Psalm 134
Dead Sea MSS: 11QPsa (vv. 1-3)
This brief Psalm (cp. the prior Ps 133 [study]) is the last Song of the third group of “Songs of Ascents”, and, indeed, is the final Song of the collection. As with all of the Songs in this third group (Pss 130-134), the thematic emphasis in on blessing—the blessing that YHWH will provide to His people (the faithful ones). Moreover, there is a blessing-emphasis in the closing Song of each group; indeed, each of these prior Songs ends (124:6, 8; 129:8) with a blessing-formula comparable to what we find here in Ps 134. The final line of v. 3(b) echoes the wording in 124:8, while the first line (v. 3a) is identical to 128:5a. These points of connection suggest that Psalm may have been composed around the time that the collection was assembled; as noted, the blessing-emphasis in Psalm 134 simply continues (and concludes) a theme that runs throughout the entire group of Songs, and the collection as a whole.
This blessing is closely connected with the holy city of Jerusalem (Zion), a sacred location which functions in the Songs as a multivalent symbol. There is certainly a ritual-liturgical component to the Zion-symbol, as this concluding Psalm itself makes clear (cf. below), but Zion also has several other aspects of meaning. It represents the post-exilic restoration of Israel—the land and its people—along with the hope and expectation for a restoration of the Kingdom (and the Davidic monarchy, cf. the focus on David in Ps 132 [study]). An associated theme (and ideal) is the unity of the people—viz., the Community—in the New Age of Israel’s restoration; this thematic motif is buttressed by the festal setting of the Songs—i.e., the people celebrating in Jerusalem together during the pilgrimage festivals, demonstrating a unity of will and purpose. Finally, Zion serves as a symbol for faithfulness and loyalty to the covenant—both by YHWH and the people. YHWH will remain present with the people, from His manifest (and ritual) dwelling-place in the Temple sanctuary, from where He provides blessing to the faithful ones—viz., those are devout and loyal to the covenant, a devotion which includes (and is marked by) attending the pilgrimage festivals with a spirit of devout worship.
There is quite clearly a ritual and liturgical focus to this Song, but the precise nature of the intended scenario remains somewhat unclear. In particular, there is some debate as to whether the “servants of YHWH” being addressed in vv. 1-2 are the Temple officiants and personnel (i.e., priests and Levites), or the worshiping congregation (of all the faithful). This question will be discussed in the notes below, but it has a bearing on the orientation of vv. 1-2.
For a good discussion of many of the key points, along with a summary of the views expressed by earlier scholars, cf. Crow, pp. 122-5, and Hossffeld-Zenger, pp. 484-7.
If the “servants” are the priests, then the Psalm presents a two-stage depiction of the priestly service in the Temple: (a) serving in the Temple court and sanctuary (inward), followed by (b) the blessing given to the people (outward). If, on the other hand, the “servants” are the faithful/devout congregation of worshipers, as a whole, then the entire Psalm may be understood as an address by the priest(s) to the people. In any case, verse 3 reflects the priestly blessing, such as we find prescribed in the Torah (Num 6:22-27). At the opening of these studies on the Songs (cf. the study on Psalm 120), I discussed the critical theory regarding the influential role that Num 6:24-26 may have played in shaping the collection.
It has been suggested that Psalm 134 is specifically meant to reflect the pilgrims’ departure from Jerusalem, at the end of the festal celebration. This would certainly be appropriate to the Song’s concluding place in the collection, in light of the assumed purpose and use of the collection—viz., the ritual and worship context of the pilgrimage festivals.
For a discussion of the meaning and significance of the heading “Song of the Ascents” (tolu&M^h^ ryv!), see the earlier study on Ps 120.
Call to Worship: Verses 1-2
Verse 1
“See—(it is for you to) bless YHWH,
all you servants of YHWH,
standing in (the) house of YHWH in the night!”
The beginning of the call to worship is an irregular 3+2+3 tricolon. The initial interjection (hN@h!, “See—!”) echoes the opening of Psalm 133, but its use here is a bit peculiar (and difficult to translate). It has been explained as an intensive, used to strengthen the imperative (“bless…!”), and rendered correspondingly as “Come…!” (i.e., “Come, [and] bless YHWH…!”). I prefer to regard it as drawing attention to the need for worship at this moment: “See—(it is time/right for you to) bless YHWH (now)…!”
As noted in the introduction above, there is some debate as to the identity of the “servants of YHWH” (hwhy yd@b=u^). The parallel wording at the beginning of Psalm 135 (v. 1, cf. also 113:1), in the overall context of that Psalm (see esp. vv. 19-21), suggests that the entire congregation of worshippers—i.e., all the faithful/devout ones (including the priests)—is in view. As Allen (p. 283) points out, the plural <yd!b*u& (“servants”) is nowhere else used as a designation for the priests and Levites, though the root verb (db^u*, “perform work/service”) is used in relation to them. And yet, there is some precedence for a priestly/cultic point of reference, since the expression “servant of YHWH” (with the noun db#u# in the singular) is regularly used for persons (such as Moses, Joshua, David) who have a special position of religious leadership, i.e., representing YHWH in relation to the people (Deut 34:5, et al; cf. Crow, p. 122).
The final line, with the phrase/expression “the (one)s standing in (the) house of YHWH” would seem to tip the reference in favor of identifying the “servants of YHWH” with the priests and Levites who officiate and serve in the Temple precincts. The usage in Deut 10:8; 18:7; 1 Kings 8:11; 1 Chron 23:30; Ezek 44:15, etc, would tend to confirm this. However, the entire congregation (or the people generally) can also be depicted as “standing” before YHWH, in the sacred space of the Temple (or Tent-shrine), see, e.g., Lev 9:5; Jer 7:10; cf. Allen, p. 283.
The qualifying expression “in the nights” should be taken as an instance of an intensive/comprehensive plural (i.e., all through the night), though Dahood (III, p. 255) prefers rendering it in terms of night-watches (“watches of the night”, as also in 16:7; 92:3[2]). This has been interpreted as a reference to the Temple guards (cf. 1 Chron 9:23ff), in connection with the image of the night-guard (watchman) in Isa 21:8 (cf. Crow, p. 124f). However, elsewhere in the Psalms, the idea of keeping watch, or a vigil, all through the night applies to the ordinary faithful/devout worshiper (as represented by the Psalmist-protagonist)—see 63:7[6]; 92:3[2]; 119:55, 148; also 16:7; 42:9[8]; 77:7[6].
Thus, the evidence is rather evenly divided, between interpreting the “servants of YHWH” in v. 1 as a specific reference to the Temple personnel (priests and Levites) or to the congregation of the devout/faithful ones (including the priests) as a whole. I am inclined toward the latter view, particularly in light of the parallels in Psalm 135. According to this view, the people are called to worship YHWH in the Temple precincts (“house of YHWH”), presumably on the occasion of one of the pilgrimage festivals. On that particular point, it is worth noting the possibility of a reference to the Sukkot (Booths/Tabernacles) festival, since, at least according to subsequent Jewish tradition (cf. m. Sukkah 5:4), there were night-time ceremonies involved.
Verse 2
“Lift up your hands (toward the) holy (place),
and bless YHWH (there)!”
This second couplet (3+2) confirms the Temple location (and ritual context) of the Song established in v. 1. The noun vd#q) fundamentally means “holiness”, but it can also denote a “holy place (or thing)”. Here, the principal reference is to the Temple sanctuary, where YHWH dwells (symbolically and ritually), and which is thus “(the) holy place”. However, the terminology can also be used for the Temple (building) as a whole. In any case, the call to worship (from v. 1) has been narrowed to the context of the Temple (and its sanctuary). The “servants of YHWH” are called to “lift up” (vb ac*n`) their hands in the direction of the Temple sanctuary. The lifting up of one’s hands is a basic gesture of worship and adoration, which is here explained specifically in terms of blessing YHWH (vb Er^B*, as in v. 1). The gesture can also indicate prayer and supplication (to YHWH), as in Psalm 28:2, etc, but the reference in Lev 9:22 suggests an allusion to the Priestly blessing (see verse 3, below).
Dahood (III, p. 255) views the noun vd#q) (“holy [place]”) here as referring to the true sanctuary-dwelling of YHWH in heaven; and thus, it is from heaven that YHWH sends blessings to His people. Theologically, this may be considered a valid line of interpretation, such as we see expressed, for example, in the famous Prayer of Solomon (at the inauguration of the Temple) in 1 Kings 8. In that passage, it is repeatedly emphasized that YHWH truly dwells in heaven, rather than in the Temple sanctuary (where His name resides). And yet, in the same passage, it is also stated repeatedly that the people are to pray in the direction of Jerusalem (and the Temple).
The Qumran manuscript 11QPsa has an expanded reading of the second line (creating a 3+3 couplet), with the addition of the word <v@ (“name”): “…and bless (the) name of YHWH!”. This reading may be influenced by the (Deuteronomic) name-theology evidenced throughout 1 Kings 8, etc (cf. above).
There is no actual preposition or locative-directional indicator in the text, and so the noun vd#q) (“holy [place]”) could conceivably refer to the place where (i.e., in which) the people (and/or priests) lift up their hands in worship. However, the various parallels, most notably in Psalm 28:2, make a directional reference (i.e., toward) much more likely. The LXX understands the reference directionally as well, translating with the preposition ei)$ (“[un]to”).
With regard to verses 1-2, taken together, it is worth noting that the LXX includes an additional line and, as a result, divides these verses somewhat differently. Utilizing the translation above, and including the corresponding additional line from the LXX (in italics) we have:
“See—(it is for you to) bless YHWH,
all you servants of YHWH,
standing in (the) house of YHWH,
in the courts of (the) house of our Mighty (One)!
In the night, lift up your hands (to the) holy (place)
and bless YHWH (there)!”
As this line is absent from the Hebrew of the Qumran manuscript 11QPsa, it is likely that the LXX has added it as a harmonizing inclusion from Ps 135:2.
Benediction: Verse 3
As noted above, the overall interpretation of the liturgical framework of the Psalm depends on whether the “servants of YHWH” in vv. 1-2 are to be limited to the priests (and Levites), i.e., the Temple officiants and personnel, or whether the expression refers to the entire congregation that is worshiping in Jerusalem (in the Temple precincts). If the former, then in vv. 1-2 the priests are enjoined to fulfill their ritual duties in the Temple, as an expression of their devotion and worship of YHWH. The shift between vv. 1-2 and 3 might also then entail a shift in speaker. However, if the congregation as a whole is being addressed in vv. 1-2, then this increases the likelihood that there is a single speaker for the Psalm, and that the speaker-protagonist is a priest, who both calls the people to worship (vv. 1-2) and then subsequently delivers the priestly blessing (cf. Num 6:24-26 and the discussion above). Based (primarily) on the parallels in Psalm 135 (esp. the closing vv. 19-21), I am inclined to the view that all of the people—the entire congregation of devout worshipers—is being addressed in vv. 1-2.
Verse 3
“May YHWH (indeed) bless you from Ṣiyyôn,
(the One) making (the) heavens and (the) earth!”
As noted in the introduction above, the first line of this closing blessing is identical to the first line of 128:5, while the second line echoes the final verse (v. 8) of Psalm 124 (cf. also Ps 115:15 and 121:2). In vv. 1-2, it is the worshipers (and/or the priests) who are to bless YHWH; now, in the final verse, a blessing coming from YHWH is invoked. As I have discussed, it is likely that this is specifically intended to reflect a priestly blessing—that is, a blessing from YHWH which is mediated ritually through the consecrated priest officiating at the Temple (cf. Luke 1:21-23). This priestly role goes back to the tradition prescribed by the Torah in Numbers 6:22-27 (vv. 24-26 record the blessing). The importance of this blessing coming “from Zion”, in the context of the Songs of Ascents, is discussed in the introduction (above). The Temple sanctuary in Jerusalem (Zion) is the place where YHWH has His manifest dwelling (ritually and symbolically) among His people, and it is here that His people encounter Him (on the occasion of the pilgrimage festivals, etc). Zion also functions as a symbol of the unity of the people—i.e., the faithful and devoted ones—in their faithfulness and devotion. Their assembling together in Jerusalem (at the Temple) to worship YHWH during the festivals is a clear and profound indication of their devotion to the covenant.
The addressee in verse 3 is singular (suffix ;-, “you” [sg.]), in contrast to the plural throughout vv. 1-2. This sort of alternation is hardly unusual in the Psalms, as there frequently occurs an interchange between an individual (righteous protagonist) and communal (all the righteous [one]s) point of reference. Here, the singular could also be understood in collective sense, for the community (of the righteous) as a whole.
The descriptive title of YHWH as the One “(hav)ing made (the) heavens and (the) earth” is an ancient epithet rooted in Canaanite religious tradition (regarding the high God ’Ēl as Creator), and an early Israelite version of this tradition is preserved in Genesis 14:19-20. Note the clear context of the poetic quotation in Gen 14:19-20 as a blessing formula, suggesting that a very old line of tradition is being preserved here in the Psalm (as also in Ps 115:15; 121:2; 124:8). As the Creator (and King of the universe), El-YHWH has the power and authority to give all blessings to humankind. For more on the subject, see the article by Norman C. Habel, “‘Yahweh, Maker of Heaven and Earth’: A Study in Tradition Criticism”, Journal of Biblical Literature [JBL] 91 (1972), pp. 321-37.
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- References marked “Dahood, I”, “Dahood, II” and “Dahood, III” above are to, respectively, Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] vol. 16 (1965), Psalms II: 51-100, vol. 17 (1968), and Psalms III: 101-150, vol. 17A (1970).
- Those marked “Allen” are to Leslie C. Allen, Psalms 101-150 (Revised edition), Word Biblical Commentary, vol. 21 (Zondervan: 2002/2014).
- Those marked “Hossfeld-Zenger” are to Frank-Lothar Hossfeld and Erich Zenger, Psalms 3: A Commentary on Psalms 101-150, translated by Linda M. Maloney, Hermeneia Commentary Series (Fortress Press: 2011).
- Those marked “Crow” are to Loren D. Crow, The Songs of Ascents (Psalms 120-134): Their Place in Israelite History and Religion. SBL Dissertation Series 148 (Society of Biblical Literature: 1996).

