Additional Qumran Psalms
There are a few additional extra-canonical Psalms of note in the Qumran scrolls, besides those in the great Cave 11 Psalms Scroll (11QPsa) that we have already examined. For example, in the Cave 4 scroll 4QPsf there are two compositions in Columns IX and X, the first of which (in Col. IX) has been given the generic designation “Eschatological Hymn”, while the second (Col. X) is referred to as “The Apostrophe to Judah”. It is assumed that these represent two distinct compositions, but, since the opening lines of each (at the beginning of the column) are lost, it is not possible to be certain on this point. The meter of the “Apostrophe to Judah” does seem to be noticeably different from the somewhat more regular (generally 3+3) meter of the “Eschatological Hymn”. The two hymns do, however, have a similar eschatological emphasis.
Eschatological HYMN (4QPsf, Col. IX)
If the “Apostrophe to Judah” in Col. X is indeed a separate composition, then this hymn in Col. IX would seem to be relatively short. However, the actual size/scope and structure of the poem remains difficult to determine, due the fragmentary condition of the scroll at the beginning and end of the column. The first three lines are almost completely lost, with not enough surviving to allow for any kind of translation; it is also fragmentary, with additional lines lost, as the bottom of the column.
The Community of the Qumran texts, much like the earliest Christian communities, had a strong eschatological orientation to their religious self-identity. They viewed themselves as representing the righteous/holy ones of the end time, through whom God (and His messianic agent[s]) would usher in the New Age.
As always in these Qumran compositions, lacuna (gaps) in the text are indicated by square brackets; occasionally it is possible to fill in the gaps, particularly when only a single letter is missing. Plausible restorations have been established in the critical editions and standard translations (e.g., DSS Bible) and are followed here.
Metrically, this poem seems to follow a three-beat (3+3) couplet format.
Lines 4-8
“…many [. . . ]
and let them praise (the) name of YHWH!
[F]or He comes to judge every (thing) d[o]ne,
to carry away (the) wicked (one)s from the earth,
[(so) that (the) sons of] crookedness shall not be found!”
As mentioned above, the first three lines (of the column) are almost completely missing, and the fourth line also is fragmentary. It seems likely that lines 1-5a contained the first two couplets of the hymn, the second of which is partially preserved. For first line of this couplet, only the word <ybr (“many”) survives; the line may have contained a reference to the nations/peoples acknowledging YHWH as God, with the Psalmist calling on them to worship and give praise to Him (second line), cf. Ps 40:4[3]; 97:1. This is an eschatological theme that we find in a number of the canonical Psalms, particularly those emphasizing the universal Kingship of YHWH; see especially Pss 93-100 and the final Hallelujah collection (146-150).
Lines 5b-8a of the column seem to contain a tricolon (3+3+3) declaring the end-time Judgment of God upon humankind. The announcement that “He comes to judge…” is similarly found in Psalm 96 (v. 13) and 98 (v. 9)—both part of the Kingship collection (93-100) mentioned above. Here, it is said that YHWH will come to judge the deeds of human beings (“every deed”, “every [thing] done”); this is a basic principle characterizing the eschatological Judgment (and YHWH’s role as Judge)—cf. Ps 94:2; Dan 7:10; Joel 3:12ff; Matt 12:36; John 3:19ff; Acts 17:31; Rom 2:2ff; 14:10ff; 2 Cor 5:10, etc.
The Judgment will result in the wicked being “carried/taken away”. The verb used is hb*v*, which frequently refers to captives that are taken away (i.e., deported/exiled). The verb can be used specifically of the captivity/exile of Israel (e.g., Ps 106:46; 137:3), and almost certainly that allusion is intended here. The captivity of the nations (in the Judgment) mirrors the historical captivity of Israel/Judah; that earlier captivity reflected YHWH’s judgment(s) against His people, but it is the surrounding nations who will be “carried away” in the end-time Judgment (viz., the “Day of YHWH”). The wicked (also designated “sons of crookedness”) will no longer be found among the righteous; they will have been removed. The noun hl*w+u^ (“crookedness”) often carries the more forcefully negative connotation of “injustice, wickedness”; for the specific expression “sons of crookedness” (hl*w+u^ yn@B=), cf. 2 Sam 3:34; 7:10; Ps 89:23[22]; 1 Chron 17:9. As a designation for the wicked, the expression is comparable to “sons of worthlessness” (lu^Y~l!B= yn@B=, cf. the “Apostrophe to Judah below), with /B@ (“son”) used categorically for the characteristic behavior (and identity) of persons belonging to a particular group.
Lines 8-11
“[And will give (forth)] (the) heave[n]s their dew,
and there will be no scorchi[ng within t]heir borders;
and (the) earth [will give (forth)] her fruit in her time,
and not will be lean [(the) out]put coming from her!”
The Judgment results in punishment for the wicked, but blessing for the righteous. The end-time blessing is described here in terms of the fertility of the land (cf. Joel 3:19-27, etc.). The heavens will give forth water (lit., “dew”, but standing for “rain”, etc., cf. Psalm 133:3) plentifully, at the right time, to enable the growth of vegetation and crops. There will no longer be any scorching heat (/opD*v!) to dry up the vegetation. The third person plural suffix (“within their borders”), in context here, refers to “(the) heavens” (dual) in line 1—i.e., the earth lies between the bounds of the upper hemisphere (the ‘dome’ of the heavens). However, it also surely alludes to the righteous ones of God’s people, and to the borders of their land. The two-fold nature of the cosmos (“heavens” and “earth”) is reflected in the poetic parallelism of these two couplets. The heaven gives the rain, and the earth produces fruit. In the second line, the blessing is expressed in negative (privative) terms—there will not be any searing drought (from heaven) nor leanness of output (from the earth). The verb vj^K* properly means “be(come) lean”, but it can also carry a range of connotative and associated meanings: “deceive, delude, deny, contradict, feign/pretend”. For the use of this verb in the context of the failure of plants and crops to bear fruit, cf. Hos 9:2; Hab 3:17.
Lines 11-14
“(The) trees of fruit [will . . .] their vines,
and will not be le[an (the) out]put from them;
(the one)s pressed down will eat and be satisfied,
(those) fearing YHWH [. . . ]
….”
The promise of blessing (in terms of fertility) continues here, referring specifically to the fruit trees and vines. Again, it is declared that the output will not be lean (vb vj^K*); rather, the output will be abundant, so that the righteous will be able to eat their fill and be satisfied (vb ub^v*).
The righteous are characterized with traditional terminology, as those who fear (ar@y`, i.e., revere, honor, and obey) YHWH, but as also as ones who are “bent/pressed down (low)” (wn`u*). This term wn`u* (along with the related yn]u*) occurs frequently (especially in the Psalms) as characteristic of the righteous. It denotes a pressed-down and low(ly) state, with three distinct aspects of meaning: (a) poverty and need, (b) experience of affliction and oppression (often at the hands of the wicked), and (c) an attitude of humility and devotion (to YHWH).
Apostrophe to Judah (4QPsf, Col. X)
The poem in Column X is generally regarded as a separate composition distinct from the “Eschatological Hymn” of Col. IX (above); however, one should at least consider the possibility that it represents a continuation of the Col. IX Hymn.
Lines 5-6
“Then let (the) heavens and earth give praise as one,
now let (the) stars of (the) twilight give (out) praise!”
As with the “Eschatological Hymn”, the opening lines of this “Apostrophe to Judah” are almost completely missing from the lost beginning of the column (only part of a single word remains from line four). The initial word of line 5 (apparently, “and from them”, <hmw) presumably represents the end of a couplet (and probably the first two couplets [?] of the composition), but the context cannot be determined. In the first surviving couplet, the Psalmist calls upon the entire universe (“heavens and earth”) to give praise to YHWH—an orientation that we find occasionally in the canonical Psalms, particularly those which focus on the universal Kingship of YHWH (cf. 69:35[34]; 89:6[5]; 96:11; 148:4), however the specific mention of the stars (and the expression “stars of twilight”) is more unusual (but see Ps 148:3; Job 38:7). A number of Psalms express the idea of nature (the heavens, etc.) speaking or singing out in praise (or witness) of YHWH’s greatness and righteousness, etc. (viz., His identity as Creator and King/Judge of the universe); cf. 19:1ff; 50:6; 97:6.
Lines 7-10
“Be glad (now), O Yehudah, in your (great) gladness!
Be glad (in) your gladness, twirl (with) your twirling!
Go round your festive rounds, fulfill your v[o]ws—
for no (longer) is Beliyya‘al in your midst!”
After the call for heaven and earth to give praise, the Psalmist calls on Judah to rejoice, giving forth expressions of praise and joy in light of the expected (end-time) blessings that are coming to her (cf. the “Eschatological Hymn” above). In the second line, this joy is further expressed in terms of spinning round (i.e., twirling, dancing), lyG]; this is a regular praise-term in the Psalms. The verbal root ggj^ has a comparable meaning (“go round”, i.e., in a dance, procession, or festal celebration), though the noun gj^ came to refer specifically to a religious festival—and to the pilgrimage festivals prescribed by the Torah (cf. Arabic ḥajj and ḥijjat). To preserve the connection with lyG! (in the previous line), I have translated the verb gg~j* simply as “go round”, with the plural of gj~ as “festive rounds”. For the faithful ones of Israel/Judah, their joy is expressed by fulfilling the religious obligations (such as regarding the festivals and vows) of the covenant (viz., the Torah precepts and regulations, etc.).
The reason for their joy is specified in the final line (of this quatrain): Belial is no longer “in their midst”. In light of the reference to the “sons of crookedness” in the “Eschatological Hymn” (see above), this mention of ‘Belial’ (lu^Y~l!B=) is perhaps to be understood as a shorthand for the expression “sons of worthlessness” (lu^Y~l!B= yn@B=), which occurs numerous times in the Scriptures. However, by the time that this hymn was composed, the noun lu^Y~l!B= had come to be used as a term for a personal (or personified) spirit of wickedness and corruption. This shift in meaning may already be evident in the Book of Jubilees (mid-second century B.C.), cf. 1:20 along with 15:33, but it had definitely occurred in the sectarian writings of the Qumran Community (e.g., the Rule [1QS], the War Scroll [1QM], and the Thanksgiving Hymns [Hodayot, 1QH])—in these writings “Belial” has become a proper name, just in the New Testament (2 Cor 6:15) and other early Christian (and contemporary Jewish) texts (e.g., the Sibylline Oracles 2.167; 3.63, 73; Martyrdom of Isaiah 1:8f; 2:4). With the coming of the end-time Judgment, the wicked (i.e., “sons of Belial”), along with the evil spirit that inspires their wickedness, are to be removed from the midst of the righteous.
Lines 10-13
“May your hand be raised high, your right hand be strong!
See—(the) hostile (one)s shall perish,
and shall be scattered, all (those) [mak]ing trouble!”
This tricolon (which could also be parsed as a quatrain) makes clear that the term lu^Y~l!B= (‘Belial’) in the previous line refers primarily to the wicked (viz., the “sons of Belial”, “sons of worthlessness” = “sons of crookedness [hl*w+u^]” in the Eschatological Hymn). The wicked will be removed from the midst of the righteous. In the prior Hymn, this was described in terms of captivity/exile (vb hb*v*), as it also is here with the verb dr^P* (“[be] spread out, scattered”). But, from the standpoint of the Judgment, this also (practically) means the death/destruction of the wicked, as expressed by the verb db^a* (“perish”). It is a general religious principle (emphasized especially in the Wisdom literature) that the wicked will ultimately perish, but here it finds eschatological realization (in the Judgment). The wicked are “hostile” toward the righteous, and thus are the enemies of God’s people, even as (historically) the surrounding nations have been adversaries of Israel/Judah. The call for Judah to have a (right) hand that is strong and raised/lifted high, suggests that the righteous ones (of Israel/Judah) may play a role in the defeat and expulsion/destruction of the wicked. The Qumran Community certainly held such an expectation as part of their own religious identity, as expressed most thoroughly (and vividly) in the War Scroll (1QM).
Lines 13-15
“But you, O YHWH, shall be unto (the) dista[nt] (future)—
your weight into (the) dista[nt (future) even ti]ll (the end)!
[Pr]aise YH(WH)!”
The hymn ends with this couplet of praise to YHWH, declaring that His Kingship will last into the far distant future (i.e., forever). The eternal life and existence of YHWH is contrasted with the brief life of the wicked that comes to an end with the Judgment (cf. the tricolon above). The temporal-durative expressions <l*oul= (“into/into [the] distant [future]”) and du^ (“until [the end]”) occur frequently in the Psalms.
The noun dobK* means “weight”, often in the sense of “worth, value”; as applied to God, it indicates that which makes Him worthy of praise—His greatness and holiness, His Divine splendor, etc. In terms of the Kingship of YHWH, it also specifically refers to His majesty.
The work concludes with the traditional exhortation Hy` Wll=h^ (Halelû Yāh), “Praise YH(WH)!” This call to praise occurs a number of times in the canonical Psalms, most notably in the final collection (146-150) where it opens and closes each Psalm.
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In the next study, we will look at the last of the extracanonical Psalms in the Qumran Psalm scrolls—namely, the three exorcism psalms that occur grouped together (along with Psalm 91) in the Cave 11 ‘Apocryphal Psalms’ scroll (11QPsApa [11Q11])
The reference “DSS Bible” is to The Dead Sea Scrolls Bible, translated with commentary by Martin Abegg, Jr., Peter Flint, and Eugene Ulrich (HarperCollins: 1999).
