July 30: Job 13:23-25

Job 13:23-25

This is the first unit of the first stanza of Job’s complaint; it corresponds to 14:13-14 in the second stanza. Cf. the previous note, on the introduction (vv. 20-22).

A few small fragments of vv. 24-25 are preserved in the Qumran manuscript 4QpaleoJobc. The bits that survive confirm the MT, but, interestingly, also provide evidence in support of an archaic/conservative orthography for the Dialogue—namely, here, spelling without internal vowel letters for the second to last word of v 24: by@a)l+ (MT plene spelling by@oal=).

Verse 23

“According to what (are there) crooked deeds and sins for me?
Let me know my breach (of trust) and my sin!”

Job’s complaint to God, which he addresses to his companions (as the audience), begins with a question whereby he essentially asks what wrongs he has done. The entire basis of Job’s appeal is that he is innocent of any wrongdoing that would warrant the terrible punishment he has (apparently) received from God. If he has committed any such wrongs—whether ethical or religious in nature—he asks (in the second line) that God make these known to him (vb ud^y`, Hiphil). Three different sin-terms are used, all quite regular and according to tradition (earlier occurrences in the Dialogue indicated): (1) /ou*, “crooked deed/act” (cf. 7:21; 10:6, 14; 11:6); (2) taF*h^, “error, missing (of the mark)” (cf. 10:6); (3) uv^P#, “breach (of faith/trust)” (cf. 7:21; 8:4). The second of these occurs twice in the verse, once in each line—plural (i) and singular (ii); it is the term most commonly translated “sin”, as it is here (for poetic concision). Michel (p. 312) notes the similar pairing of /ou* and uv^P# elsewhere in Job, cf. 7:21; 14:17; 31:33; 33:9.

The initial interrogative hM^K^ literally means “According to what…?”; cf. 7:19; 21:17. In context, it connotes an accounting or enumeration—viz., “According to what account…?” or “According to what number/measure…?” (i.e., “How many…?”). The suffixed preposition yl! means “for me” or “to me”, the latter in the sense of “belonging to me”; in a legal-judicial context, the sense might be “against me”.

Verse 24

“For what (reason) do you hide your face,
and reckon me as (one) hostile to you?”

The motif of hiding the face was used earlier in verse 20. There, Job spoke of hiding his face from God—that is, of being unable to face Him and to make an appeal before Him; here, by contrast, it is God who hides His face from Job. The idiom of God “hiding His face” occurs frequently in Scriptures, especially in the Psalms and other poetic texts. It can be used in a negative sense, viz., of God turning away and withholding favor or help, etc., of treating people in an unfriendly or hostile manner (e.g., Ps 13:1; 27:9; 44:25[24]; 69:18[17]; 88:15[14]); but it also occurs, less commonly, in a positive sense, viz., of God looking away from the people’s sins and not gazing upon them with burning anger of judgment (cf. Ps 51:11[9]). Here, it is used in the common negative sense, as the second line makes clear—viz., God seems to be treating Job as one who is hostile (by@a)) to Him, i.e., an enemy (cf. 19:11; 33:10).
Nearly all commentators regard the verb form ryT!s=T^ as a Hiphil form of the verb rt^s* (“hide”). However, Blommerde (p. 68) suggests that it should perhaps be parsed as an infixed-t form of the verb rWs (“turn”), i.e., “turn away”. In this, Blommerde is following Dahood, who identified many such similar instances in the Psalms. In any case, the meaning of the line would not change much.

The interrogative hM*l* (“For what…?”, i.e., “Why…?”) matches the initial hM*K^ of v. 23 (see above). It is similarly used with several of the face-hiding references in the Psalms (mentioned above)—cf. 44:24; 88:15[14].

Verse 25

“A leaf driven about would you shake (further),
and (the) dry straw would you (yet) pursue?”

The sense of this couplet is that Job is already being blown around like a leaf or dry straw (i.e., chaff) blown by the wind—so, why should God afflict him yet further? On the one hand, the image alludes to the common lot of human suffering, emphasizing the mortality, weakness and fragility of the human condition—a theme that is developed throughout the complaint. However, as several commentators (e.g., Pope, p. 102; Michel, p. 312) have noted, elsewhere in Scripture this imagery is used to depict the destruction of the wicked (cf. Ps 1:3-4; 83:14[13]ff; Isa 34:4; 64:5[6]); thus, its usage here suggests that Job is experiencing punishment from God of the kind normally reserved for the wicked. He may be asking if God intends to punish him further.

As Seow (p. 662) discusses, the verb Jr^u* has the fundamental meaning “shake, tremble”, and that in the Qal stem it can be used in both an intransitive and transitive (i.e., “[cause to] shake”) sense; the latter is clearly meant here. It is parallel to the verb [d^r* (“pursue”) in the second line, a verb that often is used in the context of an enemy/adversary pursuing someone with hostile intent (see v. 24b above).
Note the alliterative assonance between the verbs [d^n` nāḏap (“drive”) and [d^r* rāḏap (“pursue”). It has been suggested that the former verb here (cf. also Lev 26:36; Prov 21:6) is actually derived from a separate root ([dn II) meaning “dry up” (cf. Arabic nadifa, nadafa); so Clines, p. 283, following an earlier suggestion by A. Guillaume.

    • References above (and throughout these notes) marked “Seow” are to C. L. [Choon Leong] Seow, Job 1-21: Interpretation and Commentary, Illuminations Commentary Series (Eerdmans: 2013).
    • Those marked “Clines” are to David J. A. Clines, Job 1–20, Word Biblical Commentary [WBC] vol. 17 (1989).
    • Those marked “Pope” are to Marvin H. Pope, Job, Anchor Bible [AB], vol. 15 (1965, 1973).
    • Those marked “Michel” are to Walter L. Michel, Job in the Light of Northwest Semitic, Biblica et Orientalia 42 (Rome, Pontifical Biblical Institute Press: 1987).
    • Those marked “Blommerde” are to Anton C. M. Blommerde, Northwest Semitic Grammar and Job, Biblica et Orientalia 22 (Rome, Pontifical Biblical Institute Press: 1969).

Wednesday Wisdom: Proverbs 12:20-28

Proverbs 12:20-28

I recognize vv. 13-19 (see the previous study) and 20-28 as distinct proverb-groupings. However, such divisions of the Proverbs collection, in most instances, can hardly be definitive, and commentators may divide the proverbs in chapter 12 in other ways that are quite valid. In particular, Heim (p. 154) makes a strong case for the coherence of vv. 15/16-23 based on patterns of word usage (as indicated by the following diagram):

According to the way that I have delineated vv. 13-28, the grouping of vv. 13-19 emphasizes the importance of a person’s speech (as indicative of his/her behavior), while the focus in vv. 20-28 tends to be on the inward intention and personal integrity of the individual—summarized and epitomized by the thematic motif of the “heart”. Indeed, verses 20-25 present a sequence of proverbs with this basic orientation, the specific noun bl@ (“heart”) occurring in vv. 20, 23, 25. The grouping is capped by a pair of proverbs (vv. 26, 28) featuring the familiar theme of the contrasting fates of the righteous and wicked; this thematic emphasis is present in many proverbs of the Collection, but not always so explicit as the subject of the saying.

The proverb in verse 27 has a peculiar position—between the two contrasting-fate proverbs of vv. 26 and 28—but it is clearly related to v. 24, and thus provides another strand of coherence for the grouping. Its position could serve as a subtle reminder that a person’s regular daily conduct (whether wise or foolish, righteous or wicked) effects his/her ultimate fate.

Verse 20

“Deceit (is) in (the) heart of (those) devising evil,
but for (those) planning (what is) fully good, gladness.”

There is conceptual ‘catchword’-bond between v. 20 and the prior v. 19, based on the idea of falsehood/deceitrq#v# (“false thing, falsehood”) in v. 19, and hm*r=m! (“deceit”) here in v. 20 (cf. verse 17, and v. 5 and 11:1). The shift in focus from one’s speech to one’s inner intention and character (i.e., “heart”) is clear from the use of the noun bl@ (“heart”) as well as the parallel verbs vr^j* (I) and Ju^y`. Each verb is expressed as a substantive verbal noun (participle) indicating a person’s regular/characteristic behavior. The verb vr^j* (I) denotes making a cut or groove in a surface, such as in the activity of engraving or ploughing; it often carries the figurative (and intellectual) meaning of “devise”, which is clearly the sense here (cf. earlier in 3:29; 6:14, 18). The verb Ju^y` denotes the activity of giving/taking direction, often with the meaning of “give/take advice or counsel”; sometimes a more general meaning of “plan, make plans” is in view, as seems to be the case here.

The wicked, who act with deceit, are devising harm/evil (for others), expressed by the common substantive adjective ur^. By contrast, the righteous intend only what is good and beneficial. In this regard, the noun <olv*, denoting fullness/completion, means “(something) completely good”, with a strong connotation of “well-being”—viz., the health and welfare of others in the community. The verb Ju^y`, in particular, emphasizes this aspect of public/social welfare; cf. 11:14. The righteous act with a sense of joy and gladness, and this, in turn, leads to the same (joy/gladness) coming back to them (from God) as a reward.

Verse 21

“There shall not come near to the righteous any (evil) power,
while (the) wicked (one)s are (themselves) full of evil!”

Poetically, it is almost impossible to translate the noun /w#a* here with any concision. Derived from the verbal root /wa, it refers to the exertion of force, usually with negative/harmful effect (or purpose), against someone; cf. the earlier use in 6:12, 18; 10:29, also 17:4. It might be rendered as “disaster” or “harm” (emphasizing the effect, cf. 22:8), but that seems to me unsuitably narrow. Waltke’s translation “malevolence” is quite apt, but cumbersome as poetry. With some reluctance, I translate the noun here as “(evil) power”, in order to bring out the conceptual wordplay with the parallel ur^ in line 2. The same substantive adjective, meaning “evil”—whether in the moral and spiritual sense, or in terms of “harm, injury”, etc.—was used in v. 20 (cf. above).

The verb hn`a* means “come near”, in the circumstantial sense of something that “befalls” (i.e., meets with, happens to) a person—usually something negative/harmful. In this case, there is a dual-aspect of meaning to the use of hn`a* along with the noun /w#a*: (1) the idea that the heart of the righteous is not affected by any malevolent influence, and (2) the promise that the righteous will be protected from harm, etc. (see, e.g., Psalm 91:10). A similar dual meaning applies to the use of ur^ in relation to the wicked in line 2: (1) their heart is “full of evil” i.e., the intent to do evil/harm to others; and also (2) that their lives will be filled with evils (disasters, etc.), viz., as punishment for their wicked behavior. On the specific image of the wicked being “filled with evil”, cf. 1:31; 14:14.

Verse 22

“An abhorrent thing to YHWH (are) lips of falsehood,
but (those) acting with firmness (are) His delight!”

The expression “lips of falsehood” echoes v. 19 (“lip of truth”, “tongue of falsehood”). However, this proverb does not represent a continuation of the speech-emphasis in vv. 15-19 (see the previous study) as much as it reflects the focus here in vv. 23-25—namely on the relationship of a person’s “heart” (i.e., inward intention and personal character) to his/her behavior (both speech and action). Indeed, one’s behavior is a reflection of one’s heart.

The couplet clearly sets in parallel a person’s speech (“lips”) and his/her conduct (vb hc*u*, “do, act, make”). The contrast, which applies to both speech and action, is between the noun rq#v# (“falsehood”, characterizing the wicked) and hn`Wma$ (“firmness”, characterizing the righteous). As previously discussed, the noun hn`Wma$ (cf. tm#a#), which denotes “firmness”, often means “faithfulness, trustworthiness, truthfulness”; it could easily be translated “faithfulness” or “truthfulness” here (cf. the use of tm#a# in v. 19).

The contrast between the noun hb*u@oT and /oxr* draws upon traditional religious terminology—viz., something abhorrent to YHWH vs. something that is pleasing and acceptable to Him; cf. the same juxtaposition in 11:1, 20. The former occurs with some frequency in Proverbs (20 times, cf. earlier in 3:32; 6:16; 8:7; 11:1, 20); so also the latter (14 times, cf. 8:35; 10:32; 11:1, 20, 27; 12:2). In 6:17, a “tongue of falsehood” is similarly declared to be something abhorrent to God. Compare the sayings from the Egyptian Instruction of Amenemope (cf. Fox, p. 557; Schipper, p. 432):

“Do not speak falsely to a man,
The God abhors it;
Do not sever your heart from your tongue” (13.15-17)
“God hates the falsifier of words,
He greatly abhors the dissembler” (14.2-3)
(translation Lichtheim II.154)

Verse 23

“A shrewd man (is one) covering knowledge,
while (the) heart of fools calls out (their) folly.”

This proverb also deals with the relationship between the heart and speech/action. The contrast is not between the righteous and the wicked, but between the wise and the foolish. As throughout Proverbs (see, e.g., verse 16), the adjective <Wru* (“clever, cunning, shrewd”) is used in a positive sense, as a characteristic of those who are wise. It seems contradictory to think that the wise/righteous ones ought to cover up knowledge, but the focus is on the value of exercising prudence and modesty in declaring the things that a person knows—whether general knowledge or something that has been specifically revealed to him (by another) in confidence. For similar use of the verb hs*K* (“cover”) in this positive ethical sense, see the note on verse 16.

By contrast, the foolish person is more apt to be quick about demonstrating his/her knowledge, and will speak (and act) recklessly and foolishly in the process. Moreover, since their heart is dominated by foolish things (“folly”), this will become evident through their speech and action. Even if they think that they are speaking/acting with knowledge and wisdom, they will “call out” (vb ar*q*) their folly; cf. Qohelet 10:3. The proverb in 13:16 is quite similar, while in 15:2 there is a more precise contrast between the speech (“mouth”/”tongue”) of the wise and foolish person, respectively. For a detailed comparison between v. 23 and 13:16, see Heim, Poetic Imagination, pp. 320-8.

Verse 24

“(The) hand of (the) diligent (one)s will rule,
but (a) loose (hand) will be (put) to hard labor!”

This proverb resembles that of 10:4 with its contrast between those (i.e., the wise) who are diligent in their work and those who work with a “loose hand” (i.e., in a negligent or lazy/idle manner). For the contrasting terms JWrj* (substantive adjective, “diligent [one]”) and hY`m!r=, cf. the earlier note on 10:4. Here, the feminine noun hY`m!r= should not be understood as an abstract term (i.e., “looseness”), but in relation to the noun dy` (“hand”), i.e., “a loose hand”. Of course, from the standpoint of the parallel with <yx!Wrj* (“diligent [one]s”) in line 1, the noun hY`m!r= properly stands for “(those working with) a loose hand”; cf. Waltke, p. 517f.
All of the Scriptural occurrences (5) of JWrj* (VI) are in Proverbs; in addition to 10:4 and this verse here, cf. v. 27; 13:4; 21:5.

The noun sm^ (cf. Akkadian massu) refers to forced labor/service, i.e., compulsory labor for which a person is conscripted (corvée); cf. 2 Sam 20:24; 1 Kings 5:27f; 9:15ff; 12:4. The irony in the line is that the person who was negligent or lazy in doing his own work will end up being forced to perform hard labor in the service of others. This is another variation on the lex talionis principle, whereby the punishment given to a person corresponds to the crime. By contrast, the diligent worker will eventually be rewarded with a position of rule, so that his “hands” will no longer need to perform the manual labor. As with many such proverbs, v. 24 is expressing a general principle and/or an ideal situation, to which there may be numerous exceptions (at least in the short term); however, ultimately the expectation is that God will reward the wise/righteous and punish those who persistently act in a foolish/wicked manner.

Verse 25

“Worry in (the) heart of a man bends it down,
but a good word gives it gladness.”

As in vv. 22-23 (see above), the proverb here relates a person’s speech to his/her “heart”. In this instance, there is no wise/foolish or righteous/wicked contrast; instead, we have a simple maxim, principally regarding the effect of worry (hg`a*D=) on a person—viz., it “bends down” (vb hj*v*, Hiphil, in English we would say “weighs down”) a person’s heart. By contrast, a “good word” (or, perhaps, good thought) makes the heart glad (i.e., cheers it up). There is only a loose connection here to the contrasting actions and disposition of the wise vs. foolish. The foolish person more easily succumbs to worry and concern, while the wise person remains cheerful (in thought and speech) and also brings cheer to others (through his/her speech).

The noun hg`a*D= (“worry”) would normally be considered as grammatically feminine and the noun bl@ (“heart”) masculine, and yet the corresponding verb form (hN`j#v=y~) in line 1 indicates the opposite (viz., masculine verb with feminine suffix); the same applies to the verb in line 2 (hN`j#M=c^y+). So, unless the MT (or the author/editor) is in error, hg`a*D= is apparently being treated as a masculine noun, and bl@ as feminine. It is possible that the Masoretes have simply misvocalized the words; if one assumes that originally the text lacked the final vowel letters, then the following vocalization of the verb forms ‘corrects’ the apparent grammatical discrepancy: h%n+j#v=y~ and h%n+j#M+c^y+. In any case, there is obvious alliterative assonance (and end-rhyme) between the two verb forms; according to a ‘corrected’ vocalization, they are transliterated as yašḥenhū and yeśammeḥenhū. For more on the textual issue, cf. Fox, p. 558f.

For proverbs with a similar thematic emphasis, cf. 15:13, 30; 17:22.

Verse 26

“(The) righteous searches (the way for) his companion,
while (the) path of (the) wicked leads them (all) astray!”

The interpretation of the first line of this proverb is much disputed, mainly due to the meaning of the first word, rty (MT rt@y`). It is best explained as a form of the verb rWT, which has the basic meaning “go around (looking)”, i.e., “look/search around”. This would be the only occurrence of the verb in Proverbs, but it occurs several times in Qohelet in reference to “searching out” wisdom and knowledge (1:13; 2:3; 7:25), and there is another important Wisdom-reference in Job 39:8. The familiar path/walking motif in line 2 is suitable to this verb. It has been explained here as a Hiphil (causative form), corresponding to the MT vocalization rt@y`; the meaning, properly, would be “make search around”, but the parallel in Job 39:8 suggests that the vocalization should perhaps be rt%y= (= rWty+), a Qal form. That same verse contains the noun Whu@r=m! (“his pasture”), which is identical, except in MT vocalization, with Whu@r@m@ (“his companion”) here in v. 26. This yields two viable interpretive approaches for the line:

    • The righteous one helps “search out” (the way) for his companion
    • The righteous one “searches out” his pasture-land (i.e., his place of rest and nourishment)

Two other options may be mentioned. Following the Targum, the word rty is understood as deriving from the verbal root rt^y` (“be/go beyond”), so that the meaning of the line is something like “The righteous is (or goes) beyond his companion”; Heim (p. 157) favors this explanation, but it seems out of place in the context of these proverbs. Fox (p. 559; cf. Textual Commentary, p. 204f) follows J. A. Emerton (“A Note on Proverbs xii. 26”, ZAW 76 [1964], pp. 191-3) in vocalizing the verb as a passive (Hophal) form of rt^n` (“be loose”), rT^y% (“be loosened”), and the noun as the prepositional expression hu*r*m@ (“from evil”). The line would then read, “The righteous is loosened [i.e., released] from evil” (cf. 11:6, 8). The explanation is plausible, but it does not seem entirely suitable to the path/walking parallel in line 2.

Of the two options presented above, I have opted for the former—viz., the righteous helps others search out wisdom, enabling them to find (and stay on) the right path (cf. also Plöger, p. 153; Meinhold, p. 215; Schipper, p. 434). Yet I also recognize that the latter approach is also possible—viz., in searching out Wisdom, the righteous are able to find nourishment (for themselves) and a blessed pasture (of rest) as the goal/end of their path.

Verse 27

“(The one hunting with) a loose hand will not roast his catch,
but (the) diligent (one has the) precious wealth of (the) land.”

As I noted in the introduction above, the position of this proverb is peculiar, but it does have a clear connection within the grouping to the proverb in v. 24 (cf. above), particularly in its use of the noun hY`m!r= (referring to one who works with a “loose hand”) and the substantive adjective JWrj* (“diligent [one]”). There is reference in the first line to hunting, with the noun dy]x^ denoting that which is caught (for food) in the hunt. The sense of the line is that through negligence (i.e., his “loose hand”), the careless/lazy (i.e., foolish) person will not be able to enjoy eating the food that he has caught. By contrast, the wise person, who works diligently, will be able to enjoy the “precious wealth of the land”. The hunting idiom may continue here in the second line, though the terminology perhaps applies better to the wider view of farming and herding, etc., which tends to be a better indicator of a person’s wealth (/oh).

With Waltke (p. 518), I identify the noun <d*a* as equivalent to hm*d*a& (“land, ground”), i.e., <d*a* IV (cf. HALOT, p. 14f).

Verse 28

“In (the) pathway of righteousness (there is) life,
[indeed, its path (is entirely) without death!]”

It is possible the MT of the second line of this final proverb is corrupt, since the nouns Er#D# and hb*yt!n+ (cf. byt!n`) are essentially equivalent (both meaning “path”). In light of the expected contrast between the righteous and wicked, it has been postulated that one of these two ‘doublet’-words was erroneously included in place of another word—viz., a wickedness-term. Such an interpretation would require vocalizing the following la as the preposition la# (“to”) rather than the MT negative particle la^. The result is a second line that reads: “while (the) path of {…} (leads) to death”—a clear and natural contrastive parallel with the first line. The LXX supports such a reading, with the translation: “but (the) paths of (those) remembering wrongs (leads) to death”. One is left to guess at what Hebrew word might underly the use of the Greek substantive mnhsi/kako$ plur., “(those) remembering wrongs”; see Fox, Textual Commentary, p. 205. And cf. the critical commentaries (e.g., Plöger, p. 147; Meinhold, p. 214; Waltke, p. 518; Fox, p. 560) for more on the textual and interpretative issues involved.

In the MT as it stands, the couplet does not contain an antithetic contrast between the righteous and the wicked; rather, the focus is entirely on the righteous and the path (viz., the right path of Wisdom) that they walk. The parallelism is synonymous, with the second line building upon (and intensifying) the thought expressed in the first. The initial w-conjunction, then, would presumably be emphatic-affirmative (i.e., “indeed…”), with the negative expression tw#m*-la^ (“no[t] death”, i.e., “without death”) parallel to <yY]j^ (“life”). The doublet pair of synonymous path-nouns remains problematic, since “path of its path” or “way of its path” hardly seems appropriate, unless the ‘doubling’ is simply meant as an emphatic device. For lack of any better option, I have tentatively translated the noun pair for emphasis, i.e., “its path (entirely)”.

Until more evidence comes to light in support of a Hebrew text of the second line that corresponds to something like the contrastive couplet of the LXX, I have followed the MT, encasing the entire line in square brackets to indicate the textual uncertainty surrounding it.

    • References above marked “Fox” are to Michael V. Fox, Proverbs 10-31, Anchor Bible [AB], vol. 18B (Yale University Press: 2009). Those marked “Fox, Textual Commentary” are to idem, Proverbs: An Eclectic Edition with Introduction and Textual Commentary, The Hebrew Bible: A Critical Edition 1 (Society of Biblical Literature [SBL] Press: 2015).
    • References marked “Waltke” are to Bruce K. Waltke, The Book of Proverbs, Chapters 1–15, The New International Commentary on the Old Testament (Eerdmans: 2004).
    • References marked “Schipper” are to Bernd U. Schipper, Proverbs 1-15, Hermeneia Commentary Series (Fortress Press: 2010). See also his monograph on Proverbs 2: Hermeneutik der Tora: Studien zur Traditionsgeschichte von Prov 2 und zur Komposition von Prov 1-9, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 432 (Walter de Gruyter: 2012).
    • Those marked “Meinhold” are to Arndt Meinhold, Die Sprüche, Teil 1: Sprüche Kapitel 1-15, Zürcher Bibelkommentare, AT 16.1 (Theologische Verlag Zürich: 1991).
    • Those marked “Heim” are to Knut Martin Heim, Like Grapes of Gold Set in Silver: An Interpretation of Proverbial Clusters in Proverbs 10:1-22:16, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 273 (Walter de Gruyter: 2001); those marked “Heim, Poetic Imagination” are to idem, Poetic Imagination in Proverbs: Variant Repetitions and the Nature of Poetry, Bulletin for Biblical Research Supplement 4 (Eisenbrauns: 2013).
    • Those marked “Plöger” are to Otto Plöger, Sprüche Salomos (Proverbia), Biblischer Kommentar Altes Testament, XVII (Neukirchener Verlag: 1984).

Sunday Psalm Studies: Exodus 15:1-21 (Part 5)

The Song of the Sea: Exodus 15:1-21, continued

FOurth Stanza (v. 17)

The fourth and final stanza of the Song is the second of the two ‘outer’ stanzas; it corresponds with the first ‘outer’ stanza (vv. 4-5, cf. Part 2).

Verse 17a

“(Then) you bring them and fasten them,
in (the) mountain of your possession—”

As we have seen, the first half of the Song deals with Israel’s exit (exodus) from Egypt and the event at the Reed Sea which made it possible; the focus in the second half is the people’s entry into the Promised Land (and their settlement in the Land). Formally, this first couplet relates to v. 4a, evincing a loose parallelism:

    • YHWH hurls the Egyptian forces into the sea
    • YHWH plants His people Israel in the mountain

The first action, against the hostile nation(s), involves the depths below the surface of the earth; the second action, on behalf of the people Israel, involves the heights (viz., a mountain) towering above the surface.

There are actually two verbs mentioned here in the first line of v. 17a, two sequential actions: YHWH (i) brings (vb aoB, Hiphil) the people, and then (ii) fastens them (vb uf^n`) in/on the mountain. The verb uf^n` literally means “fasten”, i.e. fix/root in the ground, though it customarily refers to planting—and is thus a general agricultural/horticultural term. This is important from the standpoint of the idea of Israel’s settlement in the land. Only a people settled (fixed/fastened) in a region can establish regular agricultural practice—planting and harvesting, etc. Such agriculture is also necessary for a fulfillment of the land—its fruitfulness and blessing—as a covenant promise from YHWH. This motif of Israel being “planted” (like a vine) in the choice land occurs in a number of other poetic passages—cf. Psalm 44:3 [2]; 80:9 [8], 15-16 [14-15]; Isa 5:1-7; Jer 2:21; 32:41. The motif itself is old (cf. 2 Sam 7:10, and the poetic idiom in Num 24:6), but, as Brenner (p. 140) notes, it becomes more common in later texts—see especially its use in the context of Israel’s return from exile (Jer 24:6; 32:41; Ezek 36:36).

The idea of YHWH bringing (vb aoB, Hiphil) His people into the Promised Land is fundamental to Israel’s religious identity (and their relationship to the Land)—Exod 23:20; Deut 4:38; 6:10; 7:1, etc. The reference here in the Song, in particular connection with the mountain (rh^) that belongs to YHWH (as His possession), finds a close parallel in Psalm 78:54. In all likelihood, this Psalm is dependent upon the earlier Song, though Brenner (e.g., p. 140) considers the Song and Psalm 78 [study] both to derive from the same time (post-exilic) and cultural milieu (cf. Neh 1:9). There can be no doubt that, insofar as this tradition was utilized in later texts (of the exilic and post-exilic period), the “mountain” to which Israel came, and to which they will come again (after the return from exile), refers to Jerusalem/Zion and the location of the Temple (e.g., Isa 27:13; 35:10; 51:11; 56:7-8; Jer 31:10; Ezek 40:2); cf. the discussion below.

The idea of the Israelite people as the special “possession” (hl*j&n~) of YHWH occurs with some frequency, particularly in Deuteronomy (4:20; 9:26; 32:9, etc.) and the Deuteronomic texts (1 Sam 10:1; 2 Sam 20:19; 21:3; 1 Kings 8:51, etc.); it also features in a number of Psalms and Prophetic poems (e.g., Ps 78:71; Isa 19:25; 47:6; Joel 2:17; Jer 12:7-9ff). It is less common to speak of the Land, or of Jerusalem/Zion, specifically as YHWH’s possession. Brenner (p. 141) notes the exilic/post-exilic occurrences in Jeremiah 2:7; 16:18; 50:11; Zech 2:16[12] and would similarly date Ps 79:1 to the post-exilic period. In the parallel of Ps 78:54, the holy mountain is referred to as something that YHWH “acquired” (vb hn`q*) to be His possession, though the noun hl*j&n~ itself is used of the Israelite people; cf. 74:2 and v. 16b of the Song (discussed in Part 4). In spite of the late texts that Brenner cites, the idiom with the use of the term hl*j&n` is ancient, as is clear from the Ugaritic (14th century B.C.) parallel, whereby the mountain on which Baal Haddu’s palace was built (and where he dwells) is called ǵr nḥlt, “(the) mountain of (his) possession” (e.g., Baal Epic, Tablet III [CAT/KTU 1.3] col. 3.30, col. 4.20). Indeed, in the same Canaanite text there is a conjunction, just as here in the Song, between the root vdq and the expression –tl*j&n~ rh^:

bqdš bǵr nḥlty
bn‘m bgb‘ tliyt
in (the) holy mountain of my possession,
in (the) beautiful hill of my might”

The ancient Israelites followed Canaanite tradition in viewing YHWH as dwelling (enthroned) on a great cosmic mountain with its top high in (and above) the heavens. The “mountain of God” was a symbol rooted in ancient cosmological myth. In Canaanite religious tradition, the Creator ’Ēl, connected closely with the majestic expanse of the sky, was thought of as dwelling in (or on) a mountain, which could also be envisioned simultaneously as a great domed tent. Similarly residing on a heavenly/cosmic mountain was Baal-Haddu, whose control over the sky and storm has certain key similarities to the Israelite portrait of YHWH (to be discussed further in the next study, on Psalm 29). The same basic imagery was applied to El-Yahweh in ancient Israel. Any local mountain could be identified—symbolically, and in ritual terms—with God’s mountain dwelling. For example, the major local mountain associated with Baal-Haddu was Jebel Aqra‘ (Casius), while El was associated with mount Amanus (cf. Cross, pp. 37-38). Similarly, YHWH was identified with mount Sinai/Horeb in the early tradition, and, subsequently, this mythic-religious archetype was transferred to other local mountains and hills, including the hilltop site of Jerusalem/Zion where the Temple would be built. It makes no difference if the Temple mount was, in reality, only a modest hill; the application of the mythic archetype meant that it could be envisioned and described as a great mountain.

In this regard, there has been a good deal of interpretive debate over the specific identity of the “mountain” mentioned here in v. 17a—how it relates to the date/composition of the Song, the historical tradition being expressed, the tense of the verbs used, and so forth. For commentators who view the Song as early, perhaps of pre-monarchic (and even Mosaic) date, a reference here to Zion/Jerusalem and the Temple, would be anachronistic, particularly if the yiqtol/imperfect verbs are translated as preterite (i.e., past-tense). On the other hand, for commentators who view the Song as a product of the (late) monarchic, exilic, or post-exilic period, neither the identification with Zion nor the past-tense translation pose any problem. An identification with Zion does represent the most natural line of interpretation, in light of the numerous Scriptural parallels (in addition to the references cited above, cf. Ps 2:6; 24:3; Isa. 2:3; 30:29; 66:20; Mic. 4:2; Joel 2:1; 4[3]:17; Zech. 8:3; Dan 9:16).

The only other serious option is to follow Freedman (pp. 138-41) in identifying the mountain with Sinai/Horeb. Cross’ proposed (pp. 138-44) identification with Gilgal is most unlikely; more plausible would be the identification with Shiloh by Smith (pp. 225-6, cf. also Goldin, pp. 51-5). For a more thorough summary of the various theories and options, see the discussion by Davies, pp. 367-8; Propp, pp. 564-8. If the Song is indeed ancient/early (a question to be discussed further in the concluding Part 6), then, at the earliest level of composition, the reference would most likely have been to Sinai/Horeb and the tradition(s) of Exodus 19-24ff. The identification becomes more plausible if one sees, in the use of the verb uf^n` (“fasten”, cf. above), an allusion to an image of the people setting up camp, viz., at Sinai/Horeb (the preposition B= on rh^B= could conceivably mean “by, at”, i.e., “by/at the mountain”), 19:1-2ff; cf. Propp, p. 541.

In the 13th/12th century, at the earliest possible historical and poetic levels of the Song, Jerusalem itself may not have been in view, but the basic idea and imagery (of the mountain of God, etc) would have been easily transferable to a location in Canaan (or of the promised land as a whole). Indeed, within the early Exodus traditions, both through the portable Tent-shrine and the theophanous Cloud, YHWH continued to be present with His people throughout their migratory travels—a process that would continue (and find completion) with their settlement in Canaan. There is no bar against viewing these lines as prophetic of the eventual settlement of Jerusalem (and construction of the Temple), even if the original poem itself may not have been so specific.

Certainly, in terms of the wider Scriptural tradition, verse 17 must contain, at the very least, a foreshadowing reference to the establishment of Jerusalem/Zion as the holy ‘mountain’ on which YHWH’s Temple-sanctuary would be built. For this reason, even commentators and translators who render the prior yiqtol/imperfect verbs of the Song as preterites (past-tense), are inclined to switch here to a future tense (cf. Utzschneider/Oswald, et al.): i.e., “You will bring them and will fasten/plant them…”. In Biblical poetry, corresponding qatal/perfect and wayyiqtol (waw-consecutive) verbs, which would normal be rendered in the past/perfect tense, sometimes have precative and/or prophetic force—viz., describing something that one wishes or expects to happen in terms of something that has already occurred. That may be the sense of the yiqtol/imperfect forms here in v. 17. Such precative verses in other Psalms often occur in the concluding section(s), even as we find here. I have translated these verbs throughout the Song largely as past tense, without necessarily making any particular judgment on the absolute age (or historicity) of the Song.
In early Hebrew poetry, the so-called imperfect (yiqtol/yaqtul) forms often express the narrative past, as in the older Canaanite dialect-languages (such as Ugaritic), cf. Cross, p. 125. So they occur all through the Song, translated as past-tense. This linguistic feature has provided a relatively strong argument for commentators who see the Song as an early composition (to be discussed further in Part 6).

As a minor textual note, the Qumran manuscript 4QExodc, along with the Samaritan Pentateuch, read the 3rd person plural object suffixes in line 1 with the common <– orthography, rather than the unusual om– that we see here (at at a number of points in the Song). The om– has been regarded as an archaic feature often cited as an indication of the Song’s early date.

Note also the assonance and rhyme of the first line: teḇi’ēmô weṯiṭā‘ēmô.

Verse 17bc

“(the) firm place for your sitting,
(which) you made, O YHWH;
(the) holy place, O my Lord,
(that) your hands* made firm!”
* 4QExodc and the Samaritan Pentateuch apparently read the singular idy (“your hand”).

The last two couplets of the stanza are parallel and belong together. They correspond to vv. 4b-5 in the first stanza, narrating the drowning of the Egyptian forces (in the Reed Sea). Their drowning marks the climax of the episode at the Reed Sea (and the first half of the Song, cf. verse 10); similarly, the establishment by YHWH of His “holy place”, where He sits enthroned among His people, marks the climactic moment of the second half of the Song—Israel’s entrance and settlement in the Land.

The locative nouns /okm* (“firm/fixed place”) and vD*q=m! (“holy place”) are parallel and essentially synonymous; they both refer to the sanctuary where YHWH sits enthroned (as King). Properly speaking, this sanctuary and throne is located in (or above) the heavens, as is quite clear from 1 Kings 8:27ff, and numerous other passages. In particular, there are a number of throne-references in the Psalms, where the thematic-motivic characteristic of firmness (i.e., being firmly established), including specific use of the verbal root /WK (“be firm”), features—cf. 9:8[7]; 11:4; 45:7[6]; 47:9[8]; 89:3[2], 15[14], 30[29]ff; 93:2; 97:2; 103:19; 119:89. For this traditional terminology, applied to YHWH’s throne/dwelling in Zion, cf. 48:9[8]; 76:3[2]; 87:1; 122:3. For the specific use of the noun /okM*, in this context, see Psalm 33:14; 89:15[14]; 97:2; 1 Kings 8:13, 39, 43, 49 (and the parallels in Chronicles); Isa 18:14; it is applied directly to the Temple/Zion in Isa 4:5; Ezra 2:68; Dan 8:11. Brenner (p. 141) regards all of these Deuteronomic and Prophetic texts as late; he similarly considers all references where the noun vd*q=m! (“holy place”) is used of the Jerusalem Temple to be exilic and post-exilic (cf. his listing of the 52 Scriptural occurrences, note especially Ps 43:3).

The verb /WK (“be firm”), in the Polel causative stem (i.e., “make firm”), is used in the second line of v. 17c; it is parallel with lu^P* (“do, act, make”) in v. 17b. YHWH made His sanctuary, establishing it with His own hands. In Psalm 78:54, it is said that YHWH “acquired” this sanctuary through the power of His “right hand”—viz., acting with strength on behalf of His people (against their enemies), cf. verses 6, 12 of the Song. Clearly, this alludes to the Exodus and the entry/settlement of Israel in the Land (though with only a faint allusion to its conquest, cf. Ps 78:55). In this regard, it might be better to translate the verb lu^P* here as “act”, i.e., YHWH acted to gain possession of His holy mountain (where His sanctuary would be located).

The parallelism between the first lines of vv. 17bc is curious with regard to the parallel between the expression “for your sitting” (;T=b=v!l=), i.e., where YHWH will sit enthroned, and the simply Divine title “[my] Lord” (yn`d)a&). The conjunction of this title with the noun vd*q=m! is rare, occurring just once in a late text (Lam 2:20 [cf. verse 7], yn`d)a& vd^q=m!, “holy place of my Lord”), which might be used in support of a late dating for the Song (so Brenner, p. 138). However, the Qumran manuscript 4QExodc (cf. also 4Q174[Florilegium]), along with the Samaritan Pentateuch and a number of MT manuscripts, reads instead the Divine name hwhy (YHWH), and this reading may well be original; it is adopted by Cross/Freedman (p. 250, cf. Cross, p. 131) and a number of other commentators.

Closing Praise (v. 18)

The final couplet of the Song is a YHWH praise-couplet that corresponds to the beginning of the Song proper (v. 3) as well as the opening praise of vv. 1-2 (for which, see the discussion in Part 1). In its terse 2-beat meter (with a 4:5 syllable count), it also resembles the three YHWH-verses (vv. 6, 11, 16b) that provide the framework for the strophic inner-stanzas of the Song (discussed in Parts 3 and 4).

Verse 18

“(May) YHWH rule as king—
into* (the) distant (future) and forever!”

* 4QExodc and the Samaritan Pentateuch lack the prefixed l preposition on the noun <l*u), without any real difference in meaning; as a temporal-durative term (in such a context), <l*u) by itself still means “(into the) distant (future)”.

The succinctness of this bicolon cannot be reproduced entirely in a literal translation (cf. above). In this instance, a more conventional rendering may better capture its brevity:

“May YHWH reign
for ever and ever!”

While there may be some doubt as two whether the yiqtol/imperfect verb forms of v. 17 should be translated as past- or future-tense, the verb here in v. 18, in light of the second line, clearly has a future orientation. The basic declaration in this couplet, with its temporal/durative aspect, occurs quite often in the Psalms (e.g., 10:16; 29:10), the wording here being particularly close to that of 45:7[6]; 146:10. The statement that YHWH reigns (as King), vb El^m*, is even more common—cf. 47:9[8]; 93:1; 96:10; 97:1; 99:1—being tied to the broader theme of YHWH’s Kingship (viz., supreme and universal Rule over the cosmos and the nations), as, e.g., in Psalm 47 (cf. Muilenburg, p. 250), and the collections of 93-100 and 146-150. In this respect, the Divine name here occurs in first (emphatic) position, as also in 93:1; 96:10; 97:1; 99:1. Cf. Davies, p. 341; Propp, p. 545.

The idea of YHWH as king was not expressed, as such, previously in the Song, though it may be said to be implicit in the contrast between Israel and the other nations (and their gods, cf. verse 11). In particular, Pharaoh and his nobles/officials are brought out in the first half of the Song, and the leaders/nobles of Edom and Moab in the second half (cf. on vv. 14-15 in Part 4). The references to the greatness and power of YHWH, and His exalted status, also fit naturally with the idea of God as king. More to the point, His control (as Creator) over the forces of nature, manifest in the miraculous event at the Sea, indicates his Sovereignty over the universe. The verb bv^y` in the second couplet of the stanza (cf. above) is often rendered generally as “dwell”, but more properly means “sit”, and may refer here specifically to YHWH on his seat of rule (i.e., his throne) in his mountain/Temple sanctuary. The same verb may refer to the rulers of Edom/Moab (their ‘thrones’) in a similar way (v. 15).

Ultimately this couplet gives praise to YHWH, recognizing His nature as Creator and Lord over all the world. It is a fitting conclusion to the Song, which so powerfully recounts God’s authority and control over creation itself.

In the concluding Part 6 of this study, we will examine the so-called “Song of Miriam” in verse 21. It is a much shorter poem, and its exact relationship to the longer Song continues to be discussed and debated; it also raises a number of critical questions which are worth considering. A number of the issues specifically related to the date and composition of the Song, discussed at various points throughout this study, will be analyzed in further detail.

    • References marked “Cross” above (and throughout these notes) are to Frank Moore Cross, Canaanite Myth and Hebrew Epic: Essays in the History and Religion of Israel (Harvard University Press: 1973).
    • Those marked “Cross/Freedman” are to Frank Moore Cross and David Noel Freedman, “The Song of Miriam”, Journal of Near Eastern Studies 14 (1955), pp. 237-50. This is a revised version of a chapter from their earlier dissertation, published in idem, Studies in Ancient Yawhistic Poetry, Society of Biblical Literature [SBL] Dissertation Series (1975), pp. 31-45.
    • Those marked “Freedman” are to David Noel Freedman, Pottery, Poetry and Prophecy: Collected Essays on Hebrew Poetry (Eisenbrauns: 1980): (1) pp. 131-66, “Early Israelite History in the Light of Early Israelite Poetry” (originally published in Unity and Diversity, ed. H. Goedicke & J. J. M. Roberts [1975]); (2) pp. 179-86, “The Song of the Sea” (originally published in 1968); (3) pp. 187-228, “Strophe and Meter in Exodus 15” (originally published in A Light Unto My Path, ed. H. N. Bream, R. D. Heim, C. A. Moore [1974]).
    • Those marked “Muilenburg” are to James Muilenburg, “A Liturgy on the Triumphs of Yahweh”, in Studia Biblica et Semitica Theodoro Christiano Vriezen … dedicata (1966), pp. 233-51.
    • Those marked “Goldin” are to J. Goldin, The Song at the Sea, being a Commentary on a Commentary in Two Parts (Yale University Press: 1971).
    • Those marked “Brenner” are to Martin L. Brenner, The Song of the Sea: Exodus 15:1-21, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 195 (De Gruyter: 1991).
    • Those marked “Russell” are to Brian D. Russell, The Song of the Sea: The Date of Composition and Influence of Exodus 15:1-21 (Dissertation, 2002), also published as a monograph (Studies in Biblical Literature 101 [Peter Lang, Inc.: 2007]).
    • Those marked “Davies” are to G. I. Davies, A Critical and Exegetical Commentary on Exodus 1-18, 2 vols., International Critical Commentary [ICC] (T&T Clark: 2020).
    • Those marked “Utzschneider/Oswald” are to Helmut Utzschneider and Wolfgang Oswald, Exodus 1–15, (English version, trans. Philip Sumpter), International Exegetical Commentary on the Old Testament (Kohlhammer: 2015).
    • Those marked “Propp” are to William H. C. Propp, Exodus 1-18, Anchor Bible [AB], vol. 2 (1999).
    • Those marked “Smith” are to Mark S. Smith, The Pilgrimage Pattern in Exodus, Journal for the Study of the Old Testament [JSOT] Supplements (Sheffield Academic Press: 1997).

Wednesday Wisdom: Proverbs 12:13-19

Proverbs 12:13-19

It is clear that 12:13 begins a group of proverbs dealing with the familiar theme of a person’s speech. However, it not as well-defined where such a grouping ends. Heim (pp. 152ff) treats vv. 13-23 as a distinct grouping (so also Meinhold, pp. 208ff), to which he includes v. 25; Schipper (p. 417) similarly defines vv. 13-25 as a unit. In my view, the primary grouping covers vv. 13-19, the section being framed by proverbs (vv. 13, 19) dealing specifically with the speech-motif of a person’s lips. However, Heim, in particular, makes a fine argument for the coherence of the proverbs in vv. 16-23, which will be discussed in the next study.

Verse 13

“By a breach of lips, a snare (for the) evil (man),
but (the) righteous shall come out from distress.”

There is a catchword bond between this proverb and the one prior (v. 12, see the previous study), based on the motif of the trap/snare, in connection with the evil (ur^) person. In v. 12, the noun used was doxm*, denoting the net or trap laid (by a hunter/fowler) to catch the hunted (dwx) prey; here, in v. 13, it is vq@om, the wooden snare used to catch birds, etc. Both terms can be used, figuratively, in a Wisdom-context, in reference to the ‘traps’ set by the wicked (for the innocent and/or righteous). As we have seen (cf. the earlier notes on 11:6 and 12:12), it is a regular Wisdom-theme that the wicked end up being caught (and destroyed) by the very ‘traps’ they laid for others. That is very much the theme here as well, only with an emphasis on one’s speech. It is by their speech (lit., “lips”) that the wicked are snared (to their own ruin and peril).
Regarding the catchword-bonding of vv. 12 and 13, Heim (p. 153f) makes the interesting observation that vv. 11-14 have a certain kind of chiastic arrangement. This could argue for a wider structural intent within the collection, beyond the grouping of vv. 13-19 (or 13-23). He also illustrates a loose chiastic structure for vv. 16-23 (p. 154), which will be mentioned further in the next study. 

The wording of the first line is ambiguous, since the adjective (ur^, “evil”) could stand as a substantive (i.e., “evil [person]”) or it could modify vq@om (i.e., “evil snare”); the parallelism of the couplet, as well as the parallel with v. 12, argues for the former (cf. Waltke, p. 516). In verse 12, the adjective was in the plural, i.e., “evil (one)s”.

The expression <y]t^p*v= uv^p#B= is also somewhat ambiguous and can be difficult to translate. The noun uv^P# refers fundamentally to a “breach of faith/trust” between two parties (that is a breach in the relational bond); it can be used in a socio-ethical (i.e., between two people) and a religious-ethical (i.e., between a person and God) context, the two being closely related. Thus, the expression “by a breach of lips” means “by a breach of faith caused by one’s speech”.

The second line, which continues the thematic righteous/wicked contrast in these proverb-couplets, has a two-fold meaning: (1) the righteous are able to escape from the trap that the wicked set (by their speech), and (2) the speech of the righteous enables them to come out of any distress (whereas the wicked cannot). Both aspects are valid, but the former would seem to be primarily in view. The translation of the waw-consecutive in the second line as a gnomic action/condition (cf. Waltke, p. 516) would favor the second meaning, viz., “(the) righteous (one) goes forth from distress”.

Note the similar proverbs in 11:9; 18:7, and 29:6. The LXX includes an additional couplet (cf. Fox, Textual Commentary, p. 201), so that v. 13, in its expanded form, reads:

“Through sin of (the) lips, (the) sinner falls into snares,
but (the) righteous (one) flees out of them.
The (one) looking (with) gentle (glance)s will receive mercy,
but the (one) confronting (men) in (the) gates will distress souls.”

Verse 14

“From (the) fruit of (his) mouth, a man is filled with good,
and (the) deed of a person’s hand returns to him.”

The speech-emphasis from v. 13 continues here, though the proverb departs from the usual righteous/wicked contrast. Instead, the point is made that a person’s speech brings recompense—whether blessing or its opposite—just as one’s actions do. The action performed by a person is expressed here by the rather cumbersome sequence “(the) act/deed [lWmG=] of (the) hand of a person [<d*a*]”, which I have contracted for poetic concision.

The righteous person is in view in the first line. This is clear from the use of the noun yr~P= (“fruit”, cf. earlier in v. 12; 11:30), and also the noun bof (“[something] good”). As a result of their wise and upright speech, which becomes a blessing for others, the righteous are blessed (by God) with good things (cf. 13:2; 18:20). The same principle applied to the wicked: viz., as the result of the evil/harmful speech, they ultimately receive harm and punishment from God.

The idea of Divine blessing/punishment is certainly in view with regard to the use of the verb bWv (“return”) in the second line, and it likely explains the Qere variant (Hiphil form, byv!y`), “He shall make (it) return” (cf. 19:17; 24:12), rather than the Kethib bWvy` (“it shall return”). My translation follows the Kethib (so also Fox, Waltke, and others).

Verse 15

“(The) path of a fool (is) straight in his (own) eyes,
but (one) hearing counsel (is the) wise (man).”

The focus on a person’s action in v. 14b leads into this next proverb, which utilizes the familiar path-motif (Er#D#) in the ethical sense of a person’s regular/characteristic behavior (which also does include speech). As we have seen, this path/walking idiom featured prominently in the lectures and poems of chapters 1-9, along with the “straight” vs. “crooked” contrast. The path of the wise/righteous ones is straight (rv*y`), while that of the foolish/wicked is crooked (expressed through several different terms). The point made here is that the foolish person thinks (or wants to believe) that he/she is walking on a straight path (and walking straight), but, in fact, such a person is not. The path is only straight in their eyes (“in his [own] eyes”); cf. 3:7; 14:12; 16:2, 25; 21:2; 26:12; 28:11; 30:12. For a comparison between the proverbs in 16:2 and 21:2, cf. Heim, Poetic Imagination, pp. 303-15.

The foolish person is typically contrasted with the wise, just as the wicked and righteous are contrasted. As Waltke (p. 517) and others have noted, the substantive adjective <k*j* (“wise [person]”) is best viewed as the subject of the second line. However, this does not work well in English unless the Hebrew word order is altered, viz., “but (the) wise (man is one) hearing [i.e., willing to hear] counsel”; in my translation above, I have retained the Hebrew word order. The implication is that the foolish person is unwilling to heed the wise/sound counsel of others, or, perhaps, does not feel that he even needs such advice (his path seeming to him to be “straight”). It is to be inferred that such “counsel” (hx*u@) may entail a corrective rebuke, which, as numerous proverbs have indicated, the foolish are unwilling to accept (cf. 5:12, 23; 12:1, etc.). In addition, a willingness to receive the counsel of others produces a positive and beneficial social environment; cf. Fuhs, p. 211; Schipper, p. 427.

Verse 16

“(The) fool, in th(at) day, makes known his anger,
while (the one) covering an insult (is) shrewd.”

The contrast between the wise and foolish, regarding their characteristic behavior (and especially their speech), continues here from v. 15. In this instance, the wise person is described as <Wru* (“clever, cunning”)—a term which can be used in either a positive or negative sense. In Proverbs, it is used consistently in a positive sense, as a characteristic of the wise (cf. verse 23; 13:16; 14:8, 15, 18; 22:3; 27:12), while elsewhere in Scripture (Gen 3:1; Job 5:12; 15:5) it has a negative connotation. Heim, Poetic Imagination, pp. 315-9, compares the proverbs in vv. 16 and 23.
The use of the noun lyw]a$ (“foolish person, fool”) in both vv. 15 and 16 is another obvious example of the kind of ‘catchword’ bonding by which individual proverbs came to be combined at the granular level. 

The issue in this proverb involves how a person responds when one receives an insult (/olq*, viz., being treated in a contemptuous or disgraceful manner). The foolish person quickly (<oYB^, “in th[at very] day”, “in the [same] day”) displays his anger—primarily through his speech. By contrast, the wise person “covers (up)” the insult—that is, does not respond to it, acting like it didn’t happen or that it was not a serious matter; cf. 29:11. For a similar use of the verb hs*K* (“cover”), in a positive sense, cf. v. 23; 10:12; 11:13; 17:9.
For the verb in the first line, the MT has a Niphal (passive) form, ud^W`y] (“is [made] known”). However, the consonantal text can also be vocalized as a Hiphil (active) form, u^d!oy (“he makes known”). The latter is supported by the Versions and is preferred by a number of commentators (e.g., Fox, p. 555; Textual Commentary, p. 201); I have followed it as well, though the MT reading is quite valid in its own right: “(As for the) fool, in th(at) day his anger is made known”.

The second line has the same syntactical format as that of v. 15—properly, following the Hebrew word order, “while (one) covering an insult (is the) shrewd (man)”. In this instance, mainly for poetic concision, I have altered the format slightly, producing a more natural predication in English: “while (the one) covering an insult (is) shrewd”.

Verse 17

“(He who) breathes out truth puts forward what is right,
but a witness of false (word)s (acts with) deceit.”

The speech-emphasis of this proverb-grouping becomes more explicit again here in v. 17—the proverb dealing with the situation where a person acts as a witness (du@), testifying to things that they saw or heard. The point in this proverb is that the reliability of a person (as a witness) reflects his/her essential righteousness (or wickedness, as the case may be)—viz., their character is manifest and evidenced by their speech.

The verb jWP (“breath/blow out”) can be used with the specific (and technical) meaning of “give forth testimony” (cf. Ugaritic ypḥ, Arabic fwḥ, fyḥ); virtually all the Scriptural occurrences of jWP with this meaning are in Proverbs (6:19; 14:5, 25; 19:5, 9), cf. Psalm 27:12. The noun hn`Wma$ literally means “firmness”, often in the sense of “faithfulness, trustworthiness”, but it can also have the strong connotative meaning of “truth”; for poetic concision, and to bring out of the contrast with “false words/things” (<yr!q*v*) in the second line, I have translated it here as “truth”. The verb dg#n# means “put (something) in front, set (it) before (someone)”, often in the more general sense of “declare, announce”; it typically implies a conspicuous public setting, such as that of a witness giving testimony. The same verb may be implied in the second line, for the point of contrast; in any case, it is practically necessary to supply a verb (glossed) in translation, as I have done above.

The importance of speaking truthfully, and of giving truthful testimony, is an obvious (and nearly universal) wisdom-tenet. Of the examples that might be cited, cf. the aphorism in the Egyptian (Demotic) Instruction of Khasheshonqi (13, x + 15): “Speak truth to all men; let it cleave to your speech” (Schipper, p. 429; Lichtheim, III.169).

Verse 18

“There is (one) babbling like (the) stabbings of a sword,
but (the) tongue of (the) wise (is a source of) healing.”

The foolish person is characterized (in his/her speech) as one who speaks in an imprudent and rash/reckless manner, which can cause irritation, and also more serious harm, to others. This carelessness and recklessness in speech is expressed here by the rare verb hf*B*/af*B* (cf. Arabic baṭbaṭa), referring generally to loose and heedless talk. In order to bring out the pejorative sense of its usage (cf. Lev 5:4; Ps 106:33; also Sir 5:13), I have translated it here as “babble”. That a certain talkativeness is intended would be suggested by the plural torq=d=m^ (“stabbings”), implying a situation where a person is repeatedly stabbed. These might merely be irritating pricks or far more serious piercings. On the traditional comparison of the tongue with a sword—in both its shape and piercing effect—see, e.g., Psalm 57:5[4].
Schipper (p. 429) cites an example from the Egyptian (Demotic) Instruction of Papyrus Insinger (4:5): “The foolish tongue of the stupid man is his knife for cutting off life” (Lichtheim, III.188).

If the tongue of the foolish can end up causing harm and injury, the tongue of the wise has the opposite effect—viz., as a source of healing (aP@r=m^). On the words and teachings of Wisdom as a source of health/healing (for those who will heed them), cf. 3:8; 4:22; 16:24. See also the earlier sentiment in 11:30.

Verse 19

“A lip firm in truth will be firm even unto (the end),
but until (the) blink (of an eye), a tongue of falsehood!”

As noted above, the framing proverbs of vv. 13 and 19 share the use of the term “lip(s)” (hp*c*) as a speech-idiom. Here, as in v. 17, it is the truthfulness of the righteous person’s speech that is in focus, contrasted with the falseness (and falsehood, rq#v#) of the wicked. The noun tm#a# is closely related to hn`Wma$ in v. 17; both means “firmness”, often in the sense of “faithfulness, trustworthiness” (and thus “truthfulness, truth”). Literally, the expression is “lip of firmness”, which. in light of v. 17 and the contrast with falsehood, should be translated “lip of truth(fulness)”. However, it is worth bringing out also the conceptual wordplay with the following verb /WK (“be firm”); thus, I have translated the expression as “lip firm in truth”.

Just as the speech of the righteous and wicked reflect their respective nature (and character), so it also indicates their respective fate. The righteous will remain firm (in righteousness and wisdom), and they will also be kept firm (i.e., secure, well-established) by God. This security will last du^l*, a temporal expression that essentially means “until (the end)” —implying long life (as a blessing from God), but also, perhaps, alluding to a blessed afterlife. By contrast, any security that the wicked possess or experience will be brief, lasting only for a moment.

The term hu*yG]r=a^, best understood as a noun (comparable to ug^r#) with a prosthetic –a (cf. Fox, p. 556), denotes a “movement, waving”, in a temporal sense—viz., a brief movement like the wave (of a hand), or, in colorful English idiom, the “blink (of an eye)”. I have taken the liberty of utilizing this idiom in my translation, even as other commentators and translators have done, so that the expression reads “until the blink (of an eye)” —viz., the wicked last only until the blink of an eye. In the moment, they may seem to prosper and to rest secure, but it is only fleeting; ultimately, they will perish under God’s judgment that He brings upon them.
Other commentators (e.g., Schipper, p. 430; Waltke, p. 547) explain the form hu*yG]r=a^ as a Hiphil cohortative (of the verb ug^r*), so that the expression means something like “until I should blink (an eye)”.

The LXX of the first line reads: “True lips give [lit. set down] straight testimony”. The use of the noun marturi/a (“witness, testimony”) indicates that the translator(s) understood dul to mean du@l* (“for/as a witness”). Cf. Fox, Textual Commentary, p. 203; Schipper, p. 415.

The thematic emphasis on the contrasting fates of the righteous and wicked will come into greater prominence (again) in the proverbs of vv. 20-28, which will be examined in the next study.

    • References above marked “Fox” are to Michael V. Fox, Proverbs 10-31, Anchor Bible [AB], vol. 18B (Yale University Press: 2009). Those marked “Fox, Textual Commentary” are to idem, Proverbs: An Eclectic Edition with Introduction and Textual Commentary, The Hebrew Bible: A Critical Edition 1 (Society of Biblical Literature [SBL] Press: 2015).
    • References marked “Waltke” are to Bruce K. Waltke, The Book of Proverbs, Chapters 1–15, The New International Commentary on the Old Testament (Eerdmans: 2004).
    • References marked “Schipper” are to Bernd U. Schipper, Proverbs 1-15, Hermeneia Commentary Series (Fortress Press: 2010). See also his monograph on Proverbs 2: Hermeneutik der Tora: Studien zur Traditionsgeschichte von Prov 2 und zur Komposition von Prov 1-9, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 432 (Walter de Gruyter: 2012).
    • Those marked “Meinhold” are to Arndt Meinhold, Die Sprüche, Teil 1: Sprüche Kapitel 1-15, Zürcher Bibelkommentare, AT 16.1 (Theologische Verlag Zürich: 1991).
    • Those marked “Fuhs” are to Hans Ferdinand Fuhs, Das Buch der Sprichwörter: Ein Kommentar, Forschung zur Bibel 95 (Echter-Verlag: 2001).
    • Those marked “Heim” are to Knut Martin Heim, Like Grapes of Gold Set in Silver: An Interpretation of Proverbial Clusters in Proverbs 10:1-22:16, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 273 (Walter de Gruyter: 2001); those marked “Heim, Poetic Imagination” are to idem, Poetic Imagination in Proverbs: Variant Repetitions and the Nature of Poetry, Bulletin for Biblical Research Supplement 4 (Eisenbrauns: 2013).
    • Those marked “Lichtheim, III” are to Miriam Lichtheim, Ancient Egyptian Literature, Volume III: The Late Period (University of California Press: 1980).

July 22: Job 13:20-22

Job’s Fourth Speech, Part 3: 13:20-14:22

The third and final division (Part 3) of Job’s speech contains a complaint, intended for God, but which Job gives (first) to his companions, as a ‘rehearsal audience’ of sorts. It is comprised of three stanzas—or, perhaps better, two main stanzas (13:23-14:6; 14:13-22) with an intervening ‘Wisdom-poem’ (14:7-12). The complaint is introduced by the couplets of 13:20-22. The stanzas are, for the most part, strophic, with the strophes (as is often the case in the Dialogue-speeches) consisting of three bicola. The introduction vv. 20-22 is similarly comprised of three couplets.

Job 13:20-22
Verse 20

“Only two (things) should you do with me, Mighty (One),
then from your face I need not hide myself:”

In this first couplet, the complaint begins, with Job’s speech having shifted to a second-person address (to God). Along with many modern commentators (e.g., Blommerde, Michel, Habel, Clines, Seow), I vocalize la as la@, referring to the “Mighty (One)” (God), rather than MT la^ (negative particle). With regard to himself, Job asks that God only (Ea^) do two things, which are outlined in v. 21. If God does these things, then Job will be able to stand before Him and to present his case; he will not feel the need to “hide himself” (vb rt^s* Niphal, used reflexively).
The MT vocalization (la^) may have been influenced by the use of the negative particle in v. 21b (see below). Althann (p. 71*) offers tepid support for the MT based on the Versional evidence. The Qumran manuscript 4QpaleoJobc is fragmentary and preserves only the second line of the verse; in any case, the vowel points would not be indicated for la.

Verse 21

“Your palm from upon me put far away;
and your dread—let it not frighten me!”

As Michel notes (p. 310f), the two things Job asks of God (v. 20) are really only one. They both relate (and refer) to the terrible sufferings that Job has experienced (as, apparently, punishment from God). In bringing such punishment upon him, God has put His hand (here, lit. “palm”) upon Job (cf. 1:11-12; 2:5f; 6:9), ‘touching’ him so as to afflict him with pain and misery (1:11, 19; 2:5; 4:5; 19:21). The request is that God remove His hand from Job, putting it wide (i.e., far) away (vb qj^r*, Hiphil). The parallel wording with 9:34 suggests that Job sees God’s “hand” as a weapon or a rod/stick that is used to inflict pain and punishment (cf. Psalm 39:11[10]); on this aspect of the image of YHWH’s hand (as a symbol and embodiment of His power), see the recent note on Exod 15:6. Elihu seems to echo Job’s words here in 33:7.

The significance of this act can be understood two ways: (i) that God should inflict no further sufferings on Job, or (ii) that God might grant Job a temporary relief from his sufferings. Both are possible, but probably the second (ii) is in view. A brief respite from his agony and misery would allow Job the opportunity to make a worthy appeal. On the other hand, the wording in the second line might suggest the possibility of further suffering coming upon Job, which would be the source of his fear and dread; cf. Clines, p. 317. In order to bring out the formal parallel with “your hand”, I have translated ;t=m*a@ as “your dread”, even though an objective genitive (i.e., “dread of you”) is clearly intended. Half of the Scriptural occurrences (8 of 16) of the verb tu^B* (“be afraid”, Hiphil “make afraid, frighten”) are in the book of Job (cf. earlier, 3:5; 7:14; 9:34; 13:11).

Verse 22

“Then call, and I (indeed) will answer!
Or, let me speak, and you return (word).”

Job hopes for a fair and open hearing of his case—viz., his complaint/appeal—before God, even if he harbors doubt that God will accommodate him. Whether God initiates the proceedings (by calling Job), or Job takes the initiative and speaks first, the hope is for an honest and open exchange. The verb bWv (Hiphil, “make [something] return”) in this context is shorthand for “return (a) word [rb*D*]”, i.e., give an answer or response; cf. the similar usage in 20:2; 33:5, 32. There may be some double-meaning here, since, as Seow notes (p. 662), bWv in the Hiphil can also mean “restore” (e.g., Psalm 80:4[3], 8[7], 20[19]; Jer 31:18), and thus its use could allude to the hope for Job’s restoration.

The LXX has a different reading that is more deferential to God: “Then you will speak, and I will listen (obediently) to you; you will speak (first), and (then) I will give forth a reply to you.” Cf. Seow, p. 662. It should be noted that the bits from vv. 19-20, 24-27 in the Qumran manuscript 4QpaleoJobc follow the MT, with no textual variants; one might suspect that its text of v. 22 would as well.

The pronoun yn]a* (“I”) in the first line is emphatic, as in v. 18b. Its presence also helps to fill out the rhythm of the line.

    • References above (and throughout these notes) marked “Seow” are to C. L. [Choon Leong] Seow, Job 1-21: Interpretation and Commentary, Illuminations Commentary Series (Eerdmans: 2013).
    • Those marked “Clines” are to David J. A. Clines, Job 1–20, Word Biblical Commentary [WBC] vol. 17 (1989).
    • Those marked “Althann” are to Robert Althann, bwya Job, Biblia Hebraica Quinta, vol. 16 (Deutsche Bibelgesellschaft: 2024).
    • Those marked “Michel” are to Walter L. Michel, Job in the Light of Northwest Semitic, Biblica et Orientalia 42 (Rome, Pontifical Biblical Institute Press: 1987).
    • Those marked “Blommerde” are to Anton C. M. Blommerde, Northwest Semitic Grammar and Job, Biblica et Orientalia 22 (Rome, Pontifical Biblical Institute Press: 1969).

July 21: Job 13:17-19

Job 13:17-19

Verses 17-19 represent the conclusion to the second division of Job’s speech, as he prepares to present the complaint that he would give to YHWH. The third division begins with verse 20 and continues through chapter 14.

Verse 17

“Hear (well), (with) hearing, my speech,
and (let) my demonstration (be) in your ears!”

Throughout his speech, and particularly in this second division, Job has been making preparations to present a complaint/appeal to God; he offers it here to the companions in what may be considered a rehearsal, of sorts. He hopes for the opportunity to make his case directly before God, but entertains no illusions as to its success, or that he will even receive a fair hearing. He understands the risks involved (cf. the previous vv. 13-14, 15f), but he is determined to proceed with his appeal. The legal-judicial terminology that this entails, and which is used throughout the speech, has been noted on a number of occasions; it continues here.

The doubling of the verb (imperative + cognate infinitive) is a regular Hebrew idiom, used for emphasis or as a way to intensify the force of the verb (in this case, of the imperative). Literally (with the verb um^v*, “hear”), it might be rendered “Hear, (with) hearing…!”, but in English a translation like “Hear well…!” or “Listen carefully…!” would be typical; I have combined these in the glossed translation above, “Hear (well), (with) hearing…!”. The verb can be seen as continuing into the second line—viz., “Hear…my demonstration in your ears!” —however, the parallelism and poetic rhythm of the couplet is better served by supplying a parallel verb, i.e., “…(let) my demonstration (be) in your ears!” Often in Hebrew poetry, the verb um^v* (“hear”) is paired with the denominative verb /z^a* (Hiphil, “give ear”, i.e., “listen”).

As mentioned earlier, the noun hL*m!, denoting one’s speech, is a distinctive Joban term—of the 38 Scriptural occurrences, all but three are in the book of Job (cf. most recently in 12:11, etc.). Here it is paired with hw`j&a^, which occurs only here in the Scriptures, but is related to the Aramaic at*y+w`j&a^ (cf. Dan 5:12) and at*yw@j&a^ (cf. Targum Ps 49:5). It thus may be regarded as an Aramaism, which could serve as (another) indicator of a relatively late date for the Dialogue. The term derives from the verb hw`j* [I] (Piel, “show, make known”, i.e., “demonstrate, declare”); the verb itself is something of a Joban term, as five of the six certain occurrences in the Scriptures are in Job (15:17; 32:6, 10, 17; 36:2; cf. also Ps 19:3[2]). Some commentators (e.g., Blommerde, p. 67) parse the word ytwja here as a verbal form as well, along with the LXX (a)nagge/llw, “I put forth a message,” i.e., “I declare”).
On the pairing of the verbal roots umv and hwj in both Hebrew and Ugaritic, see Dahood, RSP I.314; cf. Michel, p. 308.

Verse 18

“See, now, I lay out my case for judgment—
I know that I am (truly) in the right!”

Job intends to present his case—the complaint/appeal that he would make to YHWH—before the companions. He has it ready, with all the points laid out and arranged (vb Er^u*) in order. This legal-judicial use of Er^u*, in the sense of laying out arguments, occurs a number of times throughout the Dialogue (23:4; 32:14; 33:5; 37:19); cf. Seow, p. 661. We should probably read the first person suffix (y-) on the noun fp*v=m! (“judgment”, in this instance, “case for judgment”), i.e., “my case for judgment”, the initial y on the following verb doing ‘double-duty’; however, it is not necessary to emend the text (cf. Blommerde, p. 67; Clines, p. 282; Seow, p. 661).

As discussed in prior notes, the verb qd^x* (“be right”) can carry both a religious-ethical (“be righteous”) and legal-judicial (“be in the right”) meaning; the latter is primary (cf. also 9:2, 15, 20; 10:15), but the former is certainly in view as well, since Job’s entire case is based upon the fact that he has lived in an upright and righteous manner (and thus was not deserving of punishment from God). The pronoun yn]a& (“I”) is emphatic—viz., Job knows himself that he is truly in the right.

Verse 19

“Who (is) he (that) will dispute (this) with me?
Then indeed I should keep silent and expire.

The exact meaning of this final couplet is uncertain, particularly with regard to the rhetorical question in line 1. Once again, the verb byr! (“fight, contend”) is used in a legal-judicial context; but, is Job referring to the legal dispute (i.e., the judicial case) in general, or to an argument regarding the specific point made in v. 18b? The latter seems more suitable to the immediate context. Job is asking whether anyone would truly dispute the point that he is in the right—viz., that he has been upright and undeserving of terrible punishments from God. If there is anyone who can make valid and effective arguments to refute his position, then he really should keep silent. Moreover, he should then give up and accept his punishment, the only relief from which would simply be for him to die (cf. earlier in chapter 3, and 6:8-10; 10:18-19ff). For a similar line of interpretation, cf. Clines, p. 315. Gordis (p. 145) explains the first line as a quotation from God, but this seems unlikely.

It has been suggested that the question in line 1 represents the opening statement in court proceedings (made by the plaintiff), cf. Pope, p. 100. If so, then v. 19 would properly belong with vv. 20ff—that is, with the complaint Job makes to God (through his companions as a surrogate or rehearsal audience). However, the wording in the verse belongs, instead, with the preceding sections. Note, in particular, the use of the verb byr! earlier in v. 8, as well as the idea of remaining silent (vb vr^j*, Hiphil) in v. 14, and the possibility of Job dying (v. 15, alluded to in vv. 13-14). Thus, verse 19 should be viewed as the conclusion of this section/division, with Job’s complaint properly beginning in v. 20.

The verb uw~G` is something of a rare term for expressing the idea of dying. In such a context, it denotes “becoming empty”, i.e., devoid of life/breath; the verb “expire” in English is suitable. There are 24 occurrences of this verb in the Scriptures, 8 of which are in the book of Job (cf. earlier in 3:11; 10:18, and again in 14:10 [all Job-speeches]).

Sadly, as has been noted, very little of the book of Job is preserved in the Dead Sea Scrolls. However, fragments of chapters 13 and 14 are preserved in the Qumran manuscripts 4QJobb and 4QpaleoJobc. Bits of 13:19-20 survive, and, for what it is worth, it may be said that the text in these fragments does not differ from the MT. Indeed, for the remains of chaps 13 and 14, there is but a single (minor) textual variant, at the beginning of 14:16 (to be mentioned).

    • References above (and throughout these notes) marked “Seow” are to C. L. [Choon Leong] Seow, Job 1-21: Interpretation and Commentary, Illuminations Commentary Series (Eerdmans: 2013).
    • Those marked “Clines” are to David J. A. Clines, Job 1–20, Word Biblical Commentary [WBC] vol. 17 (1989).
    • Those marked “Michel” are to Walter L. Michel, Job in the Light of Northwest Semitic, Biblica et Orientalia 42 (Rome, Pontifical Biblical Institute Press: 1987).
    • Those marked “Blommerde” are to Anton C. M. Blommerde, Northwest Semitic Grammar and Job, Biblica et Orientalia 22 (Rome, Pontifical Biblical Institute Press: 1969).
    • Those marked “Pope” are to Marvin H. Pope, Job, Anchor Bible [AB], vol. 17 (1965, 1973).
    • Those marked “Gordis” are to Robert Gordis, The Book of Job: Commentary, New Translation, and Special Studies, Moreshet Series, Studies in Jewish History, Literature and Thought, vol. II (The Jewish Theological Seminary of America: 1978).
    • Those marked “Dahood, RSP” are to Ras Shamra Parallels: The Texts from Ugarit and the Hebrew Bible, vol. 3, ed. Stan Rummell, Analecta Orientalia 51 (Rome: Pontifical Biblical Institute: 1981). Chapter 1: Ugaritic-Hebrew Parallel Pairs, by Mitchell J. Dahood.

Sunday Psalm Studies: Exodus 15:1-21 (Part 4)

The Song of the Sea: Exodus 15:1-21, continued

Central YHWH-Verse (v. 11)

The second (central) YHWH-verse marks the central point of the framework for the two inner stanzas—and, indeed, the center-point of the entire Song. This central position makes appropriate the lengthened 3-couplet structure, whereby the two couplets, with their repetitive (a/b//a/c) parallelism, are extended into a triad by the addition of a third couplet. For a similar triadic structure, cf. Psalm 77:17[16] along with the Canaanite (Ugaritic) examples cited in Part 3.
Many commentators view the first YHWH-verse (or ‘refrain’) in v. 6 likewise as a triadic (3-couplet) structure, by including the couplet of v. 7a as part of the poetic verse.

Verse 11

“Who (is) like you
among the Mighty (one)s, YHWH?
Who (is) like you,
magnificent among the Holy?
—being feared (with) shouts
(for) doing (such) wonder(s)!”

The meter of this YHWH-verse is 2+2, like the others, though this is not altogether clear in the display of the translation above. Indeed, the second line is longer than the first, for both of the first two couplets, with syllable counts of 4:5 (though the count of the second couplet could be parsed as 4:4, cf. Freedman, p. 208).

The emphasis in this praise-verse is on the incomparability of YHWH. No other god (or divine/heavenly being) can be compared to Him. This is expressed by the double question “Who (is) like you…?” (hk*m)k* ym!), cf. Labuschagne, pp. 16-28. The verse touches upon a theme that, while it appears to have been present in Israelite religion almost from the beginning (Exod 20:3ff; Deut 6:4, etc.), came into increasing prominence in the Psalms and poems of the late monarchic, exilic, and post-exilic periods. While the style of wording here can be found in a number of Psalms (e.g., Ps 18:32[31] par; Deut 33:26), it is closest to that of Ps 77:14[13] and 89:6-9 [5-8]; cf. the discussion by Brenner, pp. 114-21.
Psalm 77 and 89 also share with the Song the cosmological-mythic theme of YHWH’s control over the waters (cf. 89:10-11 [9-10]) and its application to the Exodus (cf. 77:17-21 [16-20]).

Psalm 77:14[13] has a similar conjunction of the phrase-expression vd#Q)B^ (see below) and a theological ym! + K= question (“Who is like…?”): “Who (is) a Mighty (one) [i.e., god, la@] great like our Mightiest (one) [<yh!l)a$]?”. Even closer is the wording in Ps 89:6-9; note the following (cf. also Brenner, p. 116):

    • The phrase “among (the) sons of (the) Mighty [one]s” (<yl]a@ yn@b=B!) (v. 7[6]b
    • The phrases “in (the) assembly of (the) Holy (one)s” (<yv!d)q= lh^q=B!) and “in (the) intimate gathering of (the) Holy (one)s” (<yv!d)q= dosB=) (vv. 6[5]b, 8[7]a)
    • The specific question “Who is like you?” (;omk* ym!) (v. 9[8]a, cf. verse 7[6])
    • Emphasis on the “fearsomeness” of YHWH, and that He is to be feared [vb ar@y`, Niphal participle] (v. 8[7])

In Ps 89:9[8], the suffixed form of the preposition omK* (cf. K=) is ;omK* (= ;m)K*), while in Exod 15:11 it is hk*m)K* (Samaritan Pentateuch, ;omK*). The form of the suffix with the final h– is unusual and not much attested before the post-exilic period (being quite common in the Qumran scrolls, cf. Davies, p. 333). The original form surely would be k*m)K* (without vowel letters). 

The meaning of vd#Q)B^ is ambiguous; it can be read three different ways: (i) “in holiness”, (ii) “in the holy (place)”, or (iii) “among the holy (ones)”. In support of (i) is the use of the noun vd#q) in v. 13 (see below). In favor of (ii) is the usage in Ps 77:14[13], coupled with the parallel in Ps 89:6[5]ff, where a heavenly location (viz., a heavenly sanctuary) is clearly in view. At the same time, Ps 89 favors (iii) since the plural <yv!d)q= (“holy [one]s”) occurs twice (vv. 6[5]b, 8[7]a, in variant expressions meaning “in (the) gathering of (the) holy (one)s”. It may thus be that vd#Q)B^ has a similar collective meaning here (cf. Cross, p. 129)—viz., “among the holy (ones)”. Two points argue strongly in favor of this meaning (iii):

    • The LXX translation e)n a(gi/oi$ (“among [the] holy [one]s”); cf. also the Syro-hexapla.
    • The parallel with <l!a@ (= <yl!a@, “Mighty [one]s”) in line 1.
      <yla@ (’ēlîm) is the ordinary plural of the noun la@ (“Mighty [one]”, i.e., G/god). It is the more primitive form, hardly occurring at all in the Scriptures after having been completely replaced in Hebrew by the expanded <yh!ýa$ (’ĕlōhîm); only a few occurrences are preserved, as here, in poetry (cf. Psalm 29:1; 89:7[6]).

Cross/Freedman (p. 247) argue that the text originally read <v!d)Q=B^ (“among the holy [one]s”), and that the final <– likely dropped out, perhaps by haplography with the initial –n of the subsequent word (cf. Cross, p. 129; Kloos, p. 129f).

In order to accommodate all of the possibilities, I have translated vd#Q)B^ as “among the Holy”, while recognizing that the collective/plural “among the Holy (one)s” is primarily in view (so also, e.g., Muilenburg, p. 244). Note, further, how this parallelism is manifest in the two couplets:

    • “among the Mighty (one)s” | YHWH
    • “among the Holy (ones)” | “(you who) are mighty/magnificent”

The participle rD*a=n@ (“being mighty”) must be understood as a descriptive appellation of YHWH (i.e., “you who are mighty”), the same term being used earlier in the first YHWH-verse (v. 6, cf. the discussion in Part 3).

The concluding line is constructed of two short parallel phrases, each beginning with a participle:

    • “being feared (with) shouts”
    • “doing wonderful (thing)s”

The first participle is a Niphal passive form, indicating the response of human beings to YHWH; the second is an active form, referring to what YHWH Himself has done. The principal reference of course is to the nature-miracle at the Sea, and how human beings ought to respond to such a miracle. There is a dual-sense to this response, involving the idea of giving a “shout” (root llh). On the one hand, God’s people will shout praise, worshiping YHWH for what he has done on their behalf; the Song itself is such an expression of praise. At the same time, the surrounding nations will cry out more in awe and wonder (the more proper meaning of the verb ar^y`, “fear, be afraid”). The response of the nations will take on greater prominence in the second part of the Song.

The wording in this couplet is close to that of Psalm 106:22, which similarly refers to the Reed Sea episode. The verbal root alp (“be wonderful, do [something] wonderful”) is frequently used in Biblical poetry in the context of the wonderful things YHWH has done on behalf of His people—most notably, in the events of the Exodus. The specific conjunction of the verb hc*u* (“do”) and the noun al#P# (“wonder[s]”) occurs elsewhere in Psalm 77:15[14]; 78:12; 88:11[10], and also Isa 25:1.
According to Brenner (p. 121f), these texts are all post-exilic, and thus are cited by him in support of a comparable date for the Song.

Third Stanza (vv. 12-16a)

The third stanza (vv. 12-16a) is the second of the two ‘inner’ stanzas (the first being vv. 7-10, discussed in Part 3). As noted, these two stanzas are strophic, with a complex bi-partite structure and a (nearly) identical metrical pattern. The first part of the stanza (i) consists of three 2+2 couplets, while the second part (ii) has four (or five) such couplets; a longer 3-beat (3+3) couplet occurs in-between. This second ‘inner’ stanza, like the second ‘outer’ stanza (v. 17), treats the events after the Reed Sea episode. After YHWH defeated the Egyptians and enabled the Israelite people to make an exit (exodus) out of Egypt, He guided the people to the Promised Land.

Verse 12

“You stretched out your right hand,
(and the) earth swallowed them!”

This couplet begins the second half of the Song. Since the reference still seems to be to the destruction of the Egyptians, many commentators regard v. 12 as part of the first half of the Song (and, indeed, its conclusion). However, in my view, verse 11 does, in fact, mark the center-point of the Song, and thus v. 12 belongs to the second half. The close formal parallelism with v. 10a is significant in this regard:

    • “You did blow with your breath /
      (and the) sea covered them!”
    • “You stretched out your right hand /
      (and the) earth swallowed them!”

These couplets are mirror portraits of the climactic event (of the Reed Sea episode) flanking the central YHWH-verse. The possibility has been raised that v. 12 refers, not to the destruction of the Egyptians at the Reed Sea, but to the Rebellion-episode in the wilderness narratives (Numbers 16); and, indeed, the noun Jr#a# (“earth”) as the subject of the verb ul^B* (“swallow”) occurs elsewhere only in this episode (Num 16:30, 32, 34) or other references to it (cf. Num 26:10; Deut 11:6; Psalm 106:17); cf. Davies, p. 334; Brenner, pp. 122-5. However, while there are likely allusions to the Rebellion-episode here in v. 12, in terms of the dramatic structure of the Song it cannot be the primary point of reference. Rather, it points back to the destruction of the Egyptians (v. 10). As the opening of the second half of the Song, one may regard v. 12 effectively as a temporal-circumstantial point of reference, as if to say— “Once you, YHWH, acted to destroy the Egyptians, then it was that You led your people…” (vv. 13ff).

There are aspects of the earth-reference here in v. 12 that relate to the sea-reference in v. 10, so as to confirm that both verses refer to the same event. First, the sea is part of the earth in the cosmological sense of “the earth” as the lower half of the cosmos—viz., the surface of the earth and the regions below. Secondly, the realm of Death (and the dead), i.e., Sheol, was seen as located in the lower half, in the regions below the earth’s surface. As such, the depths of the underworld are closely related to the depths of the sea (cf. verses 5, 8); note, e.g., Psalm 18:5-6 [4-5]; Jonah 2:3-6 [2-5]. Moreover, Death (and Sheol, the grave) was frequently depicted (i.e., personified) as a being with a ravenous appetite, and with a vast mouth (and throat) capable of swallowing multitudes of living beings; cf. Prov 1:12; Ps 49:15[14]; 69:16[15]; 141:7; Deut 32:22; Isa 5:14; Hab 2:5, and the roots of the imagery in Canaanite religious thought (e.g., Baal Epic, Tablet V [CAT/KTU 1.5] col. i.33-35, ii.2-6). Indeed, in the Rebellion-episode, the earth opening up and “swallowing” the rebels represents a concrete depiction of the poetic image of the underworld (Sheol) swallowing the wicked (cf. the wording in Num 16:30, 33). Thus, the language used in vv. 10 and 12 is part of a rich mythopoetic heritage of idiom and imagery; for more on its application in the Song, cf. Davies, p. 334; Propp, pp. 530-1; Brenner, pp. 122-5.

The “right (hand)” (/ym!y`) of God was mentioned earlier in verse 6 (in the first YHWH-verse), at the beginning of the poetic narration proper. As a symbol, it emphasizes both YHWH’s power and the fact that victory was achieved by He alone, without reliance upon any human intermediary (or military technology). The “stretching out” (vb hf*n`) of His hand suggests the divine power in action. YHWH, as the Creator, does not simply command human armies, but rather the forces of creation itself. Here it is the earth (Jr#a#), viz., the ordered cosmos, that responds to the command of God’s outstretched hand, rather than the sea and the primeval waters (cf. above).

Following the central YHWH-verse (v. 11, see above), the specific point of emphasis is on how the power of YHWH (over creation), manifest in the miracle at the Sea, separates Him from the other gods worshiped by the nations. There is no sense here of an absolute monotheism, but rather the (rhetorical) question posed reflects the relative monotheism of the early Israelite period. The point is not that no other deity exists, but that YHWH is far superior to all other deities, and that He alone is the Creator. His control of the forces of nature marks Him as the Creator and supreme King of the universe.

A strong point in favor of the coherence of v. 12 and vv. 13ff is the alliterative assonance of the verb forms that begin each of the three couplets (so also Muilenburg, p. 246; Utzschneider/Oswald, p. 317):

    • t*yf!n` (nāṭîṯâ), “you stretched out”
    • t*yj!n` (nāḥîṯâ), “you led/guided”
    • t*l=j^n@ (nēḥalṯâ), “you led (to water)”
Verse 13

“In your loyal devotion you guided
(the) people whom you redeemed;
in your strength you led (them)
to (the) pasture-land of your holiness.”

The nature-miracle at the Sea demonstrated not only the power of YHWH (as Creator), but His concern for His people (Israel). The noun ds#j# here, as frequently in the Old Testament, is specifically related to the idea of the covenant bond. The basic meaning may be “goodness, kindness”, but this must be understood in the sense of the kindness shown to someone in fulfillment of the covenant bond. In such instances, as frequently in the Psalms, it connotes the idea of faithfulness and loyalty. YHWH’s protection and guidance of Israel is part of the binding agreement (tyr!B=, covenant) established with Abraham and his descendants. It is a covenant that will be reaffirmed and re-established when the people reach mount Sinai (chaps. 19-24).

Two verbs are used to express the guidance of YHWH for His people. The first (in line 1) is hj*n` (“lead, guide”) and can be used in the context of a shepherd guiding his flock, while the second (in line 2) is lh^n`, which more properly refers to the idea of shepherding, of leading the animals to water (see the note by Davies, p. 335). Thus, the motif is that of God as a shepherd for his people—a familiar image in the ancient Near East and the Old Testament, expressed most famously (and beautifully) in Psalm 23 (cf. my earlier study on the Psalm). Similarly, the noun hw#n` refers primarily to the specific pasture land where a flock can graze safely—sometimes to an actual sheep-fold itself, and thus in the more generalized (figurative) sense of an abode/dwelling for people; cf. Propp, p. 532. It must be taken here as a reference to Canaan as the land promised to Abraham and his descendants as part of the covenant agreement.

The thematic motif of YHWH as a shepherd who guides His people is prominent in a number of other Psalms and poetic-prophetic passages—cf. Mic 7:14; Isa 40:11; 49:10; Ezek 34:13-16, where the orientation is clearly a return from exile, drawing implicitly upon themes associated with the Exodus (viz., the return/restoration as a new Exodus). The motif is applied directly to the Exodus event in Psalm 74:1-2; 77:21[20]; 78:52f; and Isa 63:11-14. Brenner (pp. 127ff) views all of these texts as post-exilic; as usual, he overstates his case, but the prominence of the theme in exilic (and/or post-exilic) prophetic texts is still worth noting.

This land is associated here with the “holiness” (vd#q)) of YHWH (cf. the earlier use of the noun in v. 11, above), implying that it is the place (viz., “holy place”) where God will dwell along with His people (cf. 2 Sam. 15:25; Isa. 33:20; Jer. 31:23). Continuing with the pastoral imagery, it may be likened to a shepherd’s encampment as he tends/guides the flock. The reference anticipates the Israelite entry and settlement in the Promised Land (of Canaan)—as is clear from the mention in vv. 14-15 of the nations living in that land.

Verse 14

“The peoples heard (of it) and quivered (with fear),
writhing takes hold of (those) sitting in Pelešet!”

This couplet separates the first (i) and second (ii) portions of the stanza, just as v. 8b in the prior stanza, which is likewise a longer 3-beat (3+3) couplet. There is an interesting conceptual parallelism as well. In verse 8b, the portrait was of the waters “standing in place” and becoming firm (no longer free and flowing). Similarly, here in v. 14, the nations effectively stand in place, with fear and trembling/anguish “taking firm/strong hold” (vb zj^a*) of them. In this regard, it is worth noting the traditional association between the sea/waters and the nations, expressed perhaps most famously in the apocalyptic image of the “beast(s)” that come out of the sea (Dan 4:2-3ff; Rev 13:1ff). On the association earlier in the Psalms, cf. 33:7ff; 46:4[3]ff; 74:13ff, 23; 89:10-11 [9-10] (in the wider context of the Psalm); 124:2-5; 144:7-8; and, in the Prophets, cf. Isa 8:7; 11:15; 17:12-13; 57:20; Jer 46:7ff; 47:2ff; 51:13ff, 55. Egypt is prominently mentioned in these passages, even to the point of being identified with the great sea-monsters (embodying the primeval and turbulent/unruly waters), Rahab (Isa 30:7; cf. Ps 87:4) and Leviathan (cf. Isa 27:1).

While the event at the Sea results in the people of Israel being guided to their promised land, for the surrounding nations it is a cause for fear (cf. Deut 2:25; Josh 2:9-10; 9:24). In particular, the peoples of Canaan/Palestine, once they hear of what the God of Israel has done for His people, will shudder (vb zg~r*) with fear and twist/writhe (lyj) in anguish. Clearly this reaction anticipates the Israelite settlement of the land, involving a number of military encounters in which, according to the Israelite tradition (and the Scriptural account), YHWH effectively fought on behalf of His people.

The term tv#l#P= (P®leše¾) is normally understood as a reference to the Philistines and their territory along the coastal plain of Canaan/Palestine. It was the region of Canaan closest to the northeastern border of Egypt, and was notable for its prominent location along the Mediterranean. The expression “way of land of (the) Philistines” was used earlier at 13:17, in reference to the most direct route from northern Egypt (i.e. the Delta region) to Canaan. The Philistines are usually regarded as among the “sea peoples” who invaded Egypt in the early-mid 12th century (during the reign of Rameses III), subsequently settling along the coastal plain of Canaan in the south. There is some evidence for migration and settlement of these “sea peoples” even earlier in the 13th century (in the reigns of Rameses II and Merneptah, cf. Cross, p. 124; Freedman, pp. 141ff), so it is conceivable that a reference to “Philistia” could be part of the authentic tradition (deriving from the time of Moses) that underlies the Song. Most modern commentators, however, view the reference as an historical anachronism and an indication of a much later date for the Song; the point will be discussed at the close of this study, when the date and composition of the Song are examined in more detail.

Propp (p. 533) notes the alliterative assonance in the first two words of each line:

    • <yM!u^ Wum=v* (šām‘û ‘ammîm), “(the) peoples heard”
    • zj^a* lyj! (ḥîl ’āḥaz), “writhing took hold”

He also mentions the resonance between the verb zj^a* and the adverbial particle (za*) that begins the next couplet.

Verse 15

“So (also) they were terrified,
(the) chieftains of Edôm;
(the) strong (one)s of Mô’ab,
trembling takes hold of them—
they melted (away) completely,
(all those) sitting (in) Kena’an!”

The second part (ii) is comprised of five couplets; the corresponding part ii of the prior stanza had four couplets (the only metrical difference between the two stanzas).

These couplets build upon the central bicolon of v. 14, which introduces the theme of the fear and trembling/writhing that grips the nations of the land. As noted above, this fear that “takes hold” of the nations is parallel to the standing in place of the waters (in the first half of the Song). The parallelism alludes to the fact that YHWH, the Creator and supreme King of the universe, has power and control over the nations, just as He does over the waters.

The focus is on those “sitting [i.e., dwelling] (in) Canaan” —that is, all the inhabitants of the land, though the verb bv^y` could perhaps be taken (in the more literal sense) of those sitting in the seats of power (i.e. the rulers/leaders), cf. Cross/Freedman (p. 248f). Certainly, it is the leaders of Edom (cf. Deut 2:4) and Moab (cf. Num 22:3) who are in view, with the use of the noun [WLa^, the precise derivation of which remains uncertain, but which here seems to refer to the leader of a clan or tribe (i.e. chieftain). Similarly, the noun ly]a^ applies to the leaders of the people; having the fundamental meaning of strength, it can refer specifically to a ram, and, as such, used as an honorific for men of power (nobles, warriors, etc.).

Even these great leaders, when they hear of what the God of Israel did at the Sea, are left frightened and terrified (e.g., Josh 2:9, 11, 24; 5:11), to the point that they “melt away” (vb gWm) completely. It is perhaps best to take lk here in an adverbial sense (i.e., “complete[ly]”); cf. Cross, p. 130. The last two couplets make clear that it is the miraculous nature of the event at the Sea, performed by YHWH’s outstretched arm (“right hand” in vv. 6, 12), which brings about this sudden and complete sense of terror and dread. Faced with the prospect of the power of the God of Israel, they are left silent (vb <m^D*) and unable to boast any longer of their own strength, nor the strength of the deities they worship (cp. the YHWH-verse of v. 11, above).

The verb lh^B* can denote a “rushing about” in a state of fear and alarm; probably the primary image is of the leaders terrified to the point of being beside themselves (i.e., out of their senses), in a panic (possibly with the nuance of being ‘out of breath’, gasping). The parallel phrase is “trembling grabbed hold of them”, with the noun du^r^ (“trembling, shaking”) as the subject of the verb zj^a* (also used in v. 14), “take firm hold (of), grasp”. The noun du^r^ is quite rare, the only other Scriptural occurrence being in Ps 55:6[5].

Verse 16a

“(Indeed) there fell upon them
(sudden) dread and terror;
at (the) greatness of your arm
they became silent like a stone!”

These closing couplets of the stanza echo the closing lines of the prior one (v. 10, cf. verse 5), particularly through the expression “like a stone” (/b#a*K*). The strength and prowess of the Canaanite leaders ‘sank’ (figuratively) even as the Egyptian force sank (literally) in the waters “like a stone” (v. 5) or “like a lead-weight” (v. 10). The specific verb here is <m^D* (I, “be silent”, cf. hm*D* II), giving a different specific nuance to the comparison with a stone. Through the awesome power exhibited at the Reed Sea, YHWH caused the boasting and bravado of the Canaanite leaders to be silenced, just as he did to the Egyptians (cf. their boastful words in v. 9).
M. Dahood proposes that the verb form wmdy (MT WmD=y]) should be derived, not from <m^d* (I), but from the root hdn (I ,”hurl, throw”); see his brief article, “Nādâ ‘To Hurl’ in Ex 15,16”, Biblica 43 (1962), pp. 248-9.

Cross/Freedman (p. 249) reads a second person verb form in line 1, vocalized lP!T^ (“you made fall”): “You made fall upon them / (sudden) dread and terror”.

Third YHWH-Verse (v. 16b)

Verse 16b

“Until they should pass over—
your people, O YHWH!
Until they should pass over—
(the) people that you acquired!.”

The third and final YHWH-verse displays the same terse 2-beat meter (with 3:5 syllable count) and repetitive parallelism (a/b//a/c) as the other two verses. The focus is not on direct praise of YHWH, but rather praise of what He accomplished for His people—viz., a demonstration of power that enabled them to “pass over” (vb rb^u*).

In the immediate context of the Song, the reference here is to Israel passing across the Sea, made possible (or at least easier) by the divine wind/breath that blew back the waters. However, it is also clear that the focus in the second half of the Song is on the people being led/guided to the promised land of Canaan; therefore, the use of the verb rb^u* (“cross over”) in this couplet carries a double meaning; cf. Propp, pp. 537-8. This is also true for the adverbial particle/preposition du^ (“until”). The fear/dread that grips the peoples of Canaan will last until Israel crosses over into the land, parallel to the nature-miracle that left the Egyptians stymied and allowed the Israelites ‘cross over’ the Sea. The ancient tradition itself clearly recognized the parallel, with the Jordan river serving as a symbol for the Sea (Joshua 3).
On the question of whether the yiqtol/imperfect forms of rb^u* should be translated as past tense (i.e., preterite), along all those earlier in the Song, or present/future, see Cross (p. 130) and Davies (p. 339). In order to facilitate a past-tense translation, Cross (cf. also Cross/Freedman) renders the preposition du^ (“until”) as “while”. A good argument can be made that the forms here are imperfective (durative) rather than preterite, given the use of the preposition du^: i.e., “until they (should) pass over”; I translate these here in the present tense, which also tends to fit the hymnic nature of the YHWH-verse.

The verb hn`q* means “acquire”. However, when applied to YHWH, it can carry the connotation of “make, create” (cf. Gen 14:19, 22), primarily through the idiom of giving birth (see esp. Gen 4:1). For more on this point and the use of the verb, see my recent note on Proverbs 8:22. This range of theological meaning can be found here in the Song. The idea that YHWH created Israel (i.e. as His people), and even ‘gave birth’ to them, is part of the early tradition (cf. Deut 32:6) and would be fitting for the context here. At the same, the emphasis at the beginning of the second half of the Song (v. 13) is on Israel being “redeemed” (vb la^g`)—that is, purchased out of bondage and servitude (in Egypt). Cf. Davies, p. 339; Propp, p. 539f.

The second couplet utilizes the relative particle Wz (also in v. 13). This relative particle (cf. also hz#) is quite distinct from the more common rv#a& and is used exclusively in poetry (occurring at least eight times in the Psalms). It is generally regarded as an archaic feature (see the discussion by Russell, pp. 110-1), though it does occur twice in the deutero-Isaian poems (42:24; 43:21).

While I tend to disagree with Howell’s strophic analysis of the Song, the chiastic pattern which he discerns for vv. 13-16 (p. 38) is intriguing and worth noting:

The remainder of the Song (vv. 17-18) will be discussed in Part 5 of this study.

    • References marked “Cross” above (and throughout these notes) are to Frank Moore Cross, Canaanite Myth and Hebrew Epic: Essays in the History and Religion of Israel (Harvard University Press: 1973).
    • Those marked “Cross/Freedman” are to Frank Moore Cross and David Noel Freedman, “The Song of Miriam”, Journal of Near Eastern Studies 14 (1955), pp. 237-50. This is a revised version of a chapter from their earlier dissertation, published in idem, Studies in Ancient Yawhistic Poetry, Society of Biblical Literature [SBL] Dissertation Series (1975), pp. 31-45.
    • Those marked “Freedman” are to David Noel Freedman, Pottery, Poetry and Prophecy: Collected Essays on Hebrew Poetry (Eisenbrauns: 1980): (1) pp. 131-66, “Early Israelite History in the Light of Early Israelite Poetry” (originally published in Unity and Diversity, ed. H. Goedicke & J. J. M. Roberts [1975]); (2) pp. 179-86, “The Song of the Sea” (originally published in 1968); (3) pp. 187-228, “Strophe and Meter in Exodus 15” (originally published in A Light Unto My Path, ed. H. N. Bream, R. D. Heim, C. A. Moore [1974]).
    • Those marked “Muilenburg” are to James Muilenburg, “A Liturgy on the Triumphs of Yahweh”, in Studia Biblica et Semitica Theodoro Christiano Vriezen … dedicata (1966), pp. 233-51.
    • Those marked “Howell” are to M. Howell, “Exodus 15,1c-18: A Poetic Analysis”, Ephemerides Theologicae Lovanienses [ETL] 65 (1989), pp. 5-42.
    • Those marked “Brenner” are to Martin L. Brenner, The Song of the Sea: Exodus 15:1-21, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 195 (De Gruyter: 1991).
    • Those marked “Russell” are to Brian D. Russell, The Song of the Sea: The Date of Composition and Influence of Exodus 15:1-21 (Dissertation, 2002), also published as a monograph (Studies in Biblical Literature 101 [Peter Lang, Inc.: 2007]).
    • Those marked “Davies” are to G. I. Davies, A Critical and Exegetical Commentary on Exodus 1-18, 2 vols., International Critical Commentary [ICC] (T&T Clark: 2020).
    • Those marked “Utzschneider/Oswald” are to Helmut Utzschneider and Wolfgang Oswald, Exodus 1–15, (English version, trans. Philip Sumpter), International Exegetical Commentary on the Old Testament (Kohlhammer: 2015).
    • Those marked “Propp” are to William H. C. Propp, Exodus 1-18, Anchor Bible [AB], vol. 2 (1999).
    • Those marked “Labuschagne” are to C. J. Labuschagne, The Incomparability of YHWH in the Old Testament, Pretoria Oriental Series 5 (Brill: 1966).
    • Those marked “Kloos” are to Carola Kloos, Yhwh’s Combat with the Sea: A Canaanite Tradition in the Religion of Israel (van Oorschot / Brill: 1986). The Song (Exod 15) is analyzed throughout pages 127-212.

Wednesday Wisdom: Proverbs 12:1-12

Chapter 12

Proverbs 12:1-12

I regard the first twelve verses of chapter 12 as a loose proverb-grouping. Other commentators would further divide this section into smaller clusters—cf. Heim (vv. 1-7, 8-12) and Schipper (vv. 1-4, 5-12)—but I do not find these convincing. The proverbs of vv. 3-12 cohere with regard to the thematic focus on a man’s household and the way in which he handles it (i.e., manages and deals with it). The motif of a house (and its foundation) is present in vv. 3 and 7. In verse 4, the subject is a man’s wife (i.e., the lady of the house), while vv. 2 and 5 focus on the plans that a person makes (which include, to a large extent, one’s household plans). Verse 10 deals with how a man treats his animals; vv. 9 and 11 refer to the working of the land and its produce. Finally, verse 12 alludes to desiring (i.e., coveting) the wife and/or property of another man. The proverbs in vv. 1, 6, and 8 do not particularly relate to this thematic emphasis, but are maxims of a more general kind, employing the traditional contrast between the wise/righteous and foolish/wicked. The proverbs with a household focus, for the most part, make use of this same contrast.

It goes without saying that these proverbs, like virtually all of those in the Collection, are presented from the man’s (i.e., male) point of view—referring to a man and his wife, etc. (and are translated accordingly). However, from a modern-day standpoint, it is easy enough to turn these proverbs around so that they apply to the situation of a woman and her husband, etc. 

Verse 1

“(The one) loving discipline loves knowledge,
but (the one) hating a rebuke (is) like a beast!”

This initial proverb emphasizes the importance of being willing to receive (and accept) discipline (from a parent, teacher, or other authority figure); this was an important thematic emphasis particularly in the Lectures of chapters 1-9 (cf. 1:23, 25, 30; 3:11-12; 5:12f, 23; 6:23). The noun rs*Wm means “instruction”, but often with the strong connotation of “discipline, correction”; the parallel with hj*k^oT (“reproof, rebuke”) in line 2 makes clear that discipline is in view. The nouns rs*Wm and hj*k^oT are both regular Wisdom-terms: 30 of the 51 Scriptural occurrences of rs*Wm are in Proverbs (with 13 in chapters 1-9), likewise for 16 of the 24 occurrences of hj*k^oT (6 in chaps. 1-9); the two terms are similarly paired together in 3:11; 5:12; 6:23; also 10:17; 13:18, etc.

The constrastive idiom of love/hate is utilized to describe one who is willing to accept/receive discipline (i.e., ‘loves’ it), or, conversely, one who rejects/refuses it (i.e., ‘hates’ it); cf. 5:12; 15:10, also 1:22, 29; 4:6; 8:17, 21, and note further the love/hate contrast in 9:8; 13:24. Clearly, it is the wise person who accepts discipline, and the foolish person who refuses it. Here, this aspect of wisdom it expressed by the characteristic of “loving knowledge”, while the foolish person is “like a (mere) beast”. As Schipper (p. 419) mentions, the animal-reference here evokes the earlier proverb in 11:22.
Both verbs in line 1 are participles—viz., “(The one) loving discipline (is) loving knowledge”; for poetic concision I translate, “(The one) loving discipline loves knowledge”.

The adjective ru^B* means “like a beast”, i.e., “bestial, brutish”; it is derived from the noun ryu!B=, which denotes livestock (either oxen, cattle, or camels) and apparently stems from a root (rub III) that refers to the dung produced by such animals. In this Wisdom-context, the adjectively basically means “stupid, foolish”, but with the particularly harsh nuance of being ‘brute-like’; cf. 30:2; Psalm 49:11[10]; 73:22; 92:7[6].
As noted above, the proverb in v. 1 does not seem to be related particularly to the household-emphasis that runs throughout vv. 2-12; however, there is a loose conceptual-thematic relation (based on the term ru^B*) to the proverb in v. 10, which focuses on how a man deals with his livestock-animals (hm*h#B=).

Verse 2

“A good (man) obtains acceptance from YHWH,
while a man of schemes He considers wicked!”

The familiar righteous/wicked contrast of these proverbs is reintroduced here in v. 2, but distinctively, in terms of the person’s relationship to God (and His judgment). The righteous person is characterized, fundamentally, as good (bof); he does what is acceptable/pleasing (/oxr*) to YHWH, and thus finds acceptance (/oxr*) from Him (cf. 8:35). By contrast, the wicked person is considered wicked (vb uv^r*, Hiphil), and thus is rejected, by God; he is characterized here by malicious ‘scheming’. The noun hM*z]m=, which was used earlier in 1:4; 2:11; 3:21; 5:2; 8:12, properly denotes a “buzzing” —particularly in the sense of the thoughts and plans that are ‘buzzing’ around, in a person’s mind, and which one hears and thinks about, etc. It is a neutral term, which can be used in either a positive or (more frequently) negative context; here, it applies specifically to the wicked and is translated (in the plural) as “schemes”, i.e., evil or mischievous and harmful thoughts and plans, etc.

Verse 3

“A person is not made firm by wickedness,
but (the) root of (the) righteous will not be shaken!”

As noted above, there is an allusion here to the foundation of a person’s house (cf. verse 7, below), expressed here through the verb /WK (“be firm”). The use of the verb in the Niphal (passive) stem is qualitative, reflecting a characteristic of the individual person (and his house)—viz., made firm, set firmly in place, fixed (and secure). It is only the righteous person who is thus firmly and securely set in place, not the wicked, since, as the proverb states, a person (<d*a*) is “not made firm by wickedness”; cf. 10:25.

The motif shifts from that of a house (implied) to that of a tree which has its roots strong and firmly in place (cf. 11:30 for the Wisdom-motif of the wise/righteous person as a flourishing tree [“tree of life”]). Such a person will not be moved or shaken (vb fom)—or, even more forcefully (according to the idiom), cannot be removed (i.e., uprooted from his place). The verb fom occurs quite frequently in the Psalms (in a similar Wisdom-context), e.g., 112:6; 125:1, etc.; and cf. earlier in 10:30 (where the same negative particle lB^ is used), also 24:11; 25:26. When a person is set firm, he/she cannot be moved out of place; cf. the earlier use of /oK, in relation to the path/walking idiom, in 4:26.

Verse 4

“A woman of strength (is the) crown of her husband,
but as rottenness in his limbs (is one) bringing shame.”

The thematic emphasis on a man’s household comes more clearly into view here in v. 4, focusing on one’s wife (lit., “woman”, hV*a!). This focus echoes the earlier proverb in 11:16 (cf. also v. 22) and anticipates the famous hymn in 31:10-31.
The noun lu^B^ properly means “lord, master”, but such a translation, in this context (in modern English), would carry a misleadingly negative connotation; thus, I translate lu^B^ conventionally as “husband”.

The noun ly]j^ means “strength”, but with a range of connotative and contextual meaning (cf. Fox, p. 547f), including the socio-economic aspects of “wealth, (social) status/position, ability to exert influence”, as well as the ethical aspects of “capability, virtue, bravery, nobility”. While the socio-economic aspects may be relevant here, it is primarily the ethical sense of the term that is in view; the English translation “substance” (i.e., “woman of substance”) captures these better than does “strength”. The opposite here of the “woman of strength/substance” (viz., worthy, of virtue and good regard in society, cf. Ruth 3:11) is one who “causes/brings shame” (vb voB, Hiphil, cf. 10:5)—particularly, shame to her husband.

The virtuous/noble wife is like a crown to her husband’s well-being; while a disgraceful wife eats away at his well-being, bringing rottenness/decay (bk*r*) to what would otherwise be the strength of his limbs (on this motif, cf. 14:30). As noted in the introduction (above), this proverb could be reoriented to make the same point(s) regarding the relation of a noble/virtuous (or, by contrast, disgraceful) husband to his wife.

The LXX has a somewhat different version of the second line: “but just as a worm in (the) wood, so a woman acting bad(ly) ruins/destroys a man”.

Verse 5

“(The) designs of (the) righteous (are of good) judgment,
while (the) guiding thoughts of (the) wicked are deceit.”

The focus on a person’s thoughts (and plans) echoes the earlier proverb in v. 2 (see above). The noun hb*v*j&m^ denotes something that is “woven”, in the sense of a plan that is devised, etc.; I translate it here as “design”, to preserve something of the verbal root meaning (“weave”), cf. earlier in 6:18 and six more times in Proverbs. The noun hl*B%j=T^, the derivation of which is less clear, seems to have the basic meaning of a “guiding/directing thought” (of the seven Scriptural occurrences, six are in Proverbs [cf. earlier in 1:5; 11:14]). The guiding thoughts and plans of the righteous reflect sound judgment (and a concern for justice), fP*v=m!, while those of the wicked are characterized by deceit (hm*r=m!).

The adjectives qyD!x^ (“righteous”) and uv*r* (“wicked”) are both in the plural here; cp. verse 3, where a singular man (who may be wicked) is contrasted with the righteous (adj. qyD!x^) in the plural. As we have noted, this singular/plural variation, in the proverbs contrasting the wise/righteous and foolish/wicked, is relatively common.

Verse 6

“(The) words of (the) wicked (are) laying (in wait) for blood,
while (the) mouth of (the) upright snatches them (from danger).”

The focus on a person’s thoughts (v. 5) is balanced here by an emphasis on his speech (cf. the numerous earlier speech-proverbs in chaps. 10-11). It is the same righteous/wicked contrast, only here the righteous are designated by the characteristic “straight” (rv*y`), which occurs frequently in Proverbs (particularly in the context of the path/walking idiom in chaps. 1-9, etc.). In order to preserve a clear sense of the basic contrast, I have translated rv*y` (plural) here conventionally as “upright”.

The speech of the wicked has an evil and hostile intent, looking to attack others, like bandits (or predators) “laying (in wait)” (vb br^a*) for blood (echoing 1:11-18, cf. Schipper, p. 422). Ultimately, however, the wicked will be trapped (and come to ruin) by their own devices. Indeed, this proverb has much in common, both conceptually and in wording, with the series in 11:5-9 (see esp. vv. 8-9). The parallel with 11:9 makes clear that the third person plural object suffix here on the verb lx^n` (Hiphil, “will snatch them [from danger]”) refers to the righteous ones themselves (cf. Plöger, p. 148; Fox, p. 549; Schipper, p. 422; and others, for the same point). The speech of the righteous protects them and enables them to be rescued from danger, while the wicked fall into the very trap that they set (for others) through their own evil and malicious speech.
On the similarities and differences between v. 6b and 11:6a, see Heim, Poetic Imagination, pp. 259-63.

Verse 7

“Overturn (the) wicked, and they are no (more),
but (the) house of the righteous shall stand!”

The thematic motif of a person’s house, which was alluded to in v. 3 (see above, and cf. earlier in 11:29), is made explicit here (by the noun ty]B^). The motif applies to the individual person—with a man’s household representing a natural extension of the man himself. The use of the verb Ep^h* (“[over]turn”) is appropriate to the house idiom—viz., the overturning of a house (which lacks a secure foundation). When the wicked (and their “house”) are “overturned”, they come to ruin and are destroyed (“they are no [more]”, <n`ya@), with nothing left (of the household) for their descendants to inherit (11:29). By contrast, the righteous (and their “house”) is secure, with a strong foundation, and so it will stand (vb dm^u*). Cf. 10:25, and the famous illustration by Jesus in Matt 7:24-27 par.

As Waltke notes (p. 515; cf. Fox, p. 549), the infinitive (of the verb Ep^h*) here functions as an imperative.

Verse 8

“(According) to (the) mouth of his insight, a man is praised,
while (the one) crooked of heart (will come) to contempt.”

The wise person is worthy of praise, and (ultimately) will come to be praised (by others, and by God); by contrast, the wicked will come to be held in contempt (zWB).

This proverb echoes the speech-proverb of v. 6 through the common use of the noun hP# (“mouth”); however, here the noun is used idiomatically in the sense of “measure”—i.e., “according to the mouth of his insight” means “according to the measure of his insight” (viz., insofar as he is wise). The proverb also connects, conceptually, back to the earlier saying in v. 5 regarding a person’s thoughts (i.e., plans, designs, etc.). Here, the thoughts and intentions of the wicked are referenced by the characteristic expression “crooked of heart” (bl@ hw@u&n~); cf. 11:20, where a different term (vQ@u!) is used for “crooked”. While the righteous (and their speech, behavior, etc.) are regularly described as “straight” (cf. verse 6), the wicked are correspondingly referred to as “crooked”; the term for the latter here is a verbal adjective (participle) of the verb hw`u* (“bend, twist”), the root being manifest more commonly by the derived noun /w)u* (“crooked [thing], crookedness”).

The noun lk#c# denotes that which a person possesses, enabling him/her to succeed or to find success; it frequently connotes “ability, skill, understanding, insight”, etc. In Proverbs, it is primarily a Wisdom-term (cf. 3:5; 13:15, etc.), which I translate here as “insight”.

Verse 9

“Good (is one) being made light of and (yet with) a servant for him
(more) than (one) giving weight to himself but lacking bread.”

The thematic household emphasis, present in several of the prior proverbs (cf. above), continues here in v. 9, with the motifs of possessing a servant (“a servant [belonging] to him”) and lacking bread (i.e., food). Fox (p. 550f), following a suggestion by Tur-Sinai, would emend MT db#u#w+ (“and a servant”) to read rWbu&w~ (“and produce”); this makes a more suitable parallel to “bread/food” in line 2, but there is really no textual or versional support for such an emendation. More commonly, the noun db#u# is revocalized to the participle db@u), so that the phrase reads “and (yet) working for him(self)” (cf. Heim, p. 150); as Fox notes, this seems to be how the proverb was understood by Ben Sira (cf. Sirach 10:27 A).

There is a clear contrast between the passive (Niphal) of the verb hl*q* (cf. ll^q*, “be light”), “be made light of”; and the reflexive (Hitpael) of db^K* (“be heavy/weighty”), “make oneself heavy, give weight to oneself”. The righteous person is “made light of” (i.e., belittled, mocked, treated with contempt) by others, through no fault of his own; by contrast, the wicked person gives weight (i.e., honor, prestige) to himself, whether or not it is deserved (and the implication is that it is not deserved).
The verb db^K* is used in the same sense of “seeking honor (for oneself)” in Ben Sira (Sir 10:27); cf. also Nah 3:15. I disagree with the commentators who read the Niphal of hl*q* in line 1 similarly in a reflexive sense (i.e., “making oneself little”) rather than passive; cf. Schipper, p. 423. Waltke’s suggestion (p. 515) that the Niphal be viewed as a ‘tolerative’ passive, i.e., “allowing oneself to be made light of”, is preferable. 

This proverb has a less well-defined ethical-religious orientation, being more practical in its emphasis. If a person possesses a solid and well-run household (as indicated by possessing servants) then it does not matter all that much if he is belittled by others, since he still has strength and security. However, if a person is lacking a household, to the point that he does not have sufficient food (or other basic resources), then it is rather foolish for him to exalt himself, pretending to be greater and more prominent than he truly is.

The preposition /m! at the beginning of the second line is another instance of the comparative /m!, which virtually requires the translation “(more) than”.

Verse 10

“A righteous (man is) knowing (the) soul of his beast,
while (even the) mercies of (the) wicked (are) cruel.”

The household theme here focuses on how a man handles his animals—spec. livestock (cattle, etc.). The noun hm*h@B= usually refers to domestic animals and livestock, but can also be used more generally to mean “animal, beast”. The translation “beast” echoes the earlier use of ru^B* (“like a beast, brutish”) in v. 1 (see above). The noun vp#n# (“soul”), in this context, refers to the life and well-being of the individual animal, but it can also refer to its “appetite” and, thus, to the aspect of care for one’s animals that entails keeping them well-fed and healthy (cf. 10:3). The wise and righteous man “knows (the) soul of his beast” —viz., discerns the animal’s needs, being attentive to them, and showing proper care.

By contrast, the wicked and foolish man does not understand nor care properly for his animal’s needs; indeed, what little care (“mercies”, “[indication]s of compassion”, used sarcastically [cf. Waltke, p. 527]) he does show is weak and insufficient, and, as such, amounts to little more than cruelty toward the animal (cf. Fox, p. 551). The way a man treats his household animals reflects his handling of the entire household.

Verse 11

“(The one) working his land will be filled with bread,
but (the one) pursuing empty (thing)s (is) lacking heart.”

Here the household theme involves diligent working of the land (on the importance of which, cf. earlier in 10:4, 5); the verb db^u* (“do work, serve”) echoes the earlier use of the noun db#u# (“servant”) in v. 9a (and is an argument in support of the MT reading of that line).

Given the phrase “will be filled with bread” in line 1, one might expect something comparable in line 2—viz., to the effect that the foolish person (and negligent worker) will be lacking bread (as in v. 9b). However, instead, what such a person is lacking is “heart” (i.e., sense), the expression “lacking of heart” being a regular foolishness-term (cf. earlier in 6:32; 7:7; 9:4, 16; 10:13, 21; 11:12). While there is definitely a contrastive parallel between being “full of” (vb ub^c*) bread and “lacking” heart/sense, the parallel is even more precise between the verbal root ubc (“be full”) and qyr! (“be empty”). Instead of diligent work, the foolish and lazy/negligent man ends up pursuing other “empty things” (<yq!yr!), which leaves his household empty, viz., of the produce and resources that it needs (and would otherwise have).

On the similarity of this proverb to the one in 28:19, see Schipper, p. 424, and the discussion in Heim, Poetic Imagination, pp. 288-90. As a general aphorism, line 1 is similar to the Egyptian Instruction of Amenemope (8.17-18) [cf. Schipper]:

“Plow your fields and you’ll find what you need,
You’ll receive bread from your threshing floor.”

The LXX contains an additional couplet between vv. 11 and 12 (see Fox, Textual Commentary, p. 199):

“(He) who is pleased by spending (time) with wine,
in his own strongholds he will leave behind dishonor.”

Verse 12

“(The) wicked (man) desires (the) snare of evil (one)s,
but (the) root of (the) righteous gives (forth fruit)!”

The household emphasis of the prior proverbs concludes here in v. 12, with a pair of relevant motifs: (1) the verb dm^j* (“desire”) with its traditional association of coveting (viz., desiring the property of another man), cf. Exod 20:17, etc.; and (2) a reprisal of the tree motif from v. 3, through the word vr#v# (“root”), but also the implicit reference to the tree giving forth fruit (cf. 11:30; Psalm 1:3, etc.).

The point in the first line is that what the wicked man desires (or covets) ends up becoming a snare that traps the wicked (lit. “evil [one]s”); cf. 1:17-18; 5:22; 7:22-23, and the frequent references in the Psalms to the idea that the wicked will fall into the very trap that they set for others (cf. 11:8)—9:16-17 [15-16]; 35:7-8; 57:7[6]; 64:6[5]ff; 141:9-10. On the general idea that the things the wicked desire end up becoming a snare for them, cf. Psalm 69:23[22]; 106:36.

The final verb, /t^n` (“give”, /T@y], “it gives”, “it will give”), lacks a direct object. A number of commentators (e.g., Fox, p. 553) would emend the MT to the adjective /t*ya@, “continual, lasting”. More likely, the object-noun is simply implied, or, possibly, has dropped out of the text. Schipper (p. 425) suggests that the word should be understood as /j@ (“favor”), which is used with the verb /t^n` earlier in 3:34; cf. also 13:15. Given the tree idiom, and in light of 11:30, it seems more probable that the reference is to the tree (and its root) giving forth fruit (yr!P=), which is the gloss that Heim (p. 150) also adopts; cf. especially the comparable Wisdom reference in Psalm 1:3. The righteous become a blessing for others, while the wicked provide no help to others (instead seeking their harm) and, ultimately, they cannot even help or save themselves.

    • References above marked “Fox” are to Michael V. Fox, Proverbs 10-31, Anchor Bible [AB], vol. 18B (Yale University Press: 2009). Those marked “Fox, Textual Commentary” are to idem, Proverbs: An Eclectic Edition with Introduction and Textual Commentary, The Hebrew Bible: A Critical Edition 1 (Society of Biblical Literature [SBL] Press: 2015).
    • References marked “Waltke” are to Bruce K. Waltke, The Book of Proverbs, Chapters 1–15, The New International Commentary on the Old Testament (Eerdmans: 2004).
    • References marked “Schipper” are to Bernd U. Schipper, Proverbs 1-15, Hermeneia Commentary Series (Fortress Press: 2010). See also his monograph on Proverbs 2: Hermeneutik der Tora: Studien zur Traditionsgeschichte von Prov 2 und zur Komposition von Prov 1-9, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 432 (Walter de Gruyter: 2012).
    • Those marked “Meinhold” are to Arndt Meinhold, Die Sprüche, Teil 1: Sprüche Kapitel 1-15, Zürcher Bibelkommentare, AT 16.1 (Theologische Verlag Zürich: 1991).
    • Those marked “Heim” are to Knut Martin Heim, Like Grapes of Gold Set in Silver: An Interpretation of Proverbial Clusters in Proverbs 10:1-22:16, Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft [BZAW] 273 (Walter de Gruyter: 2001); those marked “Heim, Poetic Imagination” are to idem, Poetic Imagination in Proverbs: Variant Repetitions and the Nature of Poetry, Bulletin for Biblical Research Supplement 4 (Eisenbrauns: 2013).
    • Those marked “Plöger” are to Otto Plöger, Sprüche Salomos (Proverbia), Biblischer Kommentar Altes Testament, XVII (Neukirchener Verlag: 1984).

July 15: Job 13:15-16

Job 13:14-16, continued
Verse 15

“See—(though) He should slay me, I cannot wait!
Surely will I prove my ways (right) to His face!”

As with v. 14 (discussed in the previous note), there has been a considerable diversity of opinion among commentators as to the exact meaning and force of the first line of v. 15. There are two key problems involved: (1) the Masoretic Kethib/Qere variant (al) [negative particle] vs. ol [suffixed preposition]), and (2) the precise contextual meaning of the verb lj^y` (Piel). The line is comprised of three components: (i) the initial interjection /h@ (“See!…”), (ii) the verb/phrase yn]l@f=q=y], and (iii) the phrase lj@y~a& ol/al). The verb (ii) means “he slays me” or “he will slay me”; combined with the initial interjection, the phrase could mean “See, he slays me”, but more commonly it is read as a conditional phrase with God as the implied subject (the Versions agree that God is the subject, cf. Althann, p. 70*): “See, (though) He should slay me…”.

The interpretive crux is in phrase (iii), the issue having been framed already by Rabbinic commentators in the Mishnah (m. Soṭah 5:5); cf. the textual note by Althann, p. 71*. Many commentators and translators render the verb lj^y` as “hope”, so that, taking the Kethib/Qere variant into account, the phrase either means “I do not have hope” (K) or “I hope for Him” (Q); the latter could conceivably also be translated “I hope for it”. The Qere has been the more popular reading, immortalized by the KJV translation of the line: “Though He slay me, yet will I trust in Him”. However, a good number of modern commentators opt for the Kethib, as being more in keeping with the bitter and pessimistic tone of Job’s speeches: “See, He slays me—I have no hope!”

Though some fragments of chapter 13 survive from two Qumran manuscripts, unfortunately verse 15 is not included; it might have gone a long way toward resolving the text-critical question.

Interestingly, both the Kethib and Qere versions become more tenable when the verb lj^y` is translated, not according to the connotative meaning “hope”, but, rather, the primary meaning of “wait, take/spend time”. Suddenly, both versions make sense in context: (1) Kethib: “See, (though) He should slay me, I can/will not wait!”; (2) Qere: “See, (though) He should slay me, I will wait for Him/it!”. The former is a much better fit for the context of Job’s speech, but the latter is possible as an expression of bitter irony on Job’s part. As Seow notes (p. 659; cf. Tur-Sinai, Fohrer), the verb lj^y` is used elsewhere in Job’s speeches in relation to the idea that Job is awaiting the relief (from his suffering) that death will bring (6:11; 14:14). Ultimately, I follow the Kethib version, whereby Job is declaring that, even if it costs him his life, he will boldly make his case (viz., his complaint and appeal) before God—he will not wait around in pious submission, hoping that God might somehow restore him. Job intends to take the initiative, and to present his case, insofar as he is able, before God Himself (“to His face”). This is hardly the ‘patient Job’ of religious tradition.

There are couple of further (alternate) interpretations of v. 15a that should be noted. A few commentators (Mejía, Anderson [p. 167]) follow the Kethib, but regard la as an emphatic (affirmative-asseverative) particle, much like al% (= aWl, Wl), i.e., “surely, certainly”. Others (e.g., Ehrlich, Dhorme, Pope [p. 97]) would emend lj@y~a& to lyj!a*, a form of the verb lyj! (I), “twist, writhe”, in the sense of “tremble”: i.e., “though He should slay me, I will not tremble”. Blommerde (p. 66f) and Michel (p. 305f) follow Dahood’s proposal to vocalize Kethib al as al@, reading it as a Divine title, “Mighty (One), Victor”. Blommerde translates the line as “If the Victor should slay me, I will still hope”; Michel renders it “If the Victor slays me, I must be silent”.

Once again, the verb jk^y` (“prove”) is used in its legal-judicial sense (as earlier in vv. 3, 10, cf. also v. 6), i.e., prove one’s case. Job’s case (and his appeal) is based on his conduct—viz., that it has been righteous, and not wicked or impious; thus, his behavior did not warrant the terrible punishment that God has (apparently) leveled against him. The term Er#D# (“path, pathway, way”) is used in the familiar ethical-religious sense—that is, in reference to a person’s regular/characteristic behavior. Job intends to prove that his regular conduct (i.e., his “path”) has been upright and devout. I have glossed the phrase as “I will prove my ways (right) to His face”, with a double meaning: (a) Job will prove, to God’s face, that his ways have been right; and (b) Job will make this case, boldly, right to His face.

The initial adverbial particle Ea^ is emphatic-affirmative, “Surely…!”

Verse 16

“It even (might be) for me as (my) salvation—
for not to His face does an impious (man) come!”

Job further dares give voice to the possibility that his very boldness—in attempting to make his case before God—in spite of the risk, might turn out to be what saves him. As he notes, a wicked or impious person would not dare to approach God and address Him “to His face” in such a way. For the meaning of the adjective [n@j*, translated here as “impious”, see the note on its earlier usage in 8:13 (it occurs again in 15:34, and five more times in the book of Job).

As Seow notes (p. 660), there is a certain ambiguity to the use of the pronoun aWh, which could refer to God (“He”) or to the situation (“it”, “this”). I have opted for the latter, but other commentators prefer the former (e.g., Michel, p. 308); if God is seen as the point of reference, then the abstract noun hu*Wvy+ (“salvation, safety, security”) becomes concretized, i.e., “Savior”, or “means/source of salvation”.

A few commentators (e.g., Gordis, p. 144f; Seow, p. 660) regard the initial <G~ particle as emphatic-affirmative (i.e., “Yes…”, “Indeed…”, “Surely…”) rather than conjunctive. There is also an emphatic nuance to my translation, “even”.

In the next note, we will turn to the final portion (vv. 17-18, along with v. 19) of the third (and final) section of Part 2 of Job’s speech.

    • References above (and throughout these notes) marked “Seow” are to C. L. [Choon Leong] Seow, Job 1-21: Interpretation and Commentary, Illuminations Commentary Series (Eerdmans: 2013).
    • Those marked “Althann” are to Robert Althann, bwya Job, Biblia Hebraica Quinta, vol. 16 (Deutsche Bibelgesellschaft: 2024).
    • Those marked “Michel” are to Walter L. Michel, Job in the Light of Northwest Semitic, Biblica et Orientalia 42 (Rome, Pontifical Biblical Institute Press: 1987).
    • Those marked “Blommerde” are to Anton C. M. Blommerde, Northwest Semitic Grammar and Job, Biblica et Orientalia 22 (Rome, Pontifical Biblical Institute Press: 1969).
    • Those marked “Pope” are to Marvin H. Pope, Job, Anchor Bible [AB], vol. 17 (1965, 1973).
    • Those marked “Gordis” are to Robert Gordis, The Book of Job: Commentary, New Translation, and Special Studies, Moreshet Series, Studies in Jewish History, Literature and Thought, vol. II (The Jewish Theological Seminary of America: 1978).
    • Those marked “Anderson” are to Francis I. Anderson, Job, Tyndale Old Testament Commentaries (Inter-Varsity Press: 1976).

July 14: Job 13:14

Job 13:14-16

As in verse 3, here in vv. 14-16 Job expresses his intention to address God—putting forth his complaint and making his appeal—regardless of what may come of it (see the previous note on v. 13).

Verse 14

“For what do I take up my flesh in my teeth,
and my soul set in (the) palm (of) my (hand)?”

There is considerable difference of opinion over the initial words of the MT of v. 14hm lu. The words are suspect for several reasons: (i) they are missing from the LXX (cf. Althann, p. 70*); (ii) they closely resemble the final words of v. 13 (hm ylu) and thus could indicate a scribal error (dittography); and (iii) the MT hm* lu^ (“for what [reason]…?”, i.e., “why…?”) seems to be out of place in Job’s speech at this point. There are four approaches taken by commentators:

    • The words are omitted (along with the LXX) as a scribal error (dittography)—so Budde, Dhorme, Horst, Pope (p. 99), Clines (p. 282), and numerous others.
    • The MT is retained, with hm* lu^ in its normal interrogative role, but the nuance of the rhetorical question requiring further explanation—cf. Tur-Sinai, p. 225; Gordis, p. 143f.
    • The words are moved to the end of v. 13, with the expression hm* lu^ hm* meaning something like “whatever (misfortune) at all” —cf. Fohrer, p. 238; Guillaume, p. 93; Seow, p. 658.
    • The consonantal text is retained, hmlu, but as a form of the noun <l*u) (= <l*ou), in the regular temporal sense “([long] into the) distant (future)”, i.e., “forever” —the proposal made by Dahood (see below), and adopted, e.g., by Michel (p. 304) and van der Lugt (p. 153).

An argument in favor of omitting the words (or transferring them to the end of v. 13) is that it produces a clear 3-beat (3+3) couplet for v. 14 with a balanced 8:8 syllable count. Moving the words to the end of v. 13 also creates better rhythmic balance for that couplet.

While acknowledging the merits of all four proposals, I am inclined to retain the MT, so that the first line of v. 14 reads: “For what (reason) [i.e., why] do I take up my flesh in my teeth…?” Gordis’ explanation is attractive, positing that the question represents an indirect quotation, as if to say: “You may ask, ‘For what (reason) do I…?'” That Job is anticipating a question or objection from his companions (regarding his intention to make an appeal to God) makes good sense in context.

Dahood’s proposal (mentioned above) was put forward as an exegetical note in his essay “Northwest Semitic Philology and Job”, in The Bible in Current Catholic Thought, Saint Marys Theological Studies, 1 (Herder & Herder: 1962), pp. 55-75 [58-9]. His view was that hm lu in v. 14a should be read as the single word hmlu, vocalized hm*l*u)—viz., the noun <l*u) (= <l*ou) along with a temporal h– suffix. The qualified noun hm*l*u) has the temporal meaning “into/unto the (far) distant future”, i.e., “forever” (much like <l*oul=). In support of this view, Dahood cites occurrences in Ugaritic (‘lmh) in the Aqhat Epic (Tablet III [CAT/KTU 1.19] col. 3, line 55; col. 4, line 5). 

The idiom of a person “taking up” (vb ac*n`) his flesh in his teeth is unattested elsewhere in Scripture, or, as far as I am aware, anywhere in the ancient Near East and the Semitic world. Buttenwieser (p. 196, cf. Seow, p. 659) does cite an Arabic reference to the effect that a person escaped wan-nafsu minhu bi-shidkihi, “with his soul [i.e., life] between his jaws,” which Buttenwieser explains in terms of the person’s life (i.e., soul/spirit) being about to pass out from his mouth, further explaining that “the expression is based on the primitive notion that when a man dies his soul passes out of his body through his mouth or nostrils”. Both rc*B* (“flesh”) and vp#n# (“soul”) can refer to an individual person and his/her (physical) existence; on the former term, cf. my recent survey of its semantic range. Thus, it is likely that both idioms (in lines 1 and 2) have a similar meaning: “take one’s flesh in one’s teeth” / “place one’s soul in one’s hand(s)” —equivalent to the English expression “take one’s life in one’s hands”, i.e., risk one’s life. The latter idiom occurs several other times in the Scriptures (Judg 12:3; 1 Sam 19:5; 28:21; cf. Ps 119:109).
Pope’s suggestion (p. 99) that the idiom in line 2 might be understood in light of the Akkadian expressions napištam lapātum and lipit napištim (“touch the throat”, “touching of the throat”), known from the Mari letters (in the context of oath-taking), seems rather off the mark.

Verses 15 and 16 will be discussed in the next note.

    • References above (and throughout these notes) marked “Seow” are to C. L. [Choon Leong] Seow, Job 1-21: Interpretation and Commentary, Illuminations Commentary Series (Eerdmans: 2013).
    • Those marked “Clines” are to David J. A. Clines, Job 1–20, Word Biblical Commentary, vol. 17 (1989).
    • Those marked “Althann” are to Robert Althann, bwya Job, Biblia Hebraica Quinta, vol. 16 (Deutsche Bibelgesellschaft: 2024).
    • Those marked “Michel” are to Walter L. Michel, Job in the Light of Northwest Semitic, Biblica et Orientalia 42 (Rome, Pontifical Biblical Institute Press: 1987).
    • Those marked “Pope” are to Marvin H. Pope, Job, Anchor Bible [AB], vol. 17 (1965, 1973).
    • Those marked “Gordis” are to Robert Gordis, The Book of Job: Commentary, New Translation, and Special Studies, Moreshet Series, Studies in Jewish History, Literature and Thought, vol. II (The Jewish Theological Seminary of America: 1978).
    • Those marked “Guillaume” are to A. Guillaume, Studies in the Book of Job, with a New Translation, ed. John MacDonald, Supplement II to the Annual of the Leeds University Oriental Society (Brill: 1968).
    • Those marked “Fohrer” are to Georg Fohrer, Das Buch Hiob, Kommentar zum Alten Testament XVI (Gütersloher Verlagshaus Gerd Mohn: 1963).
    • Those marked “Tur-Sinai” are to N. H. Tur-Sinai, The Book of Job: A New Commentary (Kiryath Sepher: 1957).
    • Those marked “Buttenwieser” are to Moses Buttenwieser, The Book of Job (Macmillan: 1922). 
    • Those marked “van der Lugt” are to Pieter van der Lugt, Rhetorical Criticism and the Poetry of the Book of Job, Oudtestamentische Studiën XXXII (Brill: 1995).