Qumran Manuscript 11QPsa, continued
A Plea for Deliverance
Column XIX of the Qumran manuscript 11QPsa contains an extra-canonical Psalm that is appropriately labeled “A Plea for Deliverance”, as it is similar in many respects to the canonical prayer– and lament-Psalms, in which the protagonist prays (i.e., makes a plea) to God that he might be delivered (i.e., saved/rescued) out of danger and distress. It is followed (in Column XX) by Psalm 139 (study).
The ‘Plea for Deliverance’ is largely intact, becoming fragmentary (with one major gap) only at the close of the column. The final surviving line (18) probably represents the end of the composition, while the initial portion (of around 5 or so lines) may have originally been present at the bottom of Col. XVIII but is now lost. A date for this work is uncertain, other than that it is post-exilic and presumably was composed before the middle of the 2nd century B.C.
The Psalm may reasonably be divided into two parts, or halves. The first (in lines 1-8 + the missing portion in Col. XVIII) is presented from a communal standpoint—viz., a prayer from the community of the righteous. In the second half (lines 8-18) the prayer is that of an individual protagonist, with a particular focus on avoiding and being kept away from sin and evil.
First Part (lines 1-8)
Line 1
“….
For (the) worm of decay does not give praise to you,
nor does (the) gnawing worm recount your goodness.”
This Psalm probably began with an initial plea and a few lines indicating the danger and (life-threatening) distress for God’s people; such would be in keeping with the pattern of the canonical prayer– and lament-Psalms. And, in a number of those Psalms, part of the plea, intended to persuade YHWH to act on the protagonist’s behalf, is a reminder that the dead are not able to praise Him—viz., if YHWH were to let the person die, then he/she would be unable to give praise or to show devotion to Him anymore. Cf. Psalm 6:6[5]; 88:10-12; 115:17, though here the couplets of Lines 1-2 would seem to be more directly inspired by Isa 38:18-19. The focus on the worm—associated with the decaying body in the grave—represents a rather garish development of the tradition, though occasionally a human being (in its creatureliness and mortality) could be compared to a worm (e.g., Job 25:6; Ps 22:6). The poetic pairing here of the terms hM*r! (denoting the process of decay) and hu*l@oT (denoting a creature that gnaws) for the grave-worm (i.e., maggot) is also found in Job 25:6.
The noun ds#j#, which occurs with great frequency in the canonical Psalms as as a Divine characteristic, properly means “goodness, kindness”. However, as I have often noted, in the Psalms it tends to be used (along with the adjective dys!j*) in a covenantal context, in which it carries the strong connotation of “faithfulness, loyalty, devotion”. The Israelite who praises YHWH often does so by recounting (vb rp^s*) the many acts of deliverance He has performed for His people (thus demonstrating His faithfulness and devotion); the mention of this here is another part of the appeal, in the hopes that YHWH will perform another act of deliverance on behalf of the righteous in their time of need.
Line 2
“(Only the) living, (the one) living gives praise to you!
They give praise to you, all (those) tottering on (their) feet.”
The first line of this couplet is likely drawn from Isa 38:19 (see above). The point brought out in the second line of the couplet is that even the one who is in trouble—i.e., tottering (vb fWm) and in danger of falling—is still able to praise YHWH, as long as he/she is kept alive and safe.
Lines 2[end]-3
“In your making known your goodness to them,
(by) your rightness you give them understanding.”
The first line of this next couplet, by repeating the noun ds#j# (from the first couplet of the Column, cf. above), reinforces the idea that the deliverance of God’s people from their current distress will be a demonstration of His goodness and faithfulness/devotion like those great deeds He performed in the past. The idea of making this goodness known to them anticipates deliverance (viz., that the prayer/plea will be answered by God). Yet the verb ud^y` (Hiphil, “make known”), parallel with lk^c* (Hiphil, “give insight/understanding”) allows for the introduction of a Wisdom-aspect here in this couplet. Frequently, in the canonical Psalms, the traditional prayer-Psalm pattern has undergone development, in part through the introduction of elements from the Wisdom Tradition. Here, for example, the idea of deliverance (from danger/distress) is blended together with the theme of being instructed by God. Psalm 119 is a good example of a late canonical Psalm in which such development is present extensively throughout the composition.
The noun hq*d*x= (cf. also qd#x#), another fundamental Divine attribute, means “rightness”, but often in the specific ethical-religious sense of “righteousness”; it is frequently paired with ds#j# in the Psalms.
Lines 3[end]-4
“For in your hand (is the) soul of every (one) living;
(the) breath of all flesh you (yourself) have given.”
Here, the appeal to YHWH is based upon His identity as the Creator, and the providential (and life-giving) care that He provides to all living beings—particularly to human beings (and esp. to the righteous ones of His people). These thematic motifs reflect the Wisdom orientation introduced in the prior couplet. Cf. especially Job 12:10, the wording of which closely resembles the couplet here.
Lines 4[end]-5
“Do with us according to your goodness—
according to your deeds of love,
according to your right(eous) acts!”
Again, the appeal is made on behalf of YHWH’s attributes of goodness (here bof, instead of the earlier ds#j#) and right[eous]ness (hq*d*x=). The hope and expectation is that God will once again demonstrate these attributes through saving acts of deliverance, such as He performed on behalf of His people in times past. The couplet pairing is expanded (into a tricolon) by an additional line, emphasizing the deep love (<jr) that He has for His people, with connotations both of caring for them and showing mercy/compassion to them.
Lines 5[end]-6
“YHWH has heard (the) voice of (those) loving His name,
and has not left behind His goodness (away) from them.”
In this couplet (and the one following) the appeal to YHWH turns to take on the character of praise. This is not unusual in prayer– and lament-Psalms, as praise elements are often incorporated as part of the appeal, sometimes even preceding the petition proper. Praise functions as a rhetorical device in the appeal, but it also anticipates YHWH’s answer to the plea for deliverance.
As is frequently the case in the canonical Psalms, the appeal is based on the expectation that YHWH will act to protect and rescue those who are faithful and loyal to Him. This covenantal context, implicit in the use of the nouns ds#j# and hq*d*x= (cf. above) as Divine characteristics (viz., His loyalty to the covenant-bond), is brought out more clearly here, in reference to the faithfulness/loyalty of the people (i.e., the righteous ones). The devout and loyal ones are those “loving (His) name”. YHWH will not abandon (bz~u*) the righteous in their time of need, leaving them behind without help. Here, the noun ds#j# (translated “goodness” above), might better be rendered “loyalty” or “(loyal) devotion” (cf. below); it could also be translated as “lovingkindness”, which would bring out the parallel with love (bha; cf. also <jr in the previous couplet).
The perfect verb-forms are translated here as past tense, but they could also be rendered as present tense, since they reflect YHWH’s regular and characteristic behavior.
Lines 7-8
“Blessed (be) YHWH, (the One) doing right(eous) deeds,
crowning His devout (one)s (with) devotion and love!”
See the note above on the prior couplet regarding the incorporation of hymnic praise-elements within the appeal portion of prayer-Psalms. Again, the emphasis is on the expectation (based on the covenant-bond between YHWH and His people) that God will act on behalf the devout/loyal ones (<ydysj), demonstrating His own loyal devotion (ds#j#), love, and righteousness. Here, the noun ds#j#, translated “goodness” above, is rendered as “devotion”, parallel with the related adjective dys!j* (“devout”). These are all regular terms that occur with great frequency in the Psalms; the wording here is particularly close to Ps 103:4.
This declaration of praise/blessing marks the conclusion of the first half of the Psalm.
Second Part (lines 8-18)
Lines 8[end]-9
“My soul cries out to praise your name,
to confess with ringing praise your devotion,
to put out in front your firmness—
for (the) praise of you there is no end!”
This praise-quatrain that begins the second half of the Psalm builds upon the praise declaration at the conclusion of the first half (see the prior couplet). It leads into the petition proper, uttered by the protagonist in the midst of his distress. He states that his soul “cries out” (lit. “roars”, vb ga^v*), alluding to his distress and urgent plea for help. The wording here also serves to identify the protagonist as one of the righteous. This is indicated by the fact that he is willing to praise YHWH, even in the midst of his affliction and distress. More to the point is the emphasis on his devotion to the name of YHWH (a thematic emphasis that occurs with some frequency in the canonical Psalms). Again, as in the prior couplet, ds#j#/dys!j* is translated in terms of loyal devotion (though in most of the first half of the Psalm, ds#j# was rendered as “goodness”). The substantive plural adjective could be translated as an intensive/comprehensive plural (i.e., “great devotion”), or as a reference to the acts/deeds of YHWH (on behalf of his people), deeds which demonstrate His devotion to them.
Parallel to dys!j* here (in the third line of the quatrain) is the noun hn`Wma$ (“firmness”, but often in the sense of “faithfulness”); it is frequently paired with ds#j# in the Psalms and is another way of referring to YHWH’s faithfulness, loyalty and devotion. The verb dg~n` (Hiphil) literally means “put in front”, “put before (someone)”, in the sense of making something known and declaring it publicly.
The orientation of the first part of the Psalm was communal—i.e., the people and the community of the righteous ones—while here in the second half the righteous individual is in view. This shifting between individual and communal points of reference is typical of many Psalms, particularly since the individual protagonist tends to represent (and embody) the community of the righteous.
Lines 9[end]-10
“(Close) to death I am, in (the midst of) my sin,
indeed, my crookedness has sold me to Še’ol;”
The protagonist’s distress (being near to death) is introduced here, though it is presented as a past situation. This method of framing the situation (using the perfect tense) occurs with some frequency in the prayer- and lament-Psalms. By so doing, the protagonist would seem to be anticipating YHWH’s answer to his prayer (viz., as something that has already occurred). At the same time, calling to mind prior acts of deliverance by YHWH would be a natural rhetorical device within the appeal; cf. also in the communal section of the Psalm (above). Even so, it is probably preferable to render the perfect forms here with the present tense.
Frequently, the protagonist in the prayer- and lament-Psalms mentions how close he is to death, often utilizing the term loav= (Sheol) as a poetic designation for the realm of Death and the grave. The protagonist confesses that it was his sin and crookedness (“crooked [deed]s”) that brought him to this point, implying that his distress is the result of God’s righteous judgment. This is not a particularly common emphasis in the prayer- and lament-Psalms, as the protagonist tends to stress his righteousness and innocence; however, occasionally a confession of sin is present as a thematic feature and focus (cf. 25:7ff; 32:5; 38:4[3], 19[18]; 41:5[4]; 51:4[2]ff).
Lines 10[end]-11
“But may you snatch me out, O YHWH,
according to your great love,
according to your righteousness!”
The protagonist’s petition (plea) proper comes here in a tricolon that matches the one earlier in the first half of the Psalm (see above); this is another way that the individual protagonist identifies himself with the community of the righteous. The appeal is again made on the basis of YHWH’s fundamental attributes of love (<jr) and right(eous)ness (hq*d*x=). In the earlier tricolon, the plural forms were translated in terms of acts/deeds; they could be here as well, though I have rendered them as intensive plurals (i.e., “great love”). The verb lx^n` (Hiphil, “snatch out”) is a regular rescue-term that occurs frequently in the prayer-Psalms.
As noted above (on the previous couplet), the perfect tense verbs could be translated in the past tense, as referring to actions that have already happened; however, it is preferable to render according to the present tense, in anticipation of what the protagonist hopes and expects will happen. Such contextual instances of the perfect tense in the canonical prayer-Psalms are, I think, best rendered as precative perfects; this would seem to be confirmed here by the vocative of the Divine name (“O YHWH”), which is much better suited to a prayer-wish than to a statement of past events.
Lines 11[end]-12
“(For) I also have loved your name,
and in your shade I do seek refuge!”
Here the protagonist explicitly identifies himself as one of the righteous—viz., those who are devoted to YHWH and who love His name (see above). The initial particle <g~ could be translated more emphatically (“indeed”, cf. Sanders, p. 121), though it seems just as suitable to translate it as “also” —viz., he is also one of the righteous who love YHWH’s name. As one of the righteous, he can rightly expect to be rescued and protected by YHWH. Both of these aspects—rescue and protection—feature prominently in the prayer-Psalms; the aspect of rescue was the focus in the prior tricolon, while here it is protection. The verb hc*j* (“seek/take refuge”) is used frequently in the Psalms in this context. Here the idea of protective shelter is expressed by the motif of “shade/shadow” (lx@), Ps 91:1; cf. also 17:8; 36:8; 57:2[1]; 63:8[7] where the specific image is of finding protection/shelter in the shadow of the wings of YHWH.
Lines 12[end]-13
“In my remembering your might, my heart grows strong,
and upon your loyal devotion I firmly take hold.”
When the protagonist thinks upon YHWH’s past acts of deliverance on behalf of His people, he is strengthened, knowing in particular that YHWH is faithful/loyal to the covenant-bond, and will protect and rescue those who are loyal to Him. This is again the significance of the substantive plural of the adjective dys!j*, “acts of loyalty/devotion” or “loyal devotion”. The verb Em^s* is another regular rescue/protection term, referring specifically to the idea of the person in need grabbing hold of YHWH (for help and protection).
The verb [q^T* means “become strong”, though it can also have the transitive sense of “show/demonstrate strength”, even with the specific idea of taking hold of (i.e., seizing) a person. It is quite rare in the Scriptures (only four occurrences, Job 14:20; 15:24; Qoh 4:12; 6:10) and may have come into Hebrew as an Aramaic loanword.
Lines 13[end]-14
“Grant (me) pardon for my sin, O YHWH,
and cleanse me of my crookedness!”
As indicated above (cf. the couplet of lines 9-10) the protagonist’s plea is tied to a confession of sin. The implication is that his sins have brought him into distress and affliction, though it is also possible that it is his sin itself that constitutes the protagonist’s perilous distress—viz., he is in danger of being overcome by sin (and punished for it). One can also imagine the plea as intended to prevent a person from entering into sinful ways (cf. below). As I noted, confession of sin does not typically feature in the canonical prayer-Psalms, though it does appear in several—most notably, in Ps 51 (esp. vv. 4[2]ff), and see also Jer 33:8 which pairs the verbs jl^s* (“forgive, pardon”) and rh^f* (“cleanse”) even as we find here.
Overall, lines 14-16 have a good deal in common, both in terms of vocabulary and the thought expressed, with the Qumran hymns and sectarian texts—e.g., 1QS 2:3; 4:4; 1QH XI.21-23.
Lines 14[end]-15
“May you grant me a spirit of firmness and knowledge,
and let me not become contemptible in crookedness!”
The idea of preventing/avoiding sin (mentioned in regard to the previous couplet) does seem to be in view here. The protagonist asks to be given a firm spirit (cf. the prior couplet)—i.e., a spirit that is faithful, which has faith and knowledge/wisdom, and thus can avoid falling into sin (cf. Ps 51:12[10]). The verb /n^j* means “(grant a) favor”. The verb hl*q* II (“be disgraceful, contemptible”) is used here in the reflexive Hitpael stem, literally “make myself contemptible”, but the usage is generally the same as the passive Niphal stem (“be[come] contemptible”) in which the verb occurs a number of times in the Scriptures.
Line 15[cont.]
“Do not let (the) Adversary rule over me,
nor (any) spirit (that is) unclean!”
Here the use of the term /f*c* (śātān, “adversary”) as a name/title has gone beyond the seminal Scriptural usage (e.g., in Job 1:6ff; 2:1ff; Zech 3:1f; 1 Chron 21:1) and begins to approach the later Jewish and Christian concept of the Satan. As the second line of the couplet suggests, other unclean/evil spirits are associated with the Satan.
The combination of the prior couplet (with its focus on avoiding/preventing sin) with the mention here of being rescued/protected from the Satan naturally brings to mind the sequence of petitions in the Lord’s Prayer (Matt 6:13), especially if, as many commentators believe, the substantive articular adjective o( ponhro/$ (“the evil”) in that verse means “the Evil one” (i.e., the Satan/Devil).
Lines 15[end]-16
“(Both) pain and (the) shaping (urge) of evil
do not let possess (the) strength of my limbs!”
Here the protagonist’s petitions—for being kept away from sin and rescued/protected from evil spirits—are expressed in terms of his physical being. He asks that his body (i) be kept free from (physical) pain and suffering (ba)k=m^), and (ii) not be controlled by the ur^ rx#y@, the “shaping (urge) of evil”. This is an early instance of the expression ur rxy, i.e., the ‘evil inclination’, the impulse or tendency toward sin in human beings. This concept came to be prominent in later Jewish theology and anthropology, and was inherited by early Christians (Paul, in particular, draws heavily upon it). The noun <x#u#, usually translated “bone(s)”, properly denotes the strength (i.e., vitality, vigor, life) in one’s limbs, as well as indicating the overall framework of one’s body.
Lines 16[end]-17
“For you, O YHWH, (are) my praise,
and (it is) for you (that) I wait all the day!”
As at the close of the first half of the Psalm, the second half here closes with an expression of praise to YHWH. The praise includes an expectation that YHWH will answer the protagonist’s prayer. He declares that he will wait (vb hw`q*), patiently and with devout trust, for YHWH to answer him.
Line 17[end]
“Let my brother(s) be glad along with me,
even (the) house of my father,
the (one)s astonished by your favor”
As at several earlier points in the Psalm (see above), the protagonist here identifies himself with the community of the righteous, calling them “brothers” and “(the) house of my father”. All of the righteous ones among the people of God are his brothers, and akin to him. The righteous are identified as “the (one)s astonished [vb <m^v*] by (God’s) favor”. This expression is peculiar, particularly with regard to the use of the verb <m^v* which normally means “be devastated, desolate(d)”.
Line 18
“[. . . . .]
[unto the dist]ant (future) I shall be glad in you!”
The end of the Psalm is fragmented, with at least one line missing. The gap at the beginning of the final line, <l[ ], can plausibly be restored as <l[oul]—i.e., the traditional temporal-durative expression <l*oul=, “unto/into the distant (future)”, ‘forever’. Cf. Sanders, p. 120f.
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In our next study, we will continue the examination of deutero-canonical and extra-canonical Psalms from the Qumran scrolls, by looking another extra-canonical composition in 11QPsa—a work known as the “Apostrophe to Zion” (column XXII).
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- References above marked “Sanders” are to J. A. Sanders, The Dead Sea Psalms Scroll (Cornell University Press: 1967). Those marked “Sanders DJD” are to the more detailed scholarly treatment by the same author in volume 4 of the Discoveries in the Judean Desert [DJD] series (Clarendon Press [Oxford]): The Psalms Scroll of Qumran Cave 11 (11QPsa) (1965).
