October 9: Revelation 11:15-19

Revelation 11:15-19

After the interlude in chapters 10-11, the cycle of seven Trumpet-visions (i.e. visions of the Judgment) comes to a close. The initial words of the vision need to be considered in comparison with the parallel description of the seventh Seal-vision:

    • “And when he opened up the seventh seal,
      there came to be silence in the heaven as (for a period of) half and hour.” (8:1)
    • “And (when) the seventh Messenger sounded the trumpet,
      there came to be great voices in the heaven saying…” (11:15)

The contrast is clear and striking—silence vs. “great voices”; the distinction is important for an understanding the structure of the book here:

    • “Silence”—marking the awesome/ominous moment when the great Judgment begins
    • “Great voices”—marking the end of the Judgment, with worship and praise of God

With a full 11 chapters (half the book) remaining, it may seem strange to think of the end of the Judgment as being represented here, and yet that is indeed what the vision declares, with the “great voices” sounded together in heaven:

“The kingdom of the world (has) come to be (that of) our Lord and His Anointed (One), and He will rule (as king) into the Ages of the Ages!” (v. 15b)

This is the ultimate eschatological statement regarding the twin concepts, so central to New Testament and early Christian thought, of: (1) the Kingdom of God coming near, and (2) Jesus coming and inheriting the Kingdom. The first is an expression of traditional Jewish eschatology, while the second is a distinctly (and uniquely) Christian idea. Both are combined at many points in the New Testament, and, especially, here in the book of Revelation—the image of the exalted Jesus ruling in heaven alongside God the Father (YHWH), sharing the same power and authority. It is only after the Judgment that the “kingdom of the world” (i.e. humankind and all earthly power) has been completely and utterly transformed into the Kingdom of God. The heavenly scene of chapters 4-5, reprised in 7:9-12, receives its climactic expression here in vv. 16-18, with a similar hymn of praise. It is again to be noted the emphasis on God’s victory and Judgment of the nations:

“…you have seized your power and ruled (as King). And the nations became angry, and (yet) your anger came, and (also) the time of [i.e. for] the dead to be judged and to give the wage [i.e. reward] to your slaves—the foretellers and the holy (one)s and the (one)s fearing your name—the great and small (alike), and to thoroughly ruin the (one)s thoroughly ruining the earth!” (vv. 17b-18)

There is a bit of marvelous wordplay here, often lost in translation, which should be noted—at two points:

    • the nations became angry (w)rgi/sqhsan), and God’s anger (o)rgh/) came
    • the time came for God to thoroughly ruin (diafqei=rai) the people (i.e. nations) who have been thoroughly ruining (diafqei/ronta$) the earth

It is a kind of equation, the Judgment being entirely reciprocal, mirroring almost exactly how humankind has thought and acted. This is an important (religious and ethical) principle, with most ancient roots, expressed many times in Scripture (cf. Gen 9:6, etc). Jesus, in his sayings and teachings, tended to express it through a ‘reversal of fortune’ motif, as in the Lukan Beatitudes (Lk 6:20-26) or the Parable of the Rich Man and Lazarus (16:19-31)—i.e. the one rich and happy now (in the present) will mourn and receive nothing (at the end time). Believers will receive a reward in proper measure to what they have suffered and endured (while remaining faithful); similarly, the wicked will receive punishment according to how they have acted and behaved during their earthly life.

The reference to the nations becoming angry is probably an allusion to Psalm 2:5, reflecting the ancient (socio-political) phenomenon of vassals who rebel and seek independence when a new king (son of the ruler, etc) comes to power. Psalm 2 was given a Messianic interpretation and applied specifically to Jesus by early Christians; indeed, it was one of the principal Messianic passages that shaped Christian thought and belief. In Psalm 99:1, there is a more precise formulation of the peoples’ anger in relation to the rule of God (as King). Here in the vision, as throughout the book Revelation, the exalted Jesus rules along with God as His Anointed One (Messiah).

This heavenly scene concludes with a powerful vision of the “shrine of God” (o( nao\$ tou= qeou=), featured in the earlier vision in vv. 1-2. In the daily note on that passage, I expressed my view that the Temple image is best understood as a figure for believers (collectively) as the people of God. The inner shrine itself, where the altar is located, represents the true believers, worshiping and remaining faithful during the time of distress. Now we see the shrine located specifically in heaven (“the shrine of God in heaven”). Significantly, the shrine is opened up (vb. a)noi/gw), reflecting an important structural framework for the Judgment-visions of chapters 6-11:

    • The seals of the scroll are opened up (by the Lamb)
      • Seventh seal—there comes to be silence in heaven
        • Visions of the Great Judgment
      • Seventh trumpet—there comes to be great voices in heaven
    • The shrine of God is opened up (revealing the Divine Glory)

Just as the innermost area of the shrine signified the Presence of God, i.e. seated above the golden throne (ark), so here the opening of the shrine reveals the Divine Presence—God in His glory made manifest, described almost entirely in the traditional language of storm theophany:

“And the shrine of God th(at is) in the heaven was opened up, and the (sacred) box [i.e. ark] of His diaqh/kh was seen in His shrine, and there came to be flashes (of lightning) and voices and thunders and shaking and a great downfall (of hail).” (v. 19)

This storm imagery was already utilized in the earlier Trumpet-visions, including fiery hail and other celestial phenomena thrown/falling down to earth. Now it is focused more properly in the presence of God Himself, reflecting the shift here in chapter 11, away from the Judgment and (back) toward the worship of God (and Christ) in Heaven.

As indicated above, this seventh Trumpet-vision reflects the completion of the Judgment; or, perhaps it is better to say, the aspect of the Judgment which is located on earth. The context of the passage makes clear that it is now the moment of the resurrection and the final Judgment of humankind before God in the heavenly court. What is strangely missing from this framework is the end-time appearance of the Son of Man (return of Jesus), which normally would be thought to occur prior to the resurrection. Description of this glorious event is put off until a later point in the book (19:11ff). In between (12:1-19:10), the end-time period of the Judgment is presented in a different manner, one which focuses on the idea of conflict between the people of God (believers) and the wicked nations. This shift in emphasis was introduced in the visions of chapter 11, and is developed considerably in the visions which follow. The opening vision of chapter 12 will be discussed in the next daily note.

Sunday Psalm Studies: Psalm 9-10 (continued)

Psalm 9-10, continued

Last week’s study examined the first part (9:2-17 [1-16]) of the acrostic Psalm 9-10; today we will explore the ‘interlude’ (9:18-21 [17-20]) and second part (Ps 10). In terms of the structure of the composition, it is noteworthy that the musical direction hl*s# (selâ, “Selah”) occurs at the end of verse 17 [16], and again after v. 21 [20]. The precise meaning of this term remains unknown, but it would seem to indicate a pause and/or (musical) transition of some sort. Furthermore, at the end of v. 17, hl*s# is preceded by the word /oyG`h! (higg¹yôn), apparently another musical direction, but only used (as such) here in the Psalms. Elsewhere the word occurs in Ps 19:15 and 92:4 [3] (and also Lam 3:62); it presumably derives from the root hg*h*, which fundamentally signifies a low moaning, growling, etc, sound such as an animal makes, but for humans also a kind of muttering, murmuring, etc, sometimes in the deeper sense of the intention or motivation from inside a person (i.e. utterance from the heart). In Psalm 19:15 the word is used in this latter sense, while in Ps 92:4 it refers specifically to a sound made on a harp (roNK!). This would seem to justify the idea that the word here marks a kind of musical pause (‘meditation’) and interlude in the composition. Along these lines, it is also likely that the second “Selah” marks the end of the interlude, and a transition to the next part of the composition (Psalm 10) with a different tone/style/tempo[?], etc.

The ‘Interlude’: Psalm 9:18-21 [17-20]

I divide these four bicola (8 lines) as follows: (1) two bicola (vv. 18-19 [17-18]) which continue the acrostic pattern (letters y and k), and a second (separate) pair of bicola (vv. 20-21 [19-20]) which specifically call on YHWH to act.

y They shall turn [WbWvy`], (shall the) wicked (one)s, (back) to Sheôl,
the nations (hav)ing forgotten the Mightiest (shall) come to an end.
k For [yK!] (it is) not to (be) lasting (that the) needy are forgotten,
(and) what (the one)s beaten down wait (for) does not perish for (all time) passing.

These two couplets admirably encompass and restate much of what was expressed in the first part (cf. the previous study), here presented as a precise contrast between the fate of the wicked and the hope of the righteous (i.e. those suffering in the present). This will also be the juxtaposition that dominates the thought of the second part (cf. below). Once again, the “wicked” (adj. uv*r*) are identified with the “nations” (<y]oG), and here defined more clearly as those who have “forgotten” (root jkv) God (“the Mightiest”, <yh!ýa$ Elohim), probably in the sense that they are unaware of Him. On the term loav= (Sheol), in the context that it is used here, cf. my earlier article. The verb bWv here echoes its use back in verse 4 [3], with the Psalmist’s expectation that YHWH’s act of judgment would “turn (back)” his enemies; now the idea is expressed more generally, that the wicked would “turn (back), return” to Sheol (the realm of death and the grave). I tentatively follow Dahood (p. 58) in emending Masoretic ÁlK* (i.e. “all the nations”) to read the related verb form WLK* (i.e. “the nations [shall] come to an end“), as this perhaps better fits the parallelism of the line. In the second couplet there is some parallel wordplay with the root jkv (“forget”)—while the wicked may have “forgotten” God, He will not “forget” (i.e. abandon) His people. The temporal expressions indicating future permanencejx^n#l* (“for[ever] lasting”) and du^ (“[all time] passing”)—where also used earlier in the first part, but of the fate of the wicked rather than the suffering righteous.

Stand up, YHWH, man(kind) shall not (remain) strong—
(the) nations shall be judged upon [i.e. before] your face;
set, O YHWH, (that) fearfulness on them—
(the) nations shall know (that) they (are only) (hu)man!

This is a powerful theological (and anthropological) declaration, given in parallel couplets. The first line of each mentions the divine name YHWH, calling upon God to demonstrate his authority over humankind, using the collective noun vona$ (“[hu]man[kind]”, also in the closing line). YHWH in his “standing up” (vb. <Wq), i.e. for judgment, has two related effects on human beings: (1) they shall not “be strong” (vb zz~u*) anymore, i.e. they will lose their strength, and (2) fear (reading MT hr*om as ar*om) is placed on them; another possibility for the third line is to read hr*om from the root hr*y` in the sense of something by which people will be directed or controlled (i.e. under the power of YHWH). By contrast, the second line of each couplet mentions the nations (<y]og), specifically who will face judgment in God’s presence (lit. “upon [i.e. before]” God’s face). The wicked, in their brazen and oppressive actions, imagine that they, in their own way, are God-like, possessing great power; however, in the face of YHWH’s terrifying judgment, they will come to realize that they are “only human (vona$)”.

Second Part: Psalm 10

The second part of the acrostic composition (Ps 10), as noted above, takes on more the character of a lament—the Psalmist cries out to YHWH on behalf of the poor and oppressed in society. The structure of this half is relatively straightforward:

    • An initial plea to YHWH, in the form of a question (v. 1)
    • A description of the Wicked, their actions and attitudes, esp. in relation to those they oppress (vv. 2-11)
    • A call for YHWH to act against the Wicked, demonstrating His power and authority (vv. 12-16)
    • A final plea for YHWH to act on behalf of the poor/oppressed (vv. 17-18)

In the context of the Psalm, the initial question raised by the Psalmist gives to the composition the character of theodicy—the longstanding philosophical and theological issue of why God allows evil and suffering in the world, why the wicked apparently flourish without being punished (by God) in the present.

Verse 1

l For what [hm*l*, i.e why], YHWH, should you stand in a far(-off place)
(and) conceal (yourself) from (our) times of (being) in distress?

The final construct phrase is difficult to render in English, with the prefixed preposition B= on the articular noun hr*X*h^ (“the distress”); despite the awkwardness of syntax in translation, I have rendered it quite literally. As it happens, there is a parallelism in the way each line closes, as each word represents a spatial/temporal prepositional phrase with B=, a preposition with an extremely wide range of meaning:

    • qojr*B=, “in a far (off place), at a distance”
    • hr*X*B^, “in the distress”

The parallel is contrastive—when we are in times of distress, how can our God (YHWH) be standing far off, at a distance from our suffering? This certainly is how things seem, at times, for God’s people, who are oppressed and suffer at the hands of the wicked. This striking question, phrased almost as a challenge to YHWH, frames the entire section, and is essentially repeated at the end.

Verses 2-11

The lengthy description of the wicked in vv. 2-11 is a dramatic tour de force, at once vivid and colorful, capturing their attitude and mindset, both in terms of their callous disregard of YHWH and their hostile (and even violent) actions against the innocent. The acrostic pattern is almost entirely lost (to be picked up again at verse 12), likely indicating corruption in the text, which would seem to be confirmed by apparent confusion at several points (cf. below). Unfortunately, neither the Septuagint nor the Dead Sea Scrolls offer any real help in clarifying the situation; the only Dead Sea MS containing Psalm 10 (5/6„evPs) is fragmentary, with nothing preserved prior to verse 6.

Verses 2-3:

In the rising of the wicked affliction burns,
they take hold on this purpose they devise;
for the wicked makes a shout upon the desire of his soul,
and cutting off <?> he bends the knee to <…>.

The LXX does not offer much beyond a generalized rendering of what we have in the MT:

“(in) that [i.e. because] the sinner gives praise upon (himself) in the impulses of his soul,
and the unjust (one) gives a good (word) on (his own) account [i.e. blesses himself]”

In Hebrew, the idiom “bend the knee” (vb Er^B*) means to give homage, worship, bless, etc, and is presumably intended to be taken parallel with ll^h*, “shout, praise, boast”. Similarly the participle u^x@b), “cutting off”, is meant to describe the character of the wicked—i.e. one who gains for himself through violence (cutting/breaking [off]).

Verse 4-5a:

n He spurns [Ja@n]] YHWH, (does) the wicked (saying)
‘As (for) the Exalted (One), his (burning) nostril(s) he hardly seeks (to satisfy)!’
(It seems) there is no Mighty (One) (to hinder) all his (evil) purposes—
his paths (of wickedness) remain firm in all time(s).

Again, it is likely that something has dropped out; the text is barely intelligible as it stands, and commentators divide and interpret it in a variety of ways. There would seem to be present an expression of the wicked’s thoughts, but it is by no means certain where the ‘quotation’ begins or how far it extends. I follow Dahood (p. 62) in reading hbg as H^b)G` as a divine title “High/Exalted (One)”, though I am less confident about emending the prefixed preposition K= to the particle yK!. If the Masoretic text and pointing is retained, then it is likely that oPa^ Hb^g)K= refers to the wicked, rather than YHWH:

“The wicked spurns YHWH by the lifting high of his nose (i.e. face)”

The Hebrew/Semitic word [a^, “nose, nostril, face”, is frequently used as an idiom for anger, especially the anger of God (YHWH)—i.e. the burning/flaring of His nostrils, presumably drawing upon animal imagery (of the snorting bull, etc). In this regard, it seems likely that the phrase vr)d=y]-lB^ (“he does not search/seek [out]”) relates back to the anger of God; in other words, the wicked, by their actions and attitudes, have no fear that YHWH will seek to satisfy His anger by punishing them for their wickedness. Above, I treat the end of verse 4 as a summary comment by the Psalmist, further emphasizing the apparent way the wicked person is able to act and behave with impunity. The position of the first line of verse 5 is unclear, but it would seem to belong as part of this description of the apparent success of the wicked in this present life.

Verses 5b-7:

From high (up) your judgments (are far) from in front of him,
(out of) all his inner (recess)es he puffs at them.
He says in his heart, ‘I (can) hardly be moved—
for cycle a(fter) cycle, happiness with no(thing) bad (for me)!’
(With) cursing his mouth is filled, a(lso) deceit and oppression,
(from) under his tongue (comes) trouble and weariness.

This ‘strophe’ expands on the prior (vv. 4-5a), giving a fuller picture of how the wicked “spurns” YHWH; it may be divided into three distinct components, one for each couplet:

    • 5b: The wicked is far removed from the judgments of God which are “from high (up) [<orm*]”; this must be understood at two levels:
      (a) apparent distance from the standpoint of his own attitudes and character, and
      (b) real distance, the lowness of his wicked nature compared to the exalted holiness, righteousness, etc, of God
    • 6: In his own heart, the wicked imagines that he will continue to prosper in his wicked ways
    • 7: As he speaks, expressing his wicked character, thoughts, and intention, all sorts of harmful things come out

In the last line of the first couplet (v. 5b), the word wyr*r=ox is typically translated as “his adversaries, (one)s hostile to him”. However, this does not fit the context or parallelism of the lines, in which the wicked is responding to the judgments of God; therefore, I tentatively follow Dahood (p. 63) in deriving it from a separate root rrx, referring to the (narrow) inner organs or spaces within a person. This makes a fitting contrast between the high/wide space of heaven (where God dwells), and the narrow confines inside the wicked. If the description in vv. 5b-7 relates to the thoughts and word of the wicked, that in vv. 8-10 relates to his evil actions.

Verses 8-10:

He sits, lying in wait (among the) settlements,
in the hidden places he slays (those) free (of guilt)—
his eyes conceal (what he intends) for the unfortunate.
He lies waiting in the hidden place, like a lion in (the) thicket,
he lies waiting to catch (one to be) beaten down—
catches (the one) beaten down, by dragging him (off),
(caught) in his possession, and broken, bowed (over),
the unfortunate (one)s fall in(to) his <power>.

The actions of the wicked are represented by a single basic scenario, described using repetitive language, and building by way of an overlapping step-parallel approach. The wicked lies in wait, like a vicious hunter, looking to capture one whom he will “beat down”, the basic meaning of the term yn]u*. This word is often translated “poor”, “oppressed”, but here it does not necessarily mean that he is preying on the poor or weak (though that may be true enough); rather, the emphasis is on the role of the wicked in oppressing and ‘beating down’ his victims. What we do know about these victims is that they are innocent, in the sense of being free of any guilt that would justify a violent attack (for revenge, etc). In a general sense they are righteous—and thus make a precise contrast with the wicked themselves—and all those who are righteous and loyal (to YHWH) will identify with these victims of oppression, as the Psalmist does. The final line is especially difficult, due to the word wym*Wxu&B^, the meaning of which in context is unclear. Literally, the MT as we have it would be “his mighty (one)s”, but this does not fit very well with the image of a wicked predator, unless, collectively, a gang of the wicked is now to be envisioned. Possibly the reference is to the strength of the trap or prison which now holds the oppressed person(s) in the possession (tv#r#, often understood as a hunter’s net, etc) of the wicked. Dahood (p. 63) suggests that it derives from a separate (and rare) root meaning to “dig”, as in a pit, which would generally fit the context, but otherwise rests on extremely slim evidence. I have translated very loosely above as “power”, recognizing the possibility the MT may be corrupt, or that something has dropped out of the text at this point.

Verse 11:

He says in his heart, ‘(The) Mighty (One) forgets,
he hides his face (and) scarcely sees for (the) duration!’

This closing couplet repeats the basic idea expressed in verse 4 (cf. above)—that the wicked acts as though YHWH will not respond to punish his evil and harmful behavior. This underlying attitude would seem to be confirmed by the fact that, in the present, the wicked seem to prosper, often facing no justice or proper punishment for their actions. This, indeed, is at the heart of the Psalmist’s lament, and it leads into the call for YHWH to act, in vv. 12-16.

Verses 12-16

With this section, the acrostic pattern comes back in full, for the remainder of the Psalm—letters q, r, ?, t, each for a clear pair of couplets (bicola).

Verse 12-13 q:

q Stand (up) [hm*Wq], YHWH, Mighty (One), lift your hand,
you must not forget the (one)s (who are) beaten down—
upon what [i.e. why] (should) the wicked spurn the Mightiest,
(and) say in his heart ‘You will not seek (to punish)’?

Some commentators would eliminate la@ (“Mighty [One]”, i.e. God) from the first line, but it may well be a relic of Israelite religious expression that is preserved, specifying something long understood—that YHWH is to be identified with the high Deity and Creator °E~l (la@). A summary of vv. 2-11 is provided in verse 13, establishing the attitude and behavior (of the wicked) that the Psalmist wishes YHWH to address and punish. I have translated yn]a* throughout as “(one who is) beaten down”, to capture the concrete idea of what the wicked is doing to their victims. Other common renderings, such as “oppressed”, “afflicted”, etc., are fine and generally capture the idea as well.

Verse 14 r:

r For you (must surely) see [ht*a!r*] (all) the trouble and (what this) provokes,
you will (certainly) look to give (justice) with your hand!
Upon you the unfortunate (one) places (his trust),
(and) the fatherless—you are (his) helper.

The noun su^K^, parallel with lz`u* (“trouble”), is difficult to translate accurately here; it has the basic meaning of provoking to anger, and it may be a subtle way for the Psalmist to stimulate God’s own anger, provoking him to act. The perfect tense in the first line is perhaps to be understood as a precative perfect, with the Hiphil imperfect in line 2 following, to express the wish (and hope/expectation) of the Psalmist. In the second couplet, YHWH is reminded that He is the only one whom the weak and unfortunate in society can go to for help; again the purpose is to sway God to take action by this appeal. There is a bit of alliterative word play between the verbal root bz~u* (II, “place, put, set”) and rz`u* (“help”).

Verses 15-16 ?:

? Shatter [rb)v=] the arm of the wicked and evil (one),
seek (out) his wickedness—you can scarcely (fail to) find (it)!
YHWH (is) King (for) the distant (future) and (all time) passing–
(and so) may the nations perish from the earth!

Here the section concludes with a fierce and lively imprecation, using the familiar ancient Near Eastern (and Old Testament) idiom of breaking/shattering the bodily limbs of the wicked. In particular, the arm (u^orz+) symbolizes the wicked person’s strength and ability to act—he stretches out his arm to do violence and injustice to others. The second line of this strophe is the most difficult, due to its peculiar syntax and metrical tension; it is made up of two construct phrases:

    • ouv=r!-vorD=T!—”you shall seek his wickedness”
    • ax*m=T!-lb^— “you will scarcely find (it)”

The verb vr^D* (“seek, search”) has a two-fold meaning: (a) the basic sense of seeking to find something, but also (b) the more specific sense of seeking something out so as to address it or deal with it. This latter meaning has been used more than once in the Psalm already, including earlier in v. 13, where the wicked expresses the thought the God will not “seek (out)” his wicked behavior, i.e. to avenge or punish it. The particle lb^ usually indicates negation, but often in the sense of failure, i.e. being unable to do something. Here the nuance of the expression perhaps is “you will scarcely (fail to) find it”, that is to say, there is so much wickedness around, and the wicked person acts so brazenly and repeatedly, that YHWH will have no trouble finding evidence of it.

The final line (v. 16b) again makes the standard identification of the wicked with the nations—i.e. all the surrounding (non-Israelite) nations. For generations, this would be a common way for Israelites and Jews to reference wickedness—immorality, and false/improper religious behavior, etc. Of course, it is predicated on the fundamental idea of the unique covenant bond between YHWH and Israel; any Israelites who violate the covenant and act wickedly, are behaving, not as God’s people, but in the manner of the surrounding nations who are not His people.

Verses 17-18 t

t The wish [tw~a&T^] of the (one)s beaten down, YHWH, you shall hear,
you make firm their heart, you incline your ear,
to judge (for) the fatherless and broken (ones)—
(then the wicked) will no longer continue
to make man(kind) tremble from the earth.

It is possible to read the < of <B*l! as an enclitic (cf. Dahood, pp. 66-7), in which case it refers to YHWH’s heart (“you make firm [your] heart”); however, the parallelism of the couplet suggests rather that it relates to the “wish/desire of the afflicted ones”, representing YHWH’s answer to their plea. The awkward syntax and metrical tension of the final verse opens the possibility that it should be read/divided as a tricolon (3 lines), as I gave generally done above. The referents of this last declaration are not entirely clear, but the basic point is, I believe, that the wicked will scarcely be able to act as they have been doing, once YHWH chooses to act and judge/punish their behavior. The actions of the wicked are described by the verb Jr^u* (“[make] tremble”), which sounds similar to the word Jr#a# (“earth, land”), creating a bit of wordplay in the final line.

References above marked “Dahood” are to Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] Vol. 16 (1965).

Sunday Psalm Studies: Psalm 9-10

Psalm 9-10

As nearly all commentators recognize, Psalms 9 and 10 likely were originally a single composition. This is seen primarily from the fact that there is a single acrostic (i.e. the first letter of each line/strophe in alphabetic order) pattern running through them. The Greek Septuagint, followed by the Latin Vulgate tradition, treats them as a single Psalm, resulting in the number of the Psalms being offset (by one) between the Greek/Latin and the Hebrew. The use of the acrostic technique in poetry seems wholly artificial and contrived to most readers today; however, the number of surviving acrostics in the Old Testament—seven other Psalms (25, 34, 37, 111, 112, 119, 145), as well as Proverbs 31:10-31 and Lamentations 1-4—is evidence of its popularity. Apart from any artistic concerns, the device served as an aid to memory, especially for lengthier compositions. Undoubtedly the most famous acrostic is Psalm 119, with the alphabetic structure being indicated in many modern English Bibles. The alphabetic arrangement of the Lamentations was preserved in Roman Catholic liturgical tradition (the settings for Holy Week). The acrostic structure of Ps 9-10 is incomplete (discussed in the notes below), suggesting that the text may be corrupt (esp. in the first half of Ps 10); however, any attempt at reconstruction, to restore a complete acrostic, is highly speculative and scarcely worth the effort.

This Psalm is another Davidic composition following the superscription pattern we have encountered thus far throughout Pss 2-8. The specific musical direction (indicated by the preposition lu^ “upon…”), like most in the Psalms, remains obscure to us today. It clearly relates to performance tradition, but beyond this, it is often unclear whether it refers to (a) instrumentation, (b) musical mode/key, (c) melody, or something else entirely. Here the direction is /B@l^ tWml=u^ (±almû¾ lab¢n), the meaning of which is quite uncertain (cf. also in Psalm 46). The pattern of these directions suggests that twmlu be parsed as tWm-lu^ (“upon [the] death [?] of…”), which scarcely seems intelligible. One plausible suggestion is that the preposition has dropped out, and that the text originally read toml*u&-lu^, indicating, perhaps, that the composition was to be sung by female voices (hm*l=u^ fundamentally referring to a young woman who has recently become mature). The significance of the following /B@l^ (“for a son” [?]) would still be unclear; a direction for male treble voices is possible.

As would be expected for a composition of this length and (textual) complexity, the meter in the Psalm as we have it is inconsistent, and there are a number of questions regarding the division of lines and strophes, especially where the acrostic pattern appears to have been disrupted. I will indicate this Hebrew alphabetic pattern throughout the notes. Generally a new letter is introduced for each pair of bicola (4 lines). I tentatively divide the composition, as it has come down to us, into two main parts (9:2-17 [1-16], and 10:1-18), with an ‘interlude’ at 9:18-21 [17-20]. The first part has a more confident tone, the second more in character of a lament, with urgency in the Psalmist’s prayer for YHWH to act.

Part 1: Psalm 9:2-17 [1-16]

Verses 2-3 [1-2]a

a I will give out [hd#oa] (praise), YHWH, with all my heart,
I will (re)count all your wondrous (deed)s;
I will rejoice and rise up (with joy) in you,
I will make music (to) your name, Most High!

This initial strophe is one of praise to YHWH, as in the opening of Psalm 8 (cf. the study last week); however, the composition overall is not a hymn of praise, but rather a prayer (with lament characteristics), drawing upon the same themes of the justice/judgment of YHWH, in the context of the Psalmist’s opponents/adversaries, that we saw, especially, in Psalm 7 (cf. the study). This comes immediately into view in the following couplets.

Verses 4-5 [3-4]b

b (For) with the turning [bWvB=] (back) of my enemies behind (me),
they (shall) have fallen and been destroyed from your face.
(O) that you (will) have made judgment and ruled (for) me—
you (who) have sat on the covered (seat) judging (with) justice!

The prepositional phrase that opens the bicolon in v. 4, “with (the) turning [bWvB=] of my enemies”, could be seen as continuing the thought of v. 3 (Dahood, p. 53, 55), however it seems preferable to regard it as establishing the setting for what follows. It begins a precatory section, describing, in this Prayer-composition of the Psalmist, what he wishes YHWH will do. As such, I would tend to agree with commentators who read the perfect-tense verb forms as precatory perfects—stating what the author wishes would happen, in terms of what YHWH has already done. This comes out most clearly in the second bicolon (v. 5), for which I read the initial yK! particle as emphatic, heightening the entreaty: “O, that you (would) have…”. It is important to understand how these lines relate in the mind of the Psalmist:

    • The turning back of his enemies behind him—God’s action realized in terms of a life situation (line 1)
      • The concrete manifestation of this—the falling/failing and death/destruction of the persons hostile to him (line 2)
        • yK! “O, that…” – the petition of the Psalmist
      • This reflects God judging and ruling on his behalf (judicial setting) (line 3)
    • And, because God rules (over all) as Judge, His judgment (i.e. what happens to the enemies) is right and just [qdx] (line 4)

The verb bv^y` (“sit”) here implies YHWH sitting on the ruling seat (i.e. throne), as both King and Judge, over the entire world. The “face” of God signifies his manifest Presence and Power—here also in the specific context of facing God in his role as Judge.

Verses 6-7 [5-6]g

g (O, that) you (shall) have called out [T*r=u^G`] (against the) nations (and) destroyed (the) wicked,
their name you have rubbed (out) for the distant (future) and until (the end).
The enemy, (that) they (would) be finished—dried (out ruin)s lasting for (all time)—
and (even) the guarded (place)s you have torn up (so that) memory of them is destroyed!

These two couplets continue the same theme (and the Psalmist’ request), but framed in a global, cosmic sense, reflecting YHWH’s rule over all people (all the “nations”). Here the “nations” (<y]og) are treated as synonymous with the “wicked” (collectively, uv*r*). The verb ru^g`, a bit difficult to translate in English, essentially refers to preventing someone from acting, often by means of a forceful word or command; it is generally synonymous with bWv (“turn”) in v. 4, YHWH stopping the Psalmist’s enemies and turning them back, away from him. It is a manifestation of YHWH ruling as Judge, executing judgment on the Psalmist’s behalf; this is also so of the verb db^a* (“[make] perish, ruin, destroy”, also used in v. 4), which is here parallel with ru^g`—the divine Judgment involves the death/destruction of these enemies, an idea that is most difficult, even repellent, to modern day Christians. Moreover, in these lines the permanence of this judgment—not just death for those persons involved, but perpetual ruin and disgrace, their very memory being “rubbed out”—is most clearly expressed. The idea of future permanence of this judgment is conveyed through several expressions, each of which closes a line:

    • “for the distant [<l*ou] (future)” and “until [du^] (the end)” (line 2)
    • “for(ever) lasting” [jx^n#l*] (line 3)
    • “their memory [rk#z@]” will perish (line 4)

All of this ultimately reflects the power and authority YHWH possesses—His rulings as Judge last forever. As an interesting side note, I have translated the plural noun <yr!u* here literally as “guarded (place)s”, which, in most instances, generally means “cities”, i.e. walled/fortified towns, sometimes guarded with watchtowers, etc. The emphasis here, I believe, is that even the fortified, guarded sites of the wicked are to be destroyed, left as desolate ruins, as part of YHWH’s judgment. However, Dahood (p. 55f) reads the plural in a different sense, as “watchers, protectors”, i.e. referring to the ‘gods’ of these people (the nations), drawing upon a use of this root attested, for example, in Aramaic and Syriac—ryu! = “watcher, (one) watching, guarding”, specifically a heavenly being or ‘Angel’ (cf. Daniel 4:10, 20). I do not find this very convincing, in terms of the immediate context and imagery in the line, though I agree that there may be a bit of dual-meaning wordplay involved here.

Verses 8-9 [7-8]h

In the acrostic pattern, there is no strophe present for the letter d, skipping from g to h. Possibly a portion has been lost; however, in the only relevant Dead Sea manuscript (11Psc), a corresponding d-strophe is also absent, the text generally matching that of the MT. If a strophe has dropped out, it must have occurred by the first century B.C. The apparent confusion surrounding the final word of v. 7, hmh, which, it would seem, properly begins the couplet of v. 8, suggests that the text here may well be corrupt.

h Behold [hmh], YHWH has sat (ruling) from the distant (past),
He set firm His covered (seat) for judgment,
and He judges the productive land with justice,
and rules for the tribes (of earth) with straight (decision)s.

Metrical considerations, along with the acrostic pattern of the Psalm, would seem to require that the last word in MT verse 7, hM*h@, begin the couplet of v. 8; in which case, a slight emendation and/or repointing of the text is likely needed, though the proper solution remains unclear. Dahood (p. 56), on the basis of Ugaritic evidence, posits an interjection (<h, hmh) similar to hN`h!, “see, look, behold!” Kraus (p. 190) would repoint hmh as hm#h), “roaring”, but it seems inappropriate to apply the verb to God in this way; it may, indeed, be the underlying Hebrew read by the Greek Version (met’ h&xou, “with [a] noise”), but the LXX relates it to the end of v. 7 (referring to the destruction of the wicked), not the beginning of v. 8. For lack of any better solution, I tentatively follow Dahood, or, at least, I assume a Hebrew equivalent of hmh => hN`h!; in any event, such a reading fits the tenor of the strophe, which depicts YHWH ruling, from His heavenly throne, since the most distant past. The word <l*ou can refer to either the distant past or distant future; in verse 6, the latter was meant, here it seems better to understand it in the former sense. Both aspects, taken together, connote the idea of “eternity”, God’s “eternal” rule in Heaven. The noun lb@T@ is difficult to translate in English; basically, it refers to the productive parts of the land (i.e. fertile, able to bring forth produce), and thus the areas (of the earth) that are inhabited by human beings, though occasionally it can signify the world as a whole (as understood in the ancient Near East). In any case, here it is the entire inhabited earth that is in view—YHWH rules as King and Judge over all human beings everywhere.

Verses 10-11 [9-10]w

w And (indeed) is [yh!yw]] YHWH a high place (of refuge) for (those being) crushed,
a (safe) high place for times (when they are) in distress;
and they shall be secure in you, (the one)s knowing your name,
for you do not abandon (those) seeking (refuge in) you, YHWH.

The primary image in this strophe is of YHWH himself as a citadel—the fortified city. Ancient Near Eastern cities were rather small in terms of area, comprised primarily of the temple and palace complexes where ruler (and his family, etc) dwelt. They were walled, fortified spaces, set on a hill, or otherwise elevated as a result of being built upon successive occupation levels. Most of the population did not reside within the city walls, being farmers and herders, but would seek refuge there in times of “distress” (warfare, invasion, etc). The specific word used here is bG`c=m!, literally a high, elevated place. It draws upon the idea of YHWH seated high up (above the heavens) on his throne; those faithful and loyal to Him will seek refuge in the place where He is. This proximity to YHWH is defined, in ancient religious-cultural terms, as “knowing [vb ud^y`] His name”. On the significance of this idiom, cf. my earlier Advent/Christmas season series “And you shall call his name…” (esp. the articles on the Names of God). The promise is that God will not abandon or forsake the one who remains loyal to Him, meaning, in the context of the Psalm, that God will answer his prayer. The verb jf^B*, which I translate above as “be secure (in)”, could also be rendered generally as “trust (in)”; as for the verb vr^D* (“seek [out], search [for]”), I have likewise translated with the idea of God as a place of security and refuge in mind (“seek [refuge in]”).

Verses 12-13 [11-12]z

z Make music [Wrm=z~] to YHWH, (to the One) sitting (over) ‚iyyôn,
put His deeds (out) front, (there) among the peoples;
for (He is) seeking (out the one)s wailing, He remembers them,
He does not forget the cry of (the one)s being beaten down.

With this strophe, the Psalm shifts from a petition within a judicial setting to that of a personal appeal or lament by the Psalmist. The exhortation to praise in verse 12 is parallel, in certain respects, to that which opens the Psalm (v. 2). In the second bicolon, God’s faithful ones are described as those who suffer, weeping/wailing/groaning (vb <md) and having been beaten down (vb hnu)—the latter verb denoting a position of lowness and affliction, not necessarily as a result of violent action. As in the prior strophe, the Psalmist expresses confidence that YHWH will not abandon his people when they are in distress. It is interesting how this personal appeal blends so deftly together with an appeal on behalf of the people—i.e. Israel, the faithful among them. The localization of Zion places God’s rule directly in relation to Jerusalem and the kingdom of Israel/Judah.

Verses 14-15 [13-14]j

j Show favor to me [yn]n@n+j*], YHWH, see my beatings down by (the one)s hating me,
(and) raise me up from (the) gates of Death!
In response, I would (re)count all (the) shouts (of praise) for you,
in the gates of Daughter ‚iyyôn will I go round with (news of) your help!

Again, in this strophe the personal merges with the idea of the people (the righteous) as a whole. It is safe to say, I think, that in this Psalm, more than any other we have yet examined, the Psalmist represents the people—the righteous ones loyal to YHWH—and stands for them. Rather than referring to a specific situation of distress for an individual—whether an historical figure (i.e. David) or literary protagonist—it is that of the people generally that is in view. This perhaps explains why the idea of the Psalmist’s enemies/opponents now shifts so decidedly toward the “nations” and the “wicked” in a more general, universal sense. At any event, the suffering of the righteous is still expressed in terms of the Psalmist’s own, in the first bicolon (v. 14). The plea for YHWH to rescue him and “raise” him up from the point of death is presented most vividly, using mythological-poetic imagery to describe death and the grave as a great kingdom (with gates) ruled by a king (Death, personified). On this motif, cf. the discussion on Psalm 6 and also the separate article on “Sheol”. The basic idiom “gates of Death” is preserved in the Greek of the New Testament as “gates of the Unseen [a%|dh$, hád¢s] (realm [i.e. of the dead])” in Jesus’ famous declaration to Peter (Matt 16:18). There is an intentional parallel to “gates of Death” with “gates of Daughter Zion” in the second bicolon (v. 15); the latter is a personification of Jerusalem, as the place where God’s people dwell (and thus opposite of the realm of death and the wicked). The Psalmist promises that, if delivered from his distress, he will spread the praise of YHWH, and news of the help given by Him, throughout all of Jerusalem—that is, to all of God’s people.

Verses 16-17 [15-16]f

f (O, that) they (would) be sunk [Wub=f*], (the) nations, in the ruin they made,
this trap hid to possess (others will) have captured their (own) feet!
(Yes) YHWH (shall) be (made) known (by) the judgment He makes—
with (the) works of his (own) palms is the wicked (one) struck down!

The final strophe of this part shifts to an imprecation (perfect vb. forms again read as precative perfects) against the “nations” (plural) who, as a whole, are synonymous with the “wicked” (singular). YHWH’s judgment against the wicked is notable in that it draws upon humankind’s own evil intent, described three ways:

    • “the ruin [i.e. with connotations of death/decay] they made”, possibly meant to convey the idea of digging a grave
    • “this trap hid to possess (others)”, probably to be understood as an ensnaring net
    • “the works of his (own) palms”, here “palms” being a more concrete and visceral synonym for “hands”

The wicked are buried, ensnared, and/or struck down by their own devices. This is a popular motif in the Psalms and wisdom literature, one which we have already encountered in Ps 5:10-11 [9-10] and 7:15-17 [14-16].

The remaining ‘interlude’ of 9:18-21 [17-20] and the second part (Psalm 10) will be discussed next week, along with a summary discussion of the composition as a whole.

References above marked “Dahood” are to Mitchell Dahood, S.J., Psalms I: 1-50, Anchor Bible [AB] Vol. 16 (1965). Those marked “Kraus” are to Hans-Joachim Kraus, Psalmen 1 Teilband (Psalmen 1-59), Neukirchener Verlag (1978), English edition Psalms 1-59 in the Continental Commentary series (Fortress Press: 1993).

March 7: Matt 6:10a; Luke 11:2c

Matthew 6:10a; Luke 11:2c

The second petition of the Lord’s Prayer, like the first, is identical in all three versions—Luke [MT], Matthew, and the Didache:

e)lqe/tw h( basilei/a sou
elthétœ h¢ basileía sou
“May your Kingdom come”

Syntactically, this is perhaps the simplest and most straightforward of all the petitions in the Prayer, a fact which belies several difficult points of interpretation. In the shorter (Lukan) version of the Prayer, the first two petitions form a precise pair:

    • “May your Name be made holy”
      “May your Kingdom come”

The Matthean structure is more complex, due the inclusion of an additional (third) petition, to be discussed in the next note. A version in Aramaic, such as may have been spoken by Jesus, would perhaps be: Et*Wkl=m^ hyt@at@ (t¢°têh malkût¹k). There is a similar sort of petition in the Jewish Qaddiš [Kaddish] prayer: “May he cause his kingdom to rule in your lifetime and in your days, and in the lifetime of all the House of Israel” (Fitzmyer, p. 900).

The 3rd person imperative e)lqe/tw (“it must come”) is exactly parallel to the (passive) imperative a(giasqh/tw (“it must be made [i.e. treated as] holy”) in the first petition. As noted previously, the context of a prayer to God requires a slightly difference force to the imperative in translation, as an exhortative request: “may it be that…”, “let it be (so) that…”. The person praying urges God to bring it about that these things happen: (1) His Name is treated as holy by people on earth, and (2) that His Kingdom comes, or is made manifest, on earth. These two aspects, or attributes, of God—His Name and Kingdom—must be considered together, as a conceptual pair. The first of these was discussed in the previous note (on the first petition, cf. also the series “And you shall call His Name…“). I have examined the idea of the Kingdom of God in earlier notes and articles (see “…the things about the Kingdom of God“, Part 5 of the series “Yeshua the Anointed”, and an article in the series “Birth of the Son of God”). Here I will be focusing specifically on the theme of the Kingdom in the context of the Prayer.

In Matthew, within the Sermon on the Mount, the expression “Kingdom of the Heavens” (the Matthean parallel to “Kingdom of God” in the sayings of Jesus) occurs eight times (5:3, 10, 19 [twice], 20; 6:10, 33; 7:21), including the opening Beatitude that begins the Sermon (5:3): “Happy are the (one)s…(in) that the kingdom of the heavens is theirs”. This serves as a keynote theme to the Sermon as a whole, and follows upon the initial proclamation by Jesus at the start of his public ministry:

“Yeshua began to proclaim and say, ‘You must change (your) mind [i.e. repent], for the kingdom of the heavens has come near!’…. And he led (the way) around in (the) whole of the Galîl, teaching…and proclaiming the good message of the Kingdom…” (Matt 4:17, 23 par)

It is interesting to compare these two pieces of tradition—if Jesus declared that the Kingdom of Heaven has (already) come near (h&ggiken, perfect form of the vb. e)ggi/zw), how is it that his followers should pray that the Kingdom might yet come (vb. e&rxomai)? The key to understanding this lies in the eschatological context of both Jesus’ initial proclamation and the petition in the Prayer. That the Kingdom of God/Heaven has come near (e)ggu/$) means that has not yet arrived, but is about to very soon. The use of e)ggu/$ and the verb e)ggi/zw in the New Testament, as well as elements like the verb me/llw (“about to be/happen”) and other vocabulary, provides clear and unmistakable evidence of an expectation among early Christians and Jews of the period that the end was imminent. God was about to appear to bring Judgment upon the world and to rescue the faithful ones among his people. Both John the Baptist and Jesus affirmed this in their preaching (Matt 3:2; 4:17 par, etc). I discuss the subject at length in the series “Prophecy and Eschatology in the New Testament” (soon to be posted on this site).

At the same time, there was still a longing and desire among God’s people for this eschatological moment to be realized, that it might come to pass even as the faithful are waiting for it to occur. We see this expressed at numerous points in the New Testament and the Gospel tradition—e.g., Mark 15:43 par; Luke 2:25, 38, etc.—and it is what is emphasized in the Lord’s Prayer as well. However, the significance of it needs to be considered in the context of the first petition. The wish that God’s name should be treated as holy by people on earth indicates that this is currently not taking place—human beings are not acting and thinking in a way that gives honor to God or that reflects His nature and character. Jesus’ true disciples, if they follow his teaching and example, will reflect God’s own character, and will be worthy of belonging to His Kingdom (Matt 5:3, 10, 19-20, 48; 6:33; 7:21, etc). What about the rest of humanity? They will only come to honor God’s “Name” at the (eschatological) moment when He appears to bring Judgment upon the earth (cf. Phil 2:9-11). Some will be converted even before this point, through the example and witness of believers (Matt 5:16; 1 Pet 2:12, etc). Paul envisions the conversion of “all Israel” as an end-time event prior to the Judgment (Rom 11:25-27).

Another important eschatological aspect to the Kingdom-petition in the Prayer is the fundamental idea of God as King, and the natural (religious) desire to see His power and influence exerted over the world, especially in regard to the elimination of wickedness and evil. This will be discussed further when addressing the last petitions of the prayer. This cosmic conflict, and its resolution at the end-time, is central to most eschatological frameworks, and certainly is evident among Jews and Christians in the first century A.D. Moreover, eschatological and Messianic modes of thought and expression go hand in hand, as I discuss in considerable detail in the series “Yeshua the Anointed“. A climactic expression of this for early Christians is found in the visions of the book of Revelation, especially the scenes of heavenly worship in chapters 4-7, and the hymn of praise following the heavenly battle-scene in chapter 12 (vv. 10ff):

“Now it (ha)s come to be—the salvation and the power and the kingdom of our God, and the authority of His Anointed (One)…!”

Thus, the Kingdom-petition is finally realized in the context of these end-time visions. The general clarity and precision of this eschatological hope in the Prayer itself is complicated by two factors:

    1. The additional (third) petition in the Matthean version of the Prayer, and
    2. The variant reading, in place of the Kingdom-petition, in some witnesses of the Lukan version

These will be examined, respectively, in the next two daily notes.

These notes on the Lord’s Prayer commemorate the start of the new feature “Monday Notes on Prayer” on this site.

Birth of the Son of God: The Kingdom of God

This Christmas series was intended to run through the Baptism of Jesus, which is commemorated on Epiphany (Jan 6) in the Eastern Churches; in Western tradition, Jesus’ Baptism is celebrated on the octave of Epiphany (Jan 13).

As a follow-up to the recent notes on believers as “sons/children of God”, today I would like to examine the connection between sonship and the kingdom of God. It is not possible in this relatively brief discussion to provide a comprehensive treatment of the “kingdom of God” as a concept or topic; however, a number of key points and observations will be offered here.

The Kingdom

To begin with, contrary to some commentators, I find little distinction between the use or meaning of the expressions “kingdom of God” and “kingdom of Heaven (lit. ‘of the Heavens’)”. The latter is found exclusively in the Gospel of Matthew, and a comparison of parallel passages and sayings of Jesus in the Synoptics, demonstrates more or less decisively that the expressions are synonymous (and interchangeable). Which is not to say that the Gospel of Matthew does not have specific reasons for using “Heaven” instead of “God”. Exactly how, or to what extent, the different idioms (in Greek) relate to the actual words of Jesus (the ipsissima verba, probably spoken in Aramaic) continues to be debated.

The Kingdom-concept appears to have a fairly wide range of meaning, but it is possible, I believe, to isolate three primary aspects or elements:

  1. Rule and authority—that is to say, of God as king. While, from the human perspective, God rules and exercises sovereignty, primarily from heaven, he has also made his will known to people on earth—principally through the commands and communication revealed and preserved in the Scriptures. Eventually, God will enforce his rule more fully and directly upon the world (at the end time).
  2. Dominion—by this is meant the area (domain) that is subject to God and the means by which he rules; one may divide this into two additional aspects: (a) the people who are under his rule and obedient to it (i.e. the “righteous”), and (b) the rule of God in terms of the Law (or “laws”, i.e. commands, precepts, etc) under which the ‘Kingdom’ is governed. According to Pauline thought and terminology, especially, the “Law of God” is synonymous with the “Will of God”.
  3. Eschatology—at the time of the New Testament, and in Jesus’ own day, the “Kingdom of God” was understood primarily in terms of the rule of God which will be realized over humankind (and all things) and the end of the (present) Age. Several related ideas and expectations were brought together, variously, in this context: (a) God’s end-time Judgment of human beings, (b) the specific judgment against the wicked/idolatrous “Nations”, (c) the restoration of Israel, and (d) the reward of the righteous (who have been suffering during the current wicked Age). The expectation of an Anointed ruler (i.e. Messiah/Christ), from the line of David, whose appearance would attend (or govern) these eschatological events, appears to have been relatively common in the 1st centuries B.C/A.D.

The initial proclamation of Jesus was to announce that this coming Kingdom was now arriving: “The time has been (ful)filled, the Kingdom of God has come near…!” (Mark 1:15 par). The vast majority of references to “the kingdom of God/Heaven” in the New Testament, in fact, come from Jesus’ own teaching (and virtually all from the Synoptic Gospels, except for John 3:3-5). These can generally be divided into several categories:

“Inheriting” and “Entering” the Kingdom

A principal metaphor, encompassing both ethical and eschatological aspects of the Kingdom concept, is that of inheriting or entering the Kingdom. The two idioms are, it would seem, generally synonymous, and are rooted clearly in the idea of believers (or the righteous) passing the (end-time) judgment before the heavenly/divine tribunal. This is especially so in terms of “entering” the Kingdom; whereas inheritance may also carry the connotation that believers (or the righteous) have already (previously) been appointed a share (i.e. lot) and place in the Kingdom. It is certainly true that one sees a kind of “realized” eschatology throughout much of the New Testament, drawn largely, I would say, from the basic idea of the covenant God established with his people (Israel)—if believers remain faithful, they will inherit that which God has prepared for them.

“Enter” the Kingdom (including parallels)—Mark 9:47; 10:15, 23-25; Luke 18:17, 24-25; Matthew 5:20; 7:21; 18:3; 19:23-24; 23:13; John 3:5; Acts 14:22; see also Mark 9:43, 45; Matt 7:13; 8:11; 18:8-9; 19:17; 25:21, 23; Lk 11:52; 13:24, 29; Heb 3:11, 18-19; 4:1-6, 10-11; 10:19; Rev 21:27; 22:14 and John 10:1-2, 9.

“Inherit” the Kingdom (including parallels)—Matthew 25:34; 1 Corinthians 6:9-10; 15:50; Galatians 5:21; Ephesians 5:5. For the parallel idea of inheriting eternal life, cf. Mark 10:17 par; and for similar language involving inheritance, cf. Mark 12:7 par; Lk 12:32; Acts 20:32; Gal 3:18ff; 4:30; Col 1:12; 3:24; Eph 1:11, 14, 18; Heb 1:14; 6:12; 9:15; 11:8; 1 Pet 1:4.

With regard to each of these expressions, there are two particular ideas or images which especially relate to believers as “sons/children of God”:

It is necessary to examine this last image in a bit more detail.

Believers as Heirs (to the Kingdom)

As indicated above, this motif is connected with the idea of believers (or the righteous) inheriting the Kingdom of God. It is the sons who inherit the father’s estate, and, especially the eldest/firstborn son. This is expressed in early Christian thought by the theological (and Christological) premise that Jesus is the true “Son” and heir of God (cf. Mark 12:7 par; Hebrews 1:2; Romans 8:17), which is further reinforced by reference to the Kingdom as belonging to Christ (“my Kingdom”, etc)—Luke 1:33; 22:29-30; 23:42; John 18:36; 1 Cor 15:24; Col 1:13; Eph 5:5; 2 Tim 4:1, 18; 2 Pet 1:11; Rev 11:15; 12:10; also Matthew 16:28; 26:29; Luke 19:12ff; Heb 1:8. Believers are heirs through Christ, and heirs together with him (Romans 8:17). The concept of believers as heirs of God is important within Paul’s argument in Galatians and Romans, contrasting the freedom of believers in Christ with slavery under the Law (the old covenant) and sin—cf. throughout Galatians 3-4 and Romans 4:13ff; 8:12-30. For other New Testament references, see James 2:5; 1 Pet 3:7; Eph 3:6; Tit 3:7; Heb 6:17; 11:7ff. At least once in the New Testament, in Jesus’ teaching, believers are specifically referred to as “sons of the Kingdom [ui(oi\ th=$ basilei/a$]” (Matt 13:38, but note the somewhat different use in Matt 8:12).

The specific motif of the firstborn son will be discussed in the next article in this series.