 4:3 is decidedly negative, which suggests that something like meaning 3 above would be intended. The closest parallel is found in the Temple-saying by Jesus in Jn 2:19:

“Loose [i.e. dissolve] this shrine, and in three days I will raise it (again).”

The Gospel writer in verse 21 makes clear that the sanctuary, or Temple building, of which Jesus spoke was his own body. This association is not too far removed from false view of Jesus in 1 Jn 4:2-3. As verse 2 speaks of confessing that Jesus is the Anointed One who has come in the flesh—i.e., as a real flesh-and-blood human being—the contrary message or belief in verse 3 would deny this. In effect, such a “spirit” would dissolve or destroy the body of Jesus, perhaps in the less concrete sense of denying or nullifying its importance for believers (cf. the parallel in Jn 5:18; 7:23).

Of course, if the majority text is original, the question is moot. The author in verse 3 simply negates the (orthodox) view of Christ in verse 2: the different “spirit” does not agree that Jesus is the Anointed One who has come in the flesh.

For several citations and points above, I have relied upon the detailed discussion by Bart Ehrman in The Orthodox Corruption of Scripture: The Effect of Early Christological Controversies on the Text of the New Testament (Oxford: 1993), pp. 125-35. He presents strong arguments in favor of the Majority text of 1 Jn 4:3.

Saturday Series: 2 Corinthians 6:14-7:1

For the next few weeks these Saturday Series studies will explore 2 Corinthians 6:14-7:1, a most interesting (and much-debated) passage among Paul’s letters. New Testament scholars and commentators have long been aware of the difficulties surrounding this passage, which may be summarized by the following two points:

    • It appears out of place—in terms of style, tone, emphasis, and subject matter—with the surrounding portions of the letter. It seems to break the flow and thought abruptly at 6:13, which otherwise follows relatively smoothly with 7:2ff. There would appear to be no clear explanation of how the rest of the letter (specifically 2:14-6:13 + 7:2-4) relates to this section.
    • There are a considerable number of words and expressions which differ considerably from Paul’s language and vocabulary in the other letters. This has led an increasing number of commentators to question both the source and authorship of the section.

Consideration of both points has led many scholars to view 6:14-7:1 as an interpolation—that is to say, a (secondary) insertion into the text from another source. Actually, the question is parsed more finely; theories regarding the passage may be summarized as follows:

    • It is Pauline (i.e. authored by Paul) and in its proper place as part of single unified letter—whether defined as 2:14-7:4, all of 2 Corinthians, or something in between  [View #1]
    • It is non-Pauline, but used by Paul and in its proper location [View #2]
    • It is Pauline, but from a separate letter or writing, and has been inserted into its current location secondarily (i.e. an interpolation) [View #3]
    • It is non-Pauline, and an interpolation [View #4]
    • It is anti-Pauline (i.e. contrary to Paul’s own thought, in certain respects) and an interpolation [View #5]

This represents a remarkably wide range of opinions, and there is little consensus among commentators, other than general agreement that the current location of the passage creates significant difficulties for interpretation. In this regard, 2 Cor 6:14-7:1 serves as a valuable test case for the application of the principles and methods of critical study. Such analysis is actually most valuable in situations where there is considerable uncertainty and disagreement surrounding a particular passage. In terms of the various areas and aspects of Biblical criticism, we must consider the following, in relation to 2 Cor 6:14-7:1:

    • Textual Criticism—(1) External evidence for the text, along with any variant reading; and (2) Internal evidence regarding the vocabulary and style of the passage
    • Source Criticism—Is there evidence that the text comes from a distinct source, compared with other portions of the book? If so, what are characteristics and features of this source? To this may be included Form- or Genre-criticism, especially in terms of the poetic and parenetic character of this particular passage.
    • Literary Criticism—Study of the features of the text, as a written (literary) work, and how it came to be written; here, we may specifically refer to a pair of related sub-categories:
      • Composition Criticism—How the text, within the work as a whole, came to be composed, i.e. by a particular author (or authors)
      • Redaction Criticism—Whether, or to what extent, the text was part of a process of editing or compiling (“redaction”), to form the final written work as we have it
    • Canonical Criticism—This relates primarily to the narrower question of, if 2 Corinthians represents a compilation from different sources (possibly including non-Pauline material), what effect (if any) does this have on the canonical status (inspiration, etc) of the letter?

Let us begin with a translation of 2 Cor 6:14-7:1:

14You must not come to be yoked with (those who are different), (to one)s without trust!

For what holding (is there) with [i.e. between] justice and lawlessness,
or what common (bond is there) with [i.e. between] light and darkness?
15And what voice (sounding) together (is there) of (the) Anointed (One) toward Belîal,
or what portion for (the one) trusting with (the one) without trust?
16And what setting down together (is there) for the shrine of God with images?—
for you are the shrine of (the) living God, even as God said that
‘I will make (my) house among them and will walk about among (them),
and I will be their God and they will be my people.’

17‘Therefore you must come out of the middle of them and mark (yourselves) off from (them),’ says the Lord,
‘and you must not attach (yourself) to an unclean (thing)’
‘and then I will take you in—
18and I will be a Father unto you, and you will be sons and daughters unto me’,
says the Lord Almighty.

7:1So (then), holding these messages about (what He will do), (my) beloved (one)s, we should cleanse ourselves from all soiling of flesh and spirit, completing holiness (fully) in (the) fear of God.”

I have tried to indicate the structure of the passage above, which may be outlined as follows:

    • Initial statement (injunction)—V. 14a
    • Poetic exposition, concluding in a Scripture citation—Vv. 14b-16
    • Catena (chain) of Scripture citations—Vv. 17-18
    • Concluding exhortation—Ch. 7:1

This has all the appearance of a mini-sermon or homily, a point which will be discussed, along with the poetic character of the passage, in the next study (dealing with Source- and Form-criticism). The first critical area to examine relates to the Greek text itself.

Textual Criticism

As discussed in prior studies, textual criticism primarily involves efforts to establish the most likely original form of the text, as far as this is possible. In the case of 2 Cor 6:14-7:1 as a textual unit, this involves the two-fold question outlined above: (a) whether the passage may be an interpolation (and thus not part of the original text), and (b) whether or not it is genuinely Pauline. Two kinds of evidence are used to address such questions: (1) External evidence (i.e. the actual Greek manuscripts and ancient versions, etc), and (2) Internal evidence (comparative examination of vocabulary, style, etc). For more on the terminology of Textual Criticism, see my 3-part article “Learning the Language”.

(1) External Evidence

Here it must be pointed out that there is not a single known Greek manuscript, nor ancient version, nor citation in the Church Fathers, which would indicate that 2 Corinthians was ever without 6:14-7:1. Further, there is not any indication that the passage was ever present in a different location in 2 Corinthians (or anywhere else in the Pauline corpus). Nor is there much evidence for any substantive textual variants (variant readings) in this passage. Thus, the external evidence is overwhelmingly against the idea that 6:14-7:1 is an interpolation. For this reason, theories of interpolation or non-Pauline authorship rest solely on internal evidence.

(2) Internal Evidence

Here we must consider two factors: (i) the disruption apparently caused by 6:14-7:1 in context, and (ii) instances of vocabulary, style, and thought which may be seen as foreign to Paul’s letters. The first factor is better addressed separately, as an aspect of literary (composition) criticism, in an upcoming study. Here I will consider only matters of vocabulary, style, etc, in relation to the question of Pauline authorship. Normally, such analysis based on vocabulary and style is rather precarious (due to the measure of subjectivity involved), but where there is a high incidence of unusual terms or expressions in a rather short space, the arguments become stronger and more reliable. This is the case, for example, with the Pastoral Letters (especially 1 Timothy), and also here with 2 Cor 6:14-7:1.

Rare and unusual vocabulary

For example, there are eight (8) words which do not occur elsewhere in Paul’s letters (including 7 which are not found anywhere else in the NT), as a well as several other words where occurrence is rare. Here are the unique words, in order:

    • heterozygéœ (e(terozuge/w) [v. 14]—a compound verb meaning “joined/yoked” (i.e. zygós, “yoke”) together with “(something/someone) different” (héteros); most likely this is taken from the Greek version of Leviticus 19:19, where the related adjective (heterózygos) is used. Paul does make use of the word sýzygos (“[one] joined together [with]”), possibly as a proper name (?), in Philippians 4:3.
    • metoch¢¡ (metoxh/) [v. 14]—a similar sort of (compound) noun, referring to someone who “holds” (vb. échœ) something in common “with” (metá) another. This occurs only here in the New Testament (and just twice in the Greek OT), but related the adjective métochos and verb metéchœ are more common. Paul uses the verb five times, in 1 Cor 9:10, 12; 10:17, 21, 30.
    • symphœ¡n¢sis (sumfw/nhsi$) [v. 15]—again, a compound noun meaning literarly a “voice [fœn¢¡] (sounding) together with [sun]” another; this noun occurs nowhere else in the New Testament (nor the Greek OT), but related words (symphœnéœ [vb], symphœnía [noun], sýmphonos [adj]) do occur. Paul uses the adjective sýmphonos in 1 Cor 7:5.
    • Belíar (Beli/ar) [v. 15]—this is a transliteration in Greek of the Hebrew term b®liyya±al (lu^Y~l!B=), with the variant spelling Belíar instead of Belíal. The meaning of this word, used here as a proper name (generally equivalent to “[the] Satan”, “Devil”), will be discussed when we explore the overall thought of the passage in an upcoming study. The Hebrew is always translated (rather than transliterated) in the Greek OT, except for the A-text of Judges 20:13 LXX.
    • sungkatáthesis (sugkata/qesi$) [v. 16]—a compound noun similar in form to symphœ¡n¢sis (above), meaning literally “(something) set down together with”, in the sense of an “agreement”, etc. The noun also occurs nowhere else in the New Testament (or Greek OT), though the related verb sungkatatíthemai is used once at Lk 23:51 (also Exod 23:1, 32 LXX).
    • emperipatéœ (e)mperipate/w) [v. 16]—a prefixed compound form of the verb peripatéœ (“walk about”) with the preposition en (“in, among”); here it is derived (and can be explained) from its use in the Greek version of Leviticus 26:12.
    • Pantokrátœr (Pantokra/twr) [v. 18]—a compound noun essentially meaning “might(iest) of all, mighty over all, all-mighty), commonly used in Greek as a divine title, and frequently so in the Septuagint (181 times). It occurs nine other times in the New Testament (all in the book of Revelation), but nowhere else in Paul.
    • molysmós (molusmo/$) [7:1]—this noun, derived from the verb molýnœ (“smear [i.e. with paint or dirt], stain, soil”), occurs nowhere else in the New Testament, and is also extremely rare in the Greek OT (cf. Jer 23:15 LXX); used in a ritual context, it connotes “pollution, defilement”.

It is to be noted how many of these are rare compound noun (or verb) forms, which seem uniquely suited to the poetic style of vv. 14b-18, allowing the author to express complex associations in the compact space of a poetic line. In addition to these eight words above, there are several others which seem rather unusual or rare for Paul:

    • merís (meri/$) [v. 15]—this noun, which fundamentally means “part, portion” is quite rare in the New Testament (occurring just 5 times); it is used just once in the Pauline corpus (Col 1:12).
    • katharízœ (kaqari/zw) [7:1]—this verb (“make clean, cleanse”) is relatively common in the New Testament (31 times), but occurs nowhere else in the undisputed Pauline letters (esp. nowhere in Romans, Corinthians, Galatians), only in Eph 5:26 and Titus 2:14. Moreover, the usage here, with the idea of believers cleansing themselves, does seem somewhat unusual for Paul.
    • hagiosýn¢ (a(giosu/nh) [7:1]—this noun (“holiness”, from hágios, “sacred, holy, pure”), is rare in the entire New Testament, occurring just three times; admittedly the other two instances are from the undisputed Pauline letters (Rom 1:4; 1 Thess 3:13), still the word is rare for Paul, and its occurrence in Rom 1:4 is often thought to come from an early creedal formula which Paul is adopting.

There are other aspects of style and wording/expression are perhaps unusual for Paul, many of which can be (and are) debated, and we will explore these as we proceed. However, those listed above are the most noteworthy as examples of rare vocabulary. The high number of these in such a short passage is striking, and makes an argument against Pauline authorship that must be taken seriously. At the same time, there are other areas of vocabulary and style in 6:14-7:1 which may be viewed as genuinely Pauline features. I would ask that you keep these 11 words (listed above) in mind as you continue to study the passage. How would you explain the incidence of these, and why so many are rare, both to Paul and even to the New Testament as a whole? How much does the poetic framework of this section, along with the use of so many quotations and allusions to the Old Testament, affect this data?

Next week, we will be exploring these (and other) questions as we examine the passage from the standpoint of source– and form-criticism.

Saturday Series: Deuteronomy 32:26ff, 43

In the recent Saturday studies, we have been exploring the great poem known as the “Song of Moses” in Deuteronomy 32, using it was a way to consider, and demonstrate, how principles and methods of critical analysis apply to a particular passage (here, involving ancient Hebrew poetry). Last week, I discussed verses 15-25 in some detail; today, I wish to bring this exploration of the Song of Moses to a conclusion. There will be three parts to this study:

    • a survey/summary of verses 26-42
    • an examination of verse 43, and
    • a brief consideration of the poem in relation to verses 44ff that follow

Verses 26-42

First, a reminder of the structure of the bulk of the poem:

    • 4-18: God’s covenant with His people Israel, and their violation of the covenant
      —The Creator God (YHWH) as their Father (vv. 4-6)
      —His choice of Israel as His people, becoming their God (vv. 7-9)
      —His protection and guidance during the Exodus and wilderness travels (vv. 10-14)
      —His people turned away from Him, worshiping foreign gods (vv. 15-18)
    • 19-42: God’s punishment of His people, and their subsequent deliverance
      —Punishment for violation of the covenant (vv. 19-25)
      —Concern for how this will be perceived by Israel’s enemies (vv. 26-31)
      —Plans to bring punishment on Israel’s enemies in turn (vv. 32-35)
      —Ultimate justice/deliverance for His people, and judgment on His enemies (vv. 36-41)

Verses 26-42 belong to this second division; vv. 19-25 (discussed last week) narrate the punishment to be brought on the people as a result of their violation of the covenant. That this punishment would be both severe and deadly is clear enough from the dramatic language and imagery used. However, it would not result in the complete destruction of the people, nor is their any hint of a future Exile. Instead, we see in verses 26ff a theme of deliverance emerge. It follows the same line of thought as in the Golden Calf narrative in Exodus 32ff—Israel will suffer a devastating punishment, ceasing to be God’s people in the way that they were under the covenant bond; at the same time, because of YHWH’s own goodness and mercy, and through the intercession of Moses, the people will not be cut off completely, but will be restored to YHWH as His people under the covenant. Just as Moses appealed to YHWH’s honor, referring to how this punishment on Israel would be perceived by the surrounding nations (Exod 33:13-16), so we find the same thought expressed emphatically in the Song; indeed, it is a theme that dominates vv. 26-42.

Central to the entire poem is the contrast between YHWH and the deities recognized by other nations; it is the same contrast that effectively separates Israel (as YHWH’s own people) from the other peoples (who ‘belong’ to other deities, see the discussion on verse 8). Because of this, YHWH (and His own honor) cannot allow the nations to triumph over Israel completely, though they may attack and inflict immense suffering and destruction on the people and land (vv. 23-25). This is expressed in the opening lines of this portion of the poem (vv. 26-27), and could (almost) be understood as reflecting a kind of personal insecurity on the part of YHWH:

I said “I shall split them to pieces,
stop (all) memory of them for man(kind)!”
were it not [i.e. except] that I feared provoking the enemy,
lest (those) oppressing them look at (this),
lest they say “Our hand is lifted high—
and YHWH did not make all this (happen)!”

The focus is on curbing the wicked/fleshly ambitions and aspirations of the surrounding nations. However, to understand the lines correctly in context, we must realize the true significance of this aspect. The success of the other nations (over Israel) might lead people everywhere to think that their deities were equal (or superior) to YHWH. Thus the rhetoric and mode of expression here is fundamentally theological. The declaration in verse 31, expressing the thought of the poet/people rather than YHWH’s own pronouncement in the prior lines, is a good example:

For not like our Rock is their ‘Rock’
nor (the one)s our enemies (trust as) guardians.

The precise meaning and syntax of the second line is uncertain, but poetic parallelism suggests that the plural noun (or participle) p®lîlîm should be related to Akkadian palilu used as an epithet of deities (JPS:Tigay, pp. 310, 404). “Rock” (‚ûr) of course is used as a divine name throughout the poem, parallel with °E~l (“Mighty [One]”, i.e. God). Another example of the same sort of contrast is seen in the taunt by YHWH in verse 37ff, part of the announcement of judgment on the nations that shapes the remaining lines:

He [i.e. YHWH] will say, “Where are their ‘Mighty Ones’,
the ‘Rock’ in whom they sought protection
…?”

This expresses again the principle that the deities worshiped by the nations are not “Mighty” (°¢l, i.e. God) in the same sense that YHWH is. Even more pointed is the declaration in verse 39a:

“See then that I—I am He
and there are no ‘Mighty Ones’ with me”

While it would be a mistake to read this as a statement of absolute monotheism, it does point in that direction. Certainly it reflects the principle expressed in the first command of the Decalogue, which is central to Israelite monotheism (Exod 20:2-3; Deut 5:6-7). It is never quite stated in Deuteronomy that the deities of the surrounding nations do not exist, only that they are not comparable to YHWH and do not have anything like the same power or nature (Deut 3:24, etc). God’s ultimate judgment on the surrounding nations is essentially a condemnation of their deities, and a demonstration of their weakness compared to YHWH. Indeed, it is clear from the second bicolon (and concluding colon) in verse 39 that only YHWH truly has the power to give life and take it away (i.e. through the disasters to come in time of Judgment):

(For) I bring death and give life,
I smashed (them) and I will heal

A final thought in the poem—a warning to all people—is that YHWH’s judgment is universal, it applies both to the nations and also to His own people Israel when they violate the covenant (v. 41b, see also v. 43 below):

I will return vengeance for the (one)s oppressing me,
and for the (one)s hating me I will complete (it in turn)

The idea of reciprocity is important, and is central, indeed, to the ancient covenant idea—punishment is made according to the nature and mode of the crime, the violation being “paid back” in kind. The closing bicola of verse 42 offer a final, graphic expression of the divine Judgment.

Verse 43

With regard to the textual situation surrounding the closing lines of the poem (v. 43), I discussed that in some detail in an earlier study, and will only summarize it here. The bicolon parallelism, used consistently throughout the poem, is largely missing from v. 43, which, in the Masoretic Text, consists of 2 bicola (4 lines). Yet there is parallelism overlapping in the second and third cola, suggesting that the text may be corrupt, with perhaps two lines missing (just prior and after):

Make a shout (then), (you) nations, (for) His people,
{missing line?}
For He will take vengeance (for) the blood of His servants,
and return vengeance for the (one)s oppressing Him.
{missing line?}
and will wipe away [i.e. cleanse] His people’s land!”

This would seem to be confirmed, rather decisively, I think, by the Qumran manuscript 4QDeutq, as well as in the Greek Septuagint version. The text of verse 43 in this Qumran MS has three bicola (6 lines), which much more accurately preserve the consistent parallelism of the poem (differences with MT indicated by italics):

Make a shout, O heavens, with Him!
Bow (down) to Him, all (you) Mighty Ones!
For he will take vengeance (for) the blood of His sons,
and return vengeance to the (one)s oppressing Him.
He will treat those who reject Him (as they deserve),
and will wipe away [i.e. cleanse] His people’s land

Based on the evidence from the Septuagint, it is possible that the original text read “sons of the Mightiest” (b®nê °E_lœhîm) rather than “Mighty Ones” (°§lœhîm). The reading of the Septuagint for the first bicolon actually appears to be a conflation of two variant Hebrew versions, one corresponding to a text like 4QDeutq, and the other a precursor of the MT—resulting in four lines:

Be of a good mind [i.e. rejoice], O heavens, at once with Him,
Kiss toward [i.e. worship] Him, all (you) sons of God!
Be of a good mind [i.e. rejoice], O nations, with His people,
and let all the Messengers of God strengthen themselves in Him!

Clearly, in the Qumran MS, divine/heavenly beings are being addressed, which makes a fitting parallel to the opening address of the poem (v. 1). In the MT, and the second part of the conflate Septuagint text, it is the nations, who ‘belong’ to those divine beings, who are being addressed. In terms of the overall message of the poem, both aspects go hand in hand. However, if we adopt the text of 4QDeutq, with its emphasis on the relationship of YHWH to the other ‘deities’ (an aspect that is mitigated in the MT), then the coda of verse 43 actually functions effectively as a kind of summary of the entire poem:

    • Bicolon 1: Address to the heavens and divine/heavenly beings
      • Parallel to the opening address (vv. 1-3) and first section(s) of the poem, which establish the contrast between YHWH and the deities of the other nations (vv. 4-9ff)
    • Bicolon 2: Promise to pay back the suffering inflicted upon Israel (by other peoples) during the time of judgment
      • Parallel to the central sections focusing on Israel’s violation of the covenant, judgment upon them, and subsequent restoration (vv. 15-25ff)
    • Bicolon 3: The declaration of universal judgment on those who reject YHWH, with a promise of restoration/vindication for Israel
      • Parallel to the closing sections of the poem (vv. 26-42, esp. verses 36-42)

Conclusion

Finally, it is worth noting the relationship of the poem to the narration that follows in verses 44-47ff. It picks up the Deuteronomic narrative from where it left off (at the end of chapter 31), continuing with the same line of thought. The purpose (and importance) of the poem is re-stated, setting it in context with the book of Deuteronomy as a whole. The “all these words” and “this Instruction” refer to everything recorded in the book of Deuteronomy—all of Moses’ discourses to the people, together with the poem of chapter 32—all of which is aimed at exhorting the people to be loyal to the covenant with YHWH, adhering to the terms of the covenant, outlined in the Instruction (tôrâ, Torah):

“…You should charge your sons [i.e. children] to watch [i.e. take care] to do all the words [i.e. everything as it is stated] in this Instruction.”

According to the ancient Near Eastern religious-cultural mindset, abiding by the terms of the covenant was of the utmost importance. Violation of them was thought to result (potentially) in terrible consequences, including death and destruction, suffering and disease, etc—the judgment of God (or the divine powers) released upon those who break the agreement. This is expressed most clearly in the vivid and graphic language of the poem (see above), but also in the closing words of the narrative here:

“For (indeed) it is not an empty word for you—it (is) your (very) life! and by this word you will lengthen (your) days upon the land which you are crossing over the Yarden {Jordan} there to possess.”

That is to say, if the people of Israel (and their descendants) will adhere faithfully to the Instruction, the terms of the covenant, then they will live long and secure in their Promised Land.

References marked “JPS:Tigay” above are to The JPS Torah Commentary: Deuteronomy <yrbd, commentary by Jeffrey H. Tigay (Jewish Publication Society: 1996).

* * * * * *

This concludes our study on the Song of Moses in Deuteronomy 32. Next week, I will begin exploring a particularly interesting (and difficult) passage from the letters of Paul—namely the excursus in 2 Corinthians 6:14-7:1, long a focus for much scholarly debate regarding its origins, authorship, and purpose in 2 Corinthians. It should prove most valuable as a way of demonstrating how various critical theories and approaches to the text are vital to a sound examination and understanding of the Scriptures as we have them. I would ask that you read through the letter, paying close attention to the language Paul uses, and to the line of argument that runs through the main sections. Consider how 6:14-7:1 fits into the context of the letter. Does it seem at all out of place? Do the images and language differ noticeably from what Paul using elsewhere in the letter? Try skipping over the passage, reading from 6:13 to 7:2ff—what effect does this have of the line of thought and argument in these chapters? We will begin exploring these questions in detail here…next Saturday.

Saturday Series: Deuteronomy 32:7-9ff

In this Saturday Series study, we continue through the great poem “the Song of Moses” in Deuteronomy 32, as a way of demonstrating how the different areas of Biblical Criticism (discussed in previous studies) relate to an analysis and understanding of the the text as a whole. In the previous Saturday study, we looked at verses 4-6; now we proceed to verses 7-9 and lines following (down through verse 18). Verses 4-18 actually form a major section of the poem, as indicated from the earlier outline I presented:

1-3: Opening (exordium)—Call to Creation (heaven and earth)

4-18: God’s covenant with His people Israel, and their violation of the covenant
—The Creator God (YHWH) as their Father (vv. 4-6)
—His choice of Israel as His people, becoming their God (vv. 7-9)
—His protection and guidance during the Exodus and wilderness travels (vv. 10-14)
—His people turned away from Him, worshiping foreign gods (vv. 15-18)

The lines of vv. 4-18 comprise a summary of Israelite history, the parameters of which raise interesting (and important) historical-critical and literary-critical questions (see further below).

Verses 7-9

From the opening theme of YHWH as the Creator and Father of Israel (and all humankind), the poem progresses to the choice of Israel as the unique people of YHWH. Here are the lines in translation:

7Remember the days of (the) distant (past),
consider the years age(s) and age(s past);
ask your father and he will put (it) before you,
your old men and they will show (it) to you.
8In the Highest’s giving (property to the) nations,
in his separating (out) the sons of man,
he set up (the) boundaries of the peoples,
according to the count of the sons of the Mightiest.
9Yet YHWH’s (own) portion is His people,
Ya’aqob His own property measured (out).

The verse numbering accurately reflects the division of this section:

    • A call to remember and repeat (through oral tradition) the account of Israel’s history (v. 7)
    • The dividing of humankind into the nations/peoples (v. 8)
    • Israel as YHWH’s own nation/people (v. 9)

Verse 7 functions as the trope that sets the poetic/rhythmic pattern (a pair of 3-beat [3+3] bicola) for the section, followed by the (narrative) trope in verse 8, and a single bicolon theological trope emphasizing the covenant with YHWH (v. 9). The exhortation in v. 7 is entirely in keeping with the traditional narrative setting in chapter 31 (discussed previously), with an emphasis on the need to transmit the (Mosaic) instruction, contained in the book of Deuteronomy, to the generations that follow. In particular, Israel is to preserve and transmit the poem of chap. 32.

In an earlier study, I examined the text-critical question in verse 8, arguing that the reading in the Qumran manuscript 4QDeutj, and reflected in the Septuagint (LXX) Greek, is more likely to be original. The idea that the number of the nations (trad. 70) was made according to the number of Israelites (“sons of Israel“, b®nê yi´r¹°¢l), has always seemed a bit odd. Even prior to the discovery of the Dead Sea manuscripts, some commentators felt that the Hebrew underlying the LXX (“sons of God”, Grk. “Messengers [i.e. Angels] of God”) would be the better reading. The MS 4QDeutj gives support to this (b®nê °§lœhîm, “sons of the Mightiest [i.e. God]”). However, it is the context of both the poem and the book of Deuteronomy which seems to provide decisive evidence in favor of this reading:

    1. A careful study of the poem reveals a contrast between YHWH (Israel’s God) and the foreign deities of the surrounding nations—this is a central theme that runs through the poem, especially in vv. 15ff. It is also a primary aspect of the Deuteronomic teaching and theology, both in the book itself, and as played out in the “Deuteronomistic History” of Samuel–Kings. Turning away from proper worship of YHWH, to the deities of the surrounding peoples, is the fundamental violation of the covenant which brings judgment to Israel.
    2. The closest parallel, in 4:19-20, indicates that the nations belong to other ‘deities’ (such as those powers seen as connected with the heavenly bodies), while Israel alone belongs to YHWH. The wording in the poem, assuming the LXX/Qumran reading to be correct, likely expresses this in a more general way. The expression “sons of God” is an ancient Semitic/Canaanite idiom, referring to gods/deity generally, but also specifically in relation to the Creator °El (the “Mighty One”). In the subsequent development of Israelite monotheism, there was no place for any other deities, and the concept shifted to heavenly beings simply as servants or “Messengers” (i.e. angels) of YHWH (the Creator, identified with °El).

Indeed, what we see in vv. 8-9 is this contrast played out as a key theological principle: (a) the nations and their ‘deities’ (distinct from the Creator YHWH), and (b) Israel who belongs to YHWH. Note the chiasm in verse 8 when the LXX/Qumran reading is adopted:

    • The Highest (±Elyôn)
      • the nations [70]
        • separating the sons of man (ethnicity)
        • setting boundaries for the people (territory)
      • the sons (of God) [trad. 70]
    • The Mightiest (°Elœhîm)

While this is the situation for the other peoples, for Israel it is different (v. 9)—they have a direct relationship with the Creator YHWH:

    • YHWH’s (own) portion [µ¢leq]
      • Israel (“His people”) / Jacob
    • His (own) property measured out [µe»el naµ­¦lâ]

And it is this relationship that is expounded in verses 10ff.

Verses 10-14

A brief history of Israel is narrated in vv. 10-18, which may be divided into two sections (see the outline above):

    • His protection and guidance during the Exodus and wilderness travels (vv. 10-14)
    • His people turned away from Him, worshiping foreign gods (vv. 15-18)

Verses 10-14 is itself divided into two portions, 4 bicola each, with a YHWH-theological bicolon (v. 12, compare v. 9) in between. Here is my translation of vv. 10-12:

10He found him in the open land,
and in an empty howling waste(land);
He encircled him, watched him (carefully),
watched over him like the center of His eye.
11Like an eagle stirred (to guard) his nest,
(who) hovers over the young of his (nest),
He spread out his wings and took him (in),
carried him upon the strength of his (wing)s.
12By Himself did YHWH lead him,
and no foreign ‘Mighty One’ was with him!

Thematically we may divide the two portions as follows:

    • Vv. 10-11—The finding/choosing and rescue of Israel [Exodus]
      • Image of eagle swooping down to pick up its young (v. 11)
      • The eagle flying back up to place its young in a high/safe location (v. 13)
    • VV. 13-14—The settlement of Israel in a good/fertile land

This narrative poetry works on a number of levels, as we can see by the inset imagery of the eagle’s protection of its young, with a descent/ascent motif. In addition, there are all sorts of colorful details in vv. 10-18 which could be subject to a rich historical-critical analysis. While this is beyond the scope of this study, it would be worth comparing these lines to the narrative of the Exodus and Settlement in the Pentateuch, as well as other poetic treatments of the same (or similar) historical traditions. Let us briefly examine the language used in verse 10.

In these four lines (a pair of 3+3 bicola), there is expressed the theme of YHWH finding/choosing Israel as his people. It is a poetic description, and not tied to any one historical tradition. The main motif is the desert setting, an image which would appear repeatedly in Israelite/Jewish thought over the centuries. It is a multi-faceted (and multivalent) image; here I would highlight the following aspects and associations:

    • The idea of a formless wasteland echoes the Ancient Near Eastern cosmology and, specifically, the Creation account preserved in Genesis 1. The same word tœhû (WhT)) occurs in Gen 1:2, describing the condition of the universe (“heaven and earth”) prior to the beginning of Creation proper (i.e. the ordering of the universe, in the context of Genesis 1). In the Ancient Near Eastern cosmology, this primeval condition is typically understood as a dark watery mass (and so also in Gen 1:2); here, however, this tœhû (emphasizing formlessness and chaos/confusion) is applied to the desolation of the desert (as a “wasteland”).
    • The allusion to creation means that, in a real sense, the people of Israel comes into existence (or is ‘born’) in the desert. This can be understood from several perspectives:
      (a) The ‘desert’ setting of Egypt and the Exodus, out of which the people truly came (as in a birth)
      (b) The religious ‘birth’ of Israel in connection with Sinai—introduction of YHWH, the meaning/significance of His name, place of His manifestation, etc (Exod 3; 19ff)
      (c) The period of labor in the wanderings throughout the Sinai desert, during which the people of Israel came to be ‘born’

Each bicolon of verse 10 illustrates a different side of this setting, from the standpoint of Israel’s relationship to YHWH:

    • Bicolon 1 (10a)—the emptiness, danger, etc. of the desert/wasteland
    • Bicolon 2 (10b)—the complete care and protection given by YHWH

It is a stark contrast—i.e. the world with and without God’s presence—and one that is enhanced by the parallelism that is characteristic of ancient Hebrew poetry. This parallelism is built into the 3-beat bicolon meter and structure of the poem, and which is typical of much ancient Semitic/Canaanite poetry. In an earlier study, I demonstrated this meter/structure visually; however, let us consider verse 10 in particular. As indicated above, the verse is made up of a pair of bicola (i.e. four lines), each with three stressed syllables, or beats. There is a definite parallelism in each bicolon, with the second line (colon) parallel to the first. Here is a breakdown of the lines, with the parallelism indicated by indenting the second colon (as is commonly done in translations of poetry); the specific points of parallelism are marked by italics:

    • “He found him in the open land,
      Yimƒ¹°¢¡nû b®°éreƒ mi¼b¹¡r
      • and in an empty howling waste(land);
        û»¾œ¡hû y®l¢¡l y®šimœ¡n
    • He encircled him, watched him (carefully),
      y®sœ»»énhû¡ y®bônn¢¡hû
      • watched over him like the center of His eye.
        yiƒrénhû k®°îšôn ±ênô

The parallelism in vv. 10-12 would be called synonymous—the second line essentially restating the first, but with a greater intensity or pointedness. For example, in the first line of 10a, the common word mi¼b¹r (rB*d=m!) is used; originally indicating something like “remote, far back/away (place)”, it typically refers to the open space of the desert or wilderness. However, in the second line (10b), a more graphic description of this desert region follows, utilizing all three words of the line: (a) tœhû (“formless, cf. above), (b) y®l¢l (“howling”), and (c) y®šîmœn (“desolate/waste [land]”). The sequence of words together gives a vivid sense of chaos and danger. Similarly, in 10c, YHWH’s action is straightforward: “He encircled him, he watched him (carefully)”, with two suffixed verb forms, creating a calm, stable rhythm, as though resolving the harshness of 10b. This is followed (in 10d) by a more intimate and personalized description: “he watched over him like the center [°îšôn] of his eye“.

In vv. 13-14, the parallelism shifts to what is commonly referred to as synthetic parallelism—whereby the second line builds on the first, developing the thought in a more complex way. Consider, for example, the first bicolon (two lines) in verse 13:

    • “He made him sit upon the heights of the earth,
      • and he would eat (the) produce of the land.”

The waw-conjunction is epexegetical, indicating the purpose or result of YHWH’s action in the first line—i.e. “and then [i.e. so that] he [i.e. Israel] would eat…”. Moreover, Israel’s position in the heights (like an eagle) makes it possible for him to feast on the fruit produced in the fertile open land (´¹d¹y) down below. This imagery of the richness of the land continues on through the remainder of vv. 13-14, each bicolon developing in a similar fashion, concluding with a single extra line, for effect (v. 14e): “and the blood of grape(s) you drink, bubbling (red)!”. The shift from “he” to “you” makes this final line more dramatic and jarring, as also the slightly ominous allusion (“blood…red”) to the judgment theme that follows in vv. 15ff.

In the middle of the four tropes of vv. 10-14, dividing the two sections precisely, is a middle trope, a single bicolon, that is decidedly theological, and perfectly placed at the center of the poetic narrative. It is especially important, in that it looks back upon the opening portions of the poem, and ahead to the key (dualistic) themes that dominate the remainder. It is worth examining v. 12 briefly:

    • By Himself did YHWH lead him,
      YHWH b¹¼¹¼ yanµenû
      • and no foreign ‘Mighty One’ was with him!
        w®°ên ±immô °¢l n¢k¹r

This parallelism could be called both synonymous and antithetic—the second line essentially restates the first, but also makes the opposite point, i.e. it was YHWH and not any other foreign ‘God’. Conceptually, this can be illustrated by way of chiasm:

    • YHWH (the true Mighty One)
      • by Himself, separate [b¹¼¹¼]
        • He led/guided (Israel)
      • there was no (other) [°ên] with Him [±immô]
    • a foreign ‘Mighty One’ [°E~l]

This contrast between YHWH and the other ‘deities’ of the surrounding nations, already emphasized in vv. 8-9 (see above), will take on even greater prominence in the remainder of the poem. This will be discussed in more detail in the next study, but it is worth considering verses 15-18, at least briefly, in this light.

Verses 15-18

If verses 10-11 essentially describe the Exodus, and verses 13-14 Israel’s settlement in the Promised Land, then, it would seem, that what follows in vv. 15ff would refer to Israel’s conduct after the people had settled in the land. However, in terms of the setting within the book of Deuteronomy, which is presented as representing Moses’ words prior to the settlement, these lines would have to be taken as prophetic—foretelling the people’s future violation of the covenant, a violation already prefigured in the Golden Calf episode and other failures during the wilderness period. This raises again the historical-critical question regarding the date of composition, both of the poem and the book of Deuteronomy as a whole. I will touch upon the question further in the next study. Here, for the moment, it is sufficient to consider the poetic and thematic structure of these lines, which I view as another sequence of 4 bicola (vv. 15-17a), with a concluding bicolon pair (vv. 17b-18) that echoes the opening lines of this section (vv. 4-6, 7-9).

    • Statement of Israel’s rebellion, forsaking YHWH, their God and Rock (v. 15)
    • Description of the rebellion—worshiping other ‘deities’ (vv. 16-17a)
    • Concluding trope on their abandoning YHWH (vv. 17b-18)

It is possible to view this as a chiasm:

    • Israel forsakes their Mighty One (God) and Rock (v. 15)
      • Turning to worship false/foreign deities (vv. 16-17a)
    • You have forgotten your Mighty One (God) and Rock (vv. 17b-18)

As in verse 14e (also 15b), the sudden shift from third person (“he/they”) to second person address (“you”) is striking, and serves as a reminder of the poem’s stated purpose (within Deuteronomy) as an instruction (and warning) to future generations of Israelites. The poetic language in vv. 16-17a is especially difficult, and appropriately so given the subject matter; however, the form of the lines is actually quite clear, with a fine symmetry:

    • “They stirred Him (to anger) with strange (thing)s,
      • (indeed) with disgusting things they provoked Him;
    • They slaughtered to ‘powers’ (that are) not Mighty,
      • (but are) ‘Mighty Ones’ not known to them”

The first bicolon has a precise synonymous parallelism, with two ways of saying that the people provoked YHWH with foreign/pagan religious behavior, described by the euphemisms “strange (thing)s” (z¹rîm) and “disgusting things” (tô±¢»œ¾). The second bicolon builds on the first, explaining the behavior more directly. It is stated that “they slaughtered (sacrificial offerings) to š¢¼îm“, the word š¢¼ (dv@) being rather difficult to translate in English. It is a basic Semitic term referring to deities or divine powers generally, corresponding more or less with the Greek daimœn (dai/mwn). From the standpoint of Israelite covenantal theology, and especially the theological outlook of the book of Deuteronomy, worship (in any manner) of any deity besides YHWH represents a flagrant violation of the covenant. Given the common syncretic (and syncretistic) tendencies in ancient Near Eastern (polytheistic) religion, a blending of Canaanite religious elements with the worship of YHWH would have been quite natural, and difficult for the people of Israel to resist. This is why the point is hammered home so often in the book of Deuteronomy, as also in the “Deuteronomic History” and the messages of the Prophets. The repeated warning was necessary because of the dangers of cultural accomodation, and the tendencies in Canaanite society which could not but exert influence on the people of Israel.

With these thoughts in mind, I would ask that you read through the remainder of the poem, examining the language and imagery, the progression of thought and expression, most carefully. In the next study, I hope to provide a survey of verses 19-42 in light of the section we have studied here (especially verses 15-18). We will focus on several verses and lines in more detail, again illustrating how a sound critical approach to Scripture helps give us a much more thorough understanding of the text as it has come down to us.