Psalm 116, continued
For Part 1 (vv. 1-9), see the first part of this study.
Part 2: Verses 10-19
First Stanza: Verses 10-14
“I have firm (trust), though I said:
‘(See,) I (how) bend down so low!'”
As noted in Part 1 of this study, there is a formal (grammatical) parallel between verse 10a and the opening v. 1a, suggesting (among other factors) that these lines each begin a division of the Psalm. In v. 1, the Psalmist declares “I have love” (yT!b=h^a*), while here the statement is “I have firm (trust)” (yT!n+m^a$h#); these are differing ways of expressing the protagonist’s loyal devotion to YHWH. In verse 1, the particle yK! that follows the initial verb is translated “because”; while here it would seem to have an adversative sense (“[even] though”). However, Barré (vv. 74-75) makes a fair argument for rendering yK! as “because” in both lines. The sense in v. 10, as he describes it, is that the Psalmist has faith/trust in YHWH because he admits he is in need of help. The verb hn`u* (II) in the Qal stem has the meaning “bend/crouch (down)”, often indicating a position of fear, or of a person ‘pressed down’ (i.e., oppressed) and experiencing suffering.
I think the correct interpretation is that the Psalmist declares the firmness (/ma) of his trust in YHWH, even though he is drawing attention to his position of suffering and need. After all, such a crouching position does not naturally express a feeling of confidence. The parallelism of the Psalm here allows us to infer that the crouching of the Psalmist refers to the position (and circumstances) in which he makes his urgent prayer to God in vv. 1-4 (“Oh YHWH, help my soul to escape!”, v. 4).
Mention should be made of the interpretation given by Dahood (III, p. 148), who derives the verb form rbda from the root rbd (II), which can mean (in the Piel) “drive back, pursue”, rather than from rbd (I), “speak”. Vocalizing as a passive form leads to variant translation of the line in question: “I have firm (trust), though I am driven back”. This would be a different way of expressing the Psalmist’s time of distress.
“I myself have declared in my flight:
‘Every man is (act)ing false!'”
The parallel between this couplet and v. 10 tends to confirm the meaning “speak” for the verb rb^D* (see above); here the parallel verb is rm^a* (“say”). Each declaration is an expression of the Psalmist’s need, the circumstances under which he makes his plea to YHWH for help (vv. 1-4). In v. 10, he states that he has been made/forced to “bend down low”, while here he declares that “every man is being/acting false [vb bz~K*]”. This could imply that human beings are the cause of his suffering, or that they are responding to his distress in a way that shows them to be deceptive, disloyal, or otherwise unreliable. Both options are possible, and, indeed, both are frequent themes in the Psalms (esp. the Psalms of lament); however, the latter seems more likely in this instance. The important point is that only YHWH can be relied upon to provide help. Even in the midst of his distress, the Psalmist’s heart remains firm toward YHWH, trusting that He can (and will) rescue him (v. 4).
This couplet has a shortened 3+2 meter, while v. 10 was a 3-beat (3+3) bicolon.
“What (then) can I return to YHWH
(for) all His (blessing)s dealt upon me?”
The connection between vv. 11 and 12 is not immediately clear. It would seem that vv. 10-11 should be read in the context of YHWH’s answer to the Psalmist’s prayer. The circumstances in which the prayer was made (vv. 1-4) are reiterated in vv. 10-11, with God’s answer to his prayer (vv. 8ff) being implied. The emphasis here would tend to confirm, as noted above, that the principal theme in vv. 10-11 is that only YHWH can (and should) be relied on to rescue/deliver the faithful in their time of need.
Here the verb bWv (“turn back, return”) in this context means “pay back, repay”. YHWH has dealt with (lmg) the protagonist in a good and favorable way. The noun lWmg+T^ (plur.) is a bit difficult to translate into English; I have rendered it as “(blessing)s dealt”. The 3rd person masculine suffix yh!-, like the two occurrences of the 2nd person yk!– in v. 7 (see also v. 16), is an Aramaic form.
“(The) cup of salvation I do lift up—
and on (the) name of YHWH I will call!”
This idiom of lifting up (vb ac*n`) the “cup of salvation” has several aspects. To begin with, it implies the experience of salvation, of receiving saving help from YHWH. The Psalmist also accepts and embraces this “cup” of blessing, recognizing that it comes from YHWH. Finally, by “lifting” it, a ceremonial (ritual) acknowledgement is indicated. This ritual aspect continues in v. 14, coming into greater prominence at the end of the final stanza (vv. 17-19, see below). On the motif of the “cup” (soK) as a symbol of blessing for the righteous (from YHWH), cf. Psalm 16:5; 23:5; it occurs even more frequently as a symbol of punishment for the wicked (e.g., 75:9[8]; Isa 51:17; Jer 25:15ff; Ezek 23:31-33; Hab 2:16).
The parallel act of “calling on” the name of YHWH similarly has a ritual significance, though it also reflects, in a more general and fundamental way, the loyalty and devotion of the Psalmist. Because the protagonist has experienced the salvation provided by YHWH, he will all the more call upon Him now.
“My vows to YHWH I will (surely) complete,
even (right) in front, before all His people.”
A number of the Psalms that deal with prayer to YHWH (for healing and deliverance, etc) contain the theme of repaying vows (rd#n#, plur.) made to YHWH. The theme typically is featured in the closing portions of the Psalm (or of a major section), as it is here in the final verses of each stanza in the second Part of the Psalm (see also vv. 17-19, below). For other examples, cf. 22:26[25]; 50:14f, 23; 56:13[12]f; 61:9[8]; 66:13-15; 76:11; in Psalm 65, the theme occurs, rather unusually, at the beginning of the composition (v. 1).
The implication is that the protagonist made a vow to God regarding what he would do if YHWH rescued him out of his distress (i.e., saved him from his illness, etc). A ritual action, involving sacrificial offerings, is assumed (confirmed by vv. 17-19); the Torah provides instructions regarding the offerings associated with vows (cf. Lev 7:16; 22:18-25; 27:9ff; Num 15:3ff; Deut 12:6ff; 23:18ff). In the Psalms, sometimes we find the idea of vows being fulfilled with an offering of praise—a suitable emphasis, of course, for the Psalmist.
The protagonist declares (emphatically) that he will fulfill (or “complete”, vb <l^v*) his vows to YHWH publicly, “in front of” (dg#n#) the entire Community, the faithful people of God (“all His people”). A Temple setting is indicated in vv. 17-19 (see below). Many Psalms conclude with such a congregational worship-emphasis, whereby the offering (and/or confession of praise/thanksgiving) is made publicly. The form of the preposition is hd*g+n#, with a directional h– suffix; this further emphasizes the public aspect of the vow-fulfillment—viz., right there in front. Also emphatic is the following particle an`-, though Dahood (III, p. 149) would explain this as an archaic vestige of the NW Semitic intensive form of the preposition (with –n ending); if this explanation is valid, Dahood would doubtless be further correct in positing that the extended –anna (Heb an`-) form is used here for metrical balance.
Second Stanza: Verses 15-19
“Weighty (indeed) in (the) eyes of YHWH
(is) the death (that comes) to His devoted (one)s.”
In the first verse of this closing stanza, the Psalmist’s life-threatening distress (from which YHWH rescued him) is presented from YHWH’s own standpoint. Here it is explained that the death that comes (prematurely) to His devoted servants is “weighty” (rq*y`) in YHWH’s eyes. The precise meaning of the adjective rq*y` in this verse has been discussed and debated by commentators. The root rqy seems to have a semantic range (and development) that parallels the more familiar dbk. Both roots denote being heavy/weighty, a meaning which can carry a negative (i.e., hard, difficult) or positive (valuable, worthy [of honor]) aspect. The positive aspect came to dominate for both roots in Hebrew (as in other languages, cf. Akkadian waqāru, “to be valuable”), though there are rare instances of the negative aspect. A negative meaning for rqy is attested more frequently in Aramaic than in Hebrew (cf. Daniel 2:11, and numerous instances in the Syriac Peshitta [e.g., for Psalm 32:4; 2 Sam 13:25]).
The question, then, is whether rq*y` means that the death of the righteous is “heavy” (i.e., burdensome, grievous) to YHWH, or is precious and valuable to him. Both are certainly possible, and the Psalmist may even be playing on both the positive and negative aspects. I have chosen to keep to the fundamental meaning of “weighty”, which can be interpreted in a positive or negative way. Probably, the more negative sense of “heavy” is in view, since it is the premature death of the righteous that is the subject, not the righteous person him/herself. The prospect of the righteous person’s death weighs on YHWH, and so prompts Him to act—responding to their prayer and rescuing the righteous out of their life-threatening distress.
For more on the adjective rq*y` in this verse, see the article by J. A. Emerton, “How Does the Lord Regard the Death of His Saints in Psalm cxvi. 15?” in The Journal of Theological Studies [JTS] new series, 34 (1983), pp. 146-56.
Another point of difficulty is the noun form ht*w+m* in the second line. This has been explained three ways: (1) as an unusual feminine by-form of the noun tw#m*, (2) as the noun tw#m* with a locative h– suffix, or (3) the same noun with an archaic accusative case ending ([h]-*). If we are dealing with a locative h-, then this would be understood as pleonastic (i.e., redundant, unnecessary), included for metrical or stylistic reasons. Perhaps a stronger argument can be made for h-* representing an archaic accusative ending (cf. Dahood, III, p. 150). Since the context indicates that the noun tw#m* (“death”) is the subject of the verse, that might seem to rule out an accusative case marker. However, there are occasional instances in Hebrew where an accusative noun (usually prefaced by the –ta# marker) functions as the grammatical subject, involving a passive verbal construction (cf. the examples given by P. C. H. Wernberg-Møller, “The Old Accusative Case Ending in Biblical Hebrew: Observations on ht*w+M*h^ in Ps. 116:15″, Journal of Semitic Studies 33 (1988), pp. 155-64).
“Oh, YHWH! indeed I (am) your servant—
I, your servant, son of your slave-girl—
(and) you have opened my bonds!”
This verse is an irregular 4+3+2 tricolon. Metrically, it might be better to parse it as a short 2+2 colon (line 1 here), followed by a 3+2 couplet (cf. Allen, p. 151); however, the ‘terracing’ of the first two lines is better captured by the format adopted above. This “terrace pattern” (cf. Watson, Classical Hebrew Poetry, pp. 210-3), or anadiplosis, refers to situations where the word/phrase at the end of one line (of a couplet) is repeated at the beginning of the second line. This produces a dramatic parallelism, where the thought and imagery of one lines builds and continues into the next. Here we see such an occurrence in the first two lines of v. 16:
-
- “Oh, YHWH! indeed I (am) your servant [;D#b=u^ yn]a&]—
I, your servant [;D#b=u^ yn]a&], son of your slave-girl…”
The Psalmist emphatically (with double-emphasis) identifies himself as the faithful servant (db#u#) of YHWH. This builds upon the last word of v. 15: “His [i.e. YHWH’s] devoted (one)s” (wyd*ys!j&). The adjective dys!j* (also the noun ds#j#) occurs frequently in the Psalms, and usually in the context of the covenant with YHWH. In such a context, as we see implicitly here, the adjective (“good, kind”) specifically connotes “faithfulness, loyalty, devotion”. Because the protagonist has been faithful/loyal to YHWH, He has responded with covenant-protection, rescuing and saving His servant in time of need.
The third line reflects YHWH’s answer to the Psalmist’s prayer (vv. 8ff). The explanation of the perfect form of the verb jt^P* (“open [up]”) as a precative perfect (Dahood, III, p. 150) is not necessary. The mention of “bonds” (rs@om, plur.) refers back to the imagery in verse 3.
On the expression “son of a slave-girl [Heb. hm*a*]”, see the article by F. C. Fensham, “The Son of a Handmaid in Northwest Semitic”, Vetus Testamentum 19 (1969), pp. 312-21, contra the interpretation given by Dahood, III, p. 150 (viz., “son of your faithfulness”, i.e., “your faithful son”).
“To you I will slaughter a slaughtering of thanks,
and on your name, O YHWH, I will call.”
Verses 17-19 parallel the conclusion of the first stanza (vv. 13-14, see above), building upon the thought expressed there. The ritual aspect of the Psalmist’s praise/thanksgiving was introduced in v. 13, while v. 14 specifically mentions his intention to fulfill the vows he made to YHWH. This fulfillment will take the form of sacrificial offerings. The verb jb^z` refers to ritual slaughter (that is, of an animal), while the derived noun jb^z# denotes the slain animal that is offered to YHWH. Sometimes the root jbz can be used generally for offerings that are made, regardless of whether an animal was actually slaughtered. Here, however, we should probably assume that an actual burnt offering (of a slain animal) is in view.
As in verse 13, the idiom of “calling on” the name of YHWH has ritual significance, but also expresses the protagonist’s fundamental faithfulness and devotion to YHWH.
“My vows to YHWH I will (surely) complete,
even (right) in front, before all His people,
in (the) enclosures of (the) house of YHWH,
even in the midst of Yerušalaim.
Praise YH(WH)!”
This couplet is identical to verse 14 (see above). The fact that early manuscripts of the LXX omit verse 14, as also do two Hebrew MSS (cf. Allen, p. 152), raises the possibility that v. 14 was not present originally in the Psalm and represents a secondary addition (interpolation). In any case, the verse here confirms that the sacrificial offerings mentioned in v. 17 are for the fulfillment (vb <l^v*) of the Psalmist’s vows to YHWH.
Verse 19 makes clear that the offerings will be made in the Temple precincts (“enclosures of the house of YHWH”), in Jerusalem. As noted in the introduction (Part 1), if this is intended as a concrete historical reference (rather than a literary-poetic reference), then it would indicate that the Psalm (or, at least the tradition preserved here) is pre-Exilic. The more important point is that the Psalmist-protagonist is faithful in fulfilling the ritual offerings, performing them at the Jerusalem Temple. It is another sign that he should be counted among the “devoted ones” who are faithful and loyal to YHWH. From the standpoint of the Psalm itself, this identification and characterization by the author is both representative of the true people of God (i.e., the Community of the faithful) and reflects an ideal of faithfulness and religious devotion that the people are exhorted to follow.
The Psalm concludes with the traditional praise-exhortation Hy`-Wll=h^ (Hal®lû-Y¹h).
References marked “Dahood, I”, “Dahood, II” and “Dahood, III” above are to, respectively, Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] vol. 16 (1965), Psalms II: 51-100, vol. 17 (1968), and Psalms III: 101-150, vol. 17A (1970).
References marked “Allen” are to Leslie C. Allen, Psalms 101-150 (Revised edition), Word Biblical Commentary, vol. 21 (Zondervan: 2002/2014).
Those marked “Barré” are to Michael L. Barré, “Psalm 116: Its Structures and Its Enigmas”, in Journal of Biblical Literature [JBL] 109 (1990), pp. 61-79.