Sunday Psalm Studies: Psalm 22

Psalm 21

Thematically, Psalm 20 and 21 belong together, with each having as its background the Israelite/Judean king and his army in time of war. An important aspect of the ancient Near Eastern covenant idea, in terms of political agreements, is that the binding agreement (tyr!B=) involves treaty terms for (military) assistance and protection. In agreements between equal parties, this means mutual protection; however, in the case of suzerain-vassal treaties, the emphasis is on the protection and aid provided by the sovereign, or superior party. From the standpoint of the Israelite/Judean royal theology, the king is a vassal of YHWH, and, insofar as he remains faithful and loyal to the covenant, he receives Divine aid and protection in time of need.

This royal theology underlies many of the Psalms, including these two (20 and 21) in particular, dealing with situations involving the need for military action and warfare. The setting of Psalm 20 (cf. the previous study) is a communal prayer to YHWH for assistance that will bring victory for the king and his army. In Psalm 21, this has shifted to a declaration of praise and thanksgiving for the victory provided by YHWH.

The structure of Psalm 21 is similar to that of Psalm 20, and may be divided into two parts:

    • Vv. 3-8—the blessings given to the king by YHWH, reflecting the covenant bond between the two
    • Vv. 9-13—the aid given to the king, specifically, that allows him to be victorious in battle

These stanzas are bracketed by couplets of praise to YHWH (vv. 2, 14). The two parts have a joining transition point in vv. 8-9 which contrasts the faithfulness/loyalty of the king, binding him to YHWH, against the wickedness of his enemies/opponents and their helplessness before God.

The meter in the first half tends to be 4+4, while 3+3 in the second, though there are certain irregularities throughout. The superscription, with minimal musical information and direction, is the same as that of Ps 20 (and many other of the Psalms). Sadly, neither Psalm 20 nor 21 are preserved among the Dead Sea Scroll Psalms manuscripts.

Verse 2 [1]

“YHWH, in your strength the king finds joy,
and in your salvation, how great(ly) he spins (for joy)!”

In this opening (4+4) couplet, praising YHWH for the blessings shown to the king, the nouns zu) (“strength, might”) and hu*Wvy+ (“salvation, protection”) must be understood in terms of the assistance provided by God in time of war (cf. above). YHWH’s “strength” is what ultimately gives the king victory in battle—it is a Divine protection which keeps him safe from death and defeat. Compare this couplet with the closing praise in verse 14 [13] (cf. below).

Verses 3-8 [2-7]

Verses 3-4 [2-3]

“(The) longing of his heart you have given to him,
and (for the) desire of his lips you have held nothing back; Selah
for you put blessings of goodness in front of him,
you set onto his head a circle [i.e. crown/wreath] of pure (gold).”

Throughout these two Psalms the king represents the people as a whole, and the community identifies itself with the anointed ruler as the faithful one(s) of YHWH. Thus the prayer of the people (in Ps 20) blends into the prayer of the king (for victory in battle). This couplet confirms that the prayer—both of king and people—has been answered. The synonymous parallelism is clear, with the second line intensifying the theme of the first. The noun tv#r#a& in line 2 occurs only here in the Old Testament, from an unused root (vr^a*) that is, however, attested in other Semitic languages (such as Ugaritic). Both the context here, and the cognate usage, indicate that the meaning is something like “desire, wish, request”.

The lone occurrence of the musical indicator hl*s# (selah) after this couplet is difficult to explain. Under the basic assumption that it is meant primarily as a pause in singing/reciting the text, it may be intended to preserve the integrity of the couplet, in light of the conjunction (yK!) that begins the next line.

The encircling wreath (tr#f#u&) of gold signifies the honor that comes from victory in battle—a victory won through YHWH’s own strength. There may be an alliterative parallel intended between tr#f#u& (±¦‰ere¾) and the earlier tv#r#a& (°¦reše¾) in verse 3.

Verses 5-6 [4-5]

“(Year)s of life he asked from you, and you gave to him—
length of days (for the) distant (future and) until (the end);
great (is) his weight (achieved) in [i.e. through] your salvation,
(great the) honor and splendor you have placed upon him!”

These two couplets, with slight irregularities of meter, expound two different aspects of the honor given to king by YHWH:

    • the opportunity to live a long and full life, i.e. saved from death in battle; long life being especially valued as an ideal in ancient times, and here expressed two ways:
      • the plural noun <yY]j^ which signifies a (long) life; spec. the years of a person’s life(time), but perhaps also in an intensive or emphatic sense (i.e. full life)
      • “length of days”, the length(ing) of days being a common Semitic idiom for old age and a long life
    • the value and worth (lit. “weight”, dobK*) of his person is enhanced, marked by an honorific improvement of his appearance, using the alliterative expression rd*h*w+ doh (hô¼ w®h¹¼¹r, roughly “honor and splendor”)
Verse 7-8 [6-7]

“(So it is) that you set blessings for him until (the end),
you have made him look with joy at your face;
(for it is) that the king is (one) trusting in YHWH,
and in (the) kindness of the Highest there is no slipping (away)!”

The blessings of a long life of honor and splendor here climax with the idea of a future blessing that involves a beatific vision of God (i.e. to look upon His “face”). I tentatively follow Dahood (p. 133) in reading the verb hd*j* as = hz`j* (“look/gaze at, behold”), which better fits the context of the line; it would be thus explained as a (Canaanite) dialectical form involving the familiar interchange of the consonants d/z (Heb d/z).

The final couplet emphasizes again the (covenant) loyalty of the king, characterizing him as one “trusting” in YHWH, using a participle form of a verb (jf^B*) which can specifically connote the idea of seeking protection. This loyalty is reciprocated by God’s own, showing goodness/kindness (ds#j#) and favor to the faithful vassal. The covenant bond is indicated by the closing phrase, “there is no slipping (away)” (foMy] lB^), reading the Niphal verb form in a reflexive sense—i.e., there is no falling away from the covenant bond with YHWH.

Verses 9-14 [8-13]

As noted above, a 3+3 meter dominates the second part of the Psalm, which describes God’s blessings to the king in terms of the aid/assistance given to him in time of battle.

Verses 9-10 [8-9]

“Your hand found (its way) to all your enemies,
your right (hand) found (its way to the one)s hating you;
you set them as a fire-stove at the time your face (appears)—
with His nostril(s) He engulfs them, and (His) fire devours them.”

The mixing of 2nd and 3rd person forms is a bit confusing, but hardly unusual in Old Testament poetry. It is all the more natural here, given the close connection between the king’s military action and the strength of YHWH Himself that fights for the king (cf. above). More difficult is the extended/irregular meter of verse 10, suggesting that there may be one or more (secondary) accretions to the couplet. I tentatively emend the text to read as a 4+4 couplet, by omitting the first of the two occurrences of va@ (“fire”), in line 1, and the divine name hwhy in line 2. The addition of the name may be an explanatory gloss to clarify the identity of the 2nd person markers (i.e., “…your face, YHWH” ). It is perhaps best to understand YHWH as the subject throughout, referring to His actions on the king’s behalf.

The judgment of God on His enemies (= the king/Israel’s enemies) is expressed by the idiom of the face, according to the traditional religious idea that to see YHWH’s face means death for a human being. This fiery destruction from God’s “face” natural blends together with the common idiom for God’s anger—i.e., burning from the nostrils (as of an angry, snorting bull).

Verse 11 [10]

“Their fruit you made to perish from (the) earth,
and their seed from (among the) sons of man.”

This couplet suggests something more than the defeat of a nation or people in battle, though it may allude to the idea of a defeat so total that it would virtually deprive an entire generation of its young men. More likely is the notion that the military defeat of Israel/Judah’s enemies reflects a wider sense of their (ultimate) destruction that has been determined by God. The nouns “fruit” and “seed” of course are used figuratively for the children/offspring of a people.

Verses 12-13 [11-12]

“(For it was) that they stretched out evil upon you,
they wove an (evil) plan, (but) were not able (to complete it);
(so it is) that you set them (to the) shoulder,
you fixed your (bow)strings upon their faces.”

There is a clear parallel  between the enemies of God “stretching” out evil strands upon (lu*) Him, and God, in turn, aiming His bowstrings upon (lu*) their faces. It is typical of the thematic imagery found in the Psalms (and other Old Testament poetry) in they way that the evil intent of the wicked is turned back upon them, so that they are essentially destroyed by the very thing they sought to accomplish. We have already encountered a number of examples of this sort in the Psalms we have studied thus far. The precise meaning of the idiom in the first line of v. 13 [12] is not entirely clear; I have rendered it quite literally: “that you set them (to the) shoulder”. It could indicate a person turning his back (to flee), or, perhaps, of bending/falling down in defeat (or submission). In any case, the defeat of God’s enemies—meaning also the defeat of Israel’s enemies—is clear.

VERSE 14 [13]

“May you rise up (high), YHWH, in your strength,
and we shall sing and make music in your might!”

This closing couplet is parallel to the opening couplet of the Psalm (v. 2 [1], cf. above), emphasizing both the strength (zu)) of YHWH that brought victory for the king, and also the praise of the people who rejoice together in that victory. The noun hr*WbG+ (“strength, might, vigor”) in the second line is virtually synonymous with zu) in the first. It alludes to the youthful vigor of warriors, only, for the Israelite/Judean army of the king faithful to YHWH, the normal strength of young men has been enhanced by the divine power of YHWH Himself. This is reflected in verse 8 [7] of Psalm 20 (cf. the previous study), with the contrast between those nations who trust in their (ordinary) military strength (of horses and chariots, etc), and those who rely instead on the person and presence (the “Name”) of YHWH the true God. Even for later Israelites, Jews, and Christians, for whom the original military setting of this Psalm has long disappeared, it is a contrast that all faithful believers can still appreciate.

References marked “Dahood” above (and throughout these studies) are to Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] vol. 16 (1965).

 

 

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