Having examined most of the relevant passages in the New Testament, it is now time to look at some of the Old Testament references which can be said to be related, in some way, to our subject. I offer here only a brief survey, to which doubtless numerous other passages and comments might be added. Emphasis is given especially to those sections or examples which were influential on Jewish and early Christian thought, and which may inform the view of women in the New Testament.
The Creation Account (Genesis 1-3)
The Creation narratives in Genesis are, as one might expect, fundamental to Jewish and early Christian views on the role of women and gender relations. There are three steps, or stages, in the overall Creation account, corresponding to each of the first three chapters:
- 1:1-2:4a—The summary of Creation, the relevant portion being the declaration in vv. 26-27:
“Let us make (hu)mankind [<d*a*] in our image [<l#x#], according to our likeness [tWmD=]…
And God created the (hu)man (being) in His image, in the image of God He created him—male and female He created them.”
- 2:4b-25—The Creation of Man and Woman:
(i) Creation of the man [<d*a*] (vv. 5-17)
(ii) Creation of the woman (vv. 18-22)
(iii) Relationship between man [vya!] and woman [hV*a!] (vv. 23-25)
- Chap. 3—The rise of the current Human Condition:
(i) Deception of the woman and man by the serpent (vv. 1-13)
(ii) God’s curse/punishment on Creation: (a) the serpent (vv. 14-15), (b) the woman (v. 16), (c) the man (vv. 17-19)
(iii) Establishment of the human condition: (a) names (v. 20), (b) clothing (v. 21), (c) death/mortality, i.e. life-span (v. 22), (d) work and toil (v. 23), (e) separation from divine/eternal life (v. 24)
In the symbolism and language of this narrative, humankind (“Man” [<d*a*]) is first “the man” [<d*a*h*], then is separate into “male and female”, indicated two ways: (a) the narrative image of the joining “rib” (vv. 21-23), and (b) the wordplay of “man” [vya! °îš] and “woman” [hV*a! °iššâ]. This sequence and relational imagery is important for an understanding of subsequent Jewish and Christian thought. Jesus draws upon the Creation narrative (citing 1:27; 2:24) in his teaching on divorce in the Gospel tradition (Mark 10:2-12 par; Matt 5:31-32; Luke 16:18; cf. also 1 Cor 7:10-11). The emphasis is on the fact that humankind is man and woman, male and female, together, as symbolized in society by the marriage bond. Paul’s use (and interpretation) of the Genesis account in relation to gender distinction and the role of women in the Church is more complex, and problematic (from our standpoint today). I have discussed this already with regard to 1 Cor 11:3-9 and 1 Tim 2:11-15 in Parts 1 and 5 of this series. See also the supplemental note on Gen 3:16.
The Law and Israelite Religion
The commandments and legal passages of the Torah as recorded in the Pentateuch (Exodus–Numbers, and Deuteronomy) are instructive for establishing the position and role of women in ancient Israelite society. Many of the underlying ideas and precepts continued on in Judaism through the New Testament and subsequent periods. Due to the complex nature and sensitivity of some of this material, I have decided to address it in a separate supplemental article.
With regard to Israelite religion in particular, the following points may be noted here:
- The priesthood was reserved for men. Though this is never stated specifically in principle, it is always assumed. The high-priestly office was designated for “Aaron and his sons” (Lev 1:5, 7-8, etc; 8:2 et al; Num 3:1-4ff). Similarly for the Levites—according to the Torah, the males of the tribe of Levi took the place of the firstborn males in Israel, as priests in the service of God (Num 3:5-13, 41-51; 8:5-26).
- Otherwise, there is no indication that participation in public ritual and worship, including access to the Tabernacle/Temple, was restricted for women. The later Temple design did designate a limitation (partition) for access by women (the “Court of Women”, cf. Josephus Antiquities 15.417-19; Wars 5.192-200; Against Apion 2.103-5; Mishnah Midd. 2.2-5; Sukk. 5.2-4, etc), but this is not specified anywhere in the Torah and represents a subsequent development.
- Men and women shared in the tasks of building and decorating the original tent-shrine (Tabernacle), according to Exod 35:20-29; 36:2-7.
- While all of Israel was expected to participate in the sacred festivals (or “Feasts”), there was a specific directive for men—that all adult males would appear at the central sanctuary (i.e. the Temple in Jerusalem) for the three major (harvest) festivals (Exod 23:17; 34:23; Deut 16:16).
Women may have taken part in various religious rituals in an official capacity, as musicians, or in other attendant roles, such as indicated by Exod 38:8; 1 Sam 2:22; 2 Sam 19:35; 2 Chron 35:25; Ezra 2:65 (and Neh 7:67), but the precise details are not entirely clear.
Miriam [<y`r=m!] was the sister of Moses and Aaron according to Exod 15:20; Num 26:59 and 1 Chron 6:3. She is presumably the sister mentioned in the infancy narrative (Exod 2:1-10, vv. 4, 7-8). Miriam appears in two important narrative episodes in the Pentateuch:
Following the miraculous crossing of the “Reed Sea” (chapter 14), two poetic hymns are recorded in chapter 15—one composed and/or sung by Moses and the people as a whole (vv. 1-18, the “Song of Moses”, “Song of the Sea”), and the other by Miriam (v. 21, the “Song of Miriam”); likely only a small portion of this latter song has been preserved. In verse 20, Miriam is referred to as ha*yb!N+h^, “the (female) prophet” or “the prophetess“, the noun ayb!n` essentially signifying one who functions as a representative and spokesperson for God, who communicates his word and will to the people. Here the context implies that the song she sings is an inspired poem.
This wilderness episode is introduced with the statement that “Miriam and Aaron spoke with Moses on account of the Kushite woman he had taken (as his wife)” (v. 1). Their attitude in approaching him on the subject is indicated in verse 2, which summarizes their thought: “Has YHWH spoken only with Moses? Has he not also spoken with us?”. This may indicate that Miriam and Aaron were prophets in their own right, as it is said of Miriam in Ex 15:20; her name comes before Aaron’s here, which may mean that she was a more prominent figure, or simply that she was the older of the two. A kind of sibling rivalry may be reflected, not wishing to be accorded a lower standing of leadership and influence than Moses (note how the three are grouped together as leaders in Mic 6:4). In verses 4-9 God addresses the three together in the ‘Tent of Meeting’ where He confirms that Moses’ stature is greater even than prophets such as Miriam, since he receives revelation from God directly (face to face). The punishment Miriam receives, the whitening of her skin (i.e., ‘leprosy’), is probably related symbolically to the darker skin of Moses’ “Kushite” wife, who had been the reason for the dispute.
Deborah (hr*obD=, lit. [The] Bee) was one of the <yf!p=v) of Israel in the early period. The verb fp^v* refers to the act of rendering a decision, or judgment, i.e. one who presides in an authoritative governing position (judge, ruler, law-giver, etc). Prior to the establishment of monarchy in Israel, persons were chosen to rule over the tribal league only on a temporary basis, usually in the face of a national emergency. Such persons were called fp@v) (usually translated as “Judge”), and their exploits are recorded in the book of Judges. As far as we know, Deborah is the only woman who filled this role in Israel (Judg 4-5). Unlike other <yf!p=v), she did not personally lead the armies into battle (this was done by the general Barak), but it is clear that she served as ruler (or Judge) during the period when Israel was being threatened by the Canaanite king of Hazor (4:1-6ff). It is also said of Deborah that she was a prophetess (ha*yb!n+), like Miriam before her (Exod 15:20); the ancient poem in Judg 5 is attributed to her (together with Barak), presumably as an inspired song. Following the great victory over Jabin of Hazor, the land “was at rest for forty years”. In association with this battle, we may note in passing the role played by another women (Jael) in killing the Canaanite general Sisera (Judg 4:17-22; 5:6, 24-27); according to the cultural sensibilities of the time, this would have been an extremely humiliating way for a military commander to die.
Occasionally (male) commentators have expressed unease at the idea of a woman in such a ruling position, and have sought to explain it in various ways. Often this reflects sexist thinking and prejudice as much as any kind of serious study of Scripture. One is reminded of John Knox’s regrettable “Trumpet-blast” against the “rule of women” in the Reformation period; that he (and others like him) were misguided in their views is confirmed by evidence from history and from Scripture itself. Indeed, women have proven to be able rulers alongside (or in place of) men, as may be documented throughout history, in spite of the added social/cultural pressures they often face. Perhaps the most famous example of the ancient Near East is the female Pharaoh Hatshepsut of Egypt (18th Dynasty, 1498-1483 B.C.). For every wicked Jezebel or Athaliah there is a virtuous Esther, much as we find in the case of men who rule. The idea sometimes floated, that God only chose Deborah because there were no qualified men available, is as fatuous as it is unwarranted.
Female Prophets and Joel 2:28-32
In addition to Miriam (Exod 15:20) and Deborah (Judg 4:4), several other female prophets are mentioned in the Old Testament: Huldah (2 Kings 22:14; 2 Chron 34:22), Noadiah (Neh 6:14), and the woman mentioned in Isa 8:3 who is otherwise unidentified. Such instances are relatively rare, perhaps, but they clearly indicate that women could serve (and be chosen by God) as prophet (ayb!n`)—that is, as a spokesperson who represents God before the people, and who communicates his word and will. Female prophets are known throughout the ancient world, the most famous certainly being the oracle of Delphi and the Roman Sibyls. While the priesthood in Israel was reserved for men (cf. above), women could function equally as prophets.
This egalitarian principle is confirmed in the (eschatological) prophecy of Joel 2:28-32 [Hebrew 3:1-5]:
“And it will (come to) be after this
(that) I will pour out my Spirit upon all flesh
and your sons and daughters will speak (on my) behalf [WaB=n] i.e. prophesy]…
And also/even upon the (male) slaves and the (female) house-servants
will I pour out my Spirit.”
In the ‘end times’ (or the Age to Come, etc), God’s Spirit will come upon all people (“all flesh”)—men and women alike, even for the lowest of society (slaves and servants). This basic idea is reflected elsewhere in the Old Testament, as in the declaration (by Moses) in Numbers 11:29: “And who (would not) give that all the people of YHWH (should be his) spokespersons [<ya!yb!n+ i.e. prophets], and that God (would) give his Spirit upon them!” The prophecy in Joel 2:28ff came to have enormous influence on early Christian thought, being cited in the great Pentecost sermon-speech of Peter (Acts 2:14-36 [vv. 17-21]), following the coming of the Spirit on the day of Pentecost (Acts 2:1-4ff). Admittedly, specific evidence for female prophets even in the New Testament is relatively slight (Acts 21:8-9; 1 Cor 11:2-16; and cf. chaps 12-14), but this may be due (in part) to historical circumstances. Other women function as prophets in the Gospel tradition, including Anna (Luke 2:36), Elizabeth and Mary (1:41-45, 46-55, cf. also v. 25); the latter oracle (the Magnificat) in particular is similar to the (inspired) poetic utterance attributed to Hannah in 1 Sam 2:1-10.
Women in the Prophets and Wisdom Literature
Female imagery and character-types appear frequently in the Old Testament Prophets and Wisdom Literature, the most common type being that of the virtuous woman, which has its practical ideal in the wise, faithful, and dutiful wife—Psalm 128:3; Prov 5:18; 12:4; 18:22; 19:14; 21:9 (25:24); 27:15; Eccl 9:9; and, especially, Prov 31:10-31 (cf. also Sirach 26). This same basic type also serves to personify virtue (righteousness) and wisdom itself. This was altogether natural, since the Hebrew word hm*k=j*, like the corresponding Greek sofi/a, is feminine in its (grammatical) gender. Similarly, and by contrast, folly and wickedness are often portrayed as a prostitute or “loose” woman. For the use of these two types, cf. Prov 1:20-2:22; chap. 5; 6:23-29; 7:1-8:21; 9:1-6, 13-18; Eccl 7:26. True wisdom is also divine—it is a manifestation of the character and power of God, cf. Prov 3:19-20; 8:22-31, etc. For similar passages in the important deutero-canonical books of Wisdom and Sirach, cf. Wis 6:12-25; 7:22-8:21; chaps. 10-11; Sir 1:14-20; 4:11-19; 6:18-31; 15:1-10; 24:1-22. We can see how this basic type relates to some of the other female imagery found in the writings of the Prophets:
- Marital unfaithfulness (adultery) and prostitution are often used to symbolize Israel’s religious unfaithfulness toward God (which includes moral/ethical failings and corruption). Of the many references or allusions, cf. Hos 4:7-19; 5:3-7; 6:10; 9:1ff; Amos 7:17; Mic 1:7; Nah 3:4; Isa 1:21ff; 54:6ff; 57:3; Jer 2:20-25; 3:1ff, 20; 5:7-9; 9:2ff; 13:27; 23:10ff; 29:23; 44:15ff; Ezek 6:9ff; 16; 23; Mal 2:14-15. Most notable of all, perhaps, is the example of Hosea’s wife (Hos 1:2-3:5), which serves as a real and/or homiletic symbol for Israel’s sin and idolatry.
- Women are occasionally used to signify shame and suffering, etc., that will result from God’s judgment on his people (and/or the surrounding nations)—Psalm 68:11-24; Nah 3:13; Isa 3:12(?); 4:1; 19:16; 27:11; 32:9ff; Jer 7:19-20ff; 28:22-23; 50:37; 51:30; Lam 2:20; 4:10; 5:11.
- The pains of women in childbirth also serve to symbolize suffering, typically in relation to God’s Judgment—Psalm 48:6; Mic 4:9-10; Isa 13:8; 21:3; 26:17; 42:14; Jer 4:31; 6:24; 13:21; 22:23; 30:6; 48:41; 49:22, 24; 50:43. For related imagery in the New Testament, cf. Mark 13:8 par; Luke 23:28-29; Rom 8:22; 1 Thess 5:3; Rev 12:2-5.
- The same image of childbirth can also emphasize deliverance from pain/suffering—Mic 4:10; 5:3; Isa 65:23ff; 66:7-9; cf. also John 16:21.
- Occasionally, female imagery is applied to God (YHWH), usually that of the mother who gives birth or protects her young—Deut 32:11, 18; Ruth 2:12; Psalm 131:2; Isa 46:3-4; cf. also Luke 13:34, as well as the important birth imagery in the New Testament (John 1:13; 3:3-8; Gal 4:29; 1 Pet 1:3; 1 John 2:29; 3:9, etc).
Concluding Note on Female imagery and Sexuality
It is interesting how rarely the actual relationship between man and woman (husband & wife) is emphasized, especially in terms of sexuality. Obviously, marital/sexual relations are a key element in many of the historical-traditional narratives in Genesis, etc., and often in such accounts the woman makes for a highly sympathetic figure in her own right (cf. the examples of Sarah, Hagar, Dinah, Tamar, etc). But throughout most of the Old Testament—especially in the Prophetic and Wisdom literature—sexuality is largely presented from a negative standpoint, as symbolizing sin and false worship (idolatry), under the euphemistic images of prostitution and adultery (cf. above). And, somewhat unfortunately perhaps (from our vantage point today), in this imagery the woman is typically seen as the source of error and deception (i.e. seduction). This is already evidenced in the Creation account (cf. above), and vividly depicted in the famous (though highly complex) narrative in Numbers 25. On the other hand, this negative type is counterbalanced by the contrasting image of the faithful and virtuous woman (wife), as discussed above.
Sexuality on its own is really only dealt with in the Song of Songs, a collection of poems written in the manner and style of ancient Near Eastern love poetry (numerous examples survive from Egypt and Sumer). The specific language and metaphor used is foreign enough to our culture today that the erotic nature of the Song is not always apparent on a casual reading (in translation). It has, of course, been interpreted various ways, but the underlying traditions which inform the material are purely those of Near Eastern love poetry. There would seem to be at least one main female protagonist in the Song, as well as a number of subsidiary characters.
Perhaps the most complete and well-rounded female character in Old Testament narrative is that of Ruth (tWr), central figure of the book which bears her name. It remains one of the most appealing and attractive of the Old Testament stories (for modern readers), with positive ‘role-model’ characters in Ruth and Naomi, as well as the central male figures; the scenes between Ruth and Boaz are tenderly depicted. Ultimately, of course, the primary purpose of the tale was to introduce the lineage of David (4:13-22), but we can be grateful that the rich and detailed narrative was included for men and women of all ages to enjoy.